Search

Search results for 'andy warhol'

Exhibitions
Andy Warhol: 20 Under 20 | 9 February - 18 March 2023
Consequently, the international demand for all things ‘Warhol’ has meant that the value of his work is on an upward trajectory, with Shot Sage Blue Marilyn selling for a record breaking $195 million i... View Page
Exhibitions
Andy Warhol: 20 Under 20 | 9 February - 18 March 2023
Consequently, the international demand for all things ‘Warhol’ has meant that the value of his work is on an upward trajectory, with Shot Sage Blue Marilyn selling for a record breaking $195 million i... View Page
Exhibitions
Andy Warhol: 20 Under 20 | 9 February - 18 March 2023
Consequently, the international demand for all things ‘Warhol’ has meant that the value of his work is on an upward trajectory, with Shot Sage Blue Marilyn selling for a record breaking $195 million i... View Page
Exhibitions
Andy Warhol: 20 Under 20 | 9 February - 18 March 2023
Consequently, the international demand for all things ‘Warhol’ has meant that the value of his work is on an upward trajectory, with Shot Sage Blue Marilyn selling for a record breaking $195 million i... View Page
Exhibitions
Andy Warhol: 20 Under 20 | 9 February - 18 March 2023
Consequently, the international demand for all things ‘Warhol’ has meant that the value of his work is on an upward trajectory, with Shot Sage Blue Marilyn selling for a record breaking $195 million i... View Page
Exhibitions
Andy Warhol: 20 Under 20 | 9 February - 18 March 2023
Consequently, the international demand for all things ‘Warhol’ has meant that the value of his work is on an upward trajectory, with Shot Sage Blue Marilyn selling for a record breaking $195 million i... View Page
Exhibitions
Andy Warhol: 20 Under 20 | 9 February - 18 March 2023
Consequently, the international demand for all things ‘Warhol’ has meant that the value of his work is on an upward trajectory, with Shot Sage Blue Marilyn selling for a record breaking $195 million i... View Page
Exhibitions
Andy Warhol: 20 Under 20 | 9 February - 18 March 2023
Consequently, the international demand for all things ‘Warhol’ has meant that the value of his work is on an upward trajectory, with Shot Sage Blue Marilyn selling for a record breaking $195 million i... View Page
Exhibitions
Andy Warhol: 20 Under 20 | 9 February - 18 March 2023
Consequently, the international demand for all things ‘Warhol’ has meant that the value of his work is on an upward trajectory, with Shot Sage Blue Marilyn selling for a record breaking $195 million i... View Page
Blog
Happy Birthday Andy Warhol
Born on the 6th of August 1928, today we celebrate the internationally renowned American Pop artist Andy Warhol with five unusual facts about his art and life. View Page
Artists
Andy Warhol
Discover Andy Warhol's signed prints and editions at Shapero Modern, featuring pop art masterpieces with his signature commentary on culture. View Page
Artists
Andy Warhol, Electric Chair, 1971
Screenprint in colours, 1971, on wove paper, signed and dated in ball point pen on the reverse, numbered from the edition of 250 (there were also 50 Artist’s proofs) with a rubber stamp on the reverse... View Page
Artists
Andy Warhol, Mick Jagger, 1975
Andy Warhol and Mick Jagger first met at a party in New York, 1964, and maintained a strong professional and personal relationship until Warhol’s untimely death in 1987. In the summer of 1975, whilst ... View Page
Artists
Andy Warhol, Shoes, 1980
Andy Warhol loved to draw them: high heels, pumps, or jeweled stilettos. Many of them were blotted-line drawings, filled in with colour, and created when the artist was a commercial fashion illustrato... View Page
Artists
Andy Warhol, Siberian Tiger, From Endangered Species, 1983
Andy Warhol Siberian Tiger, From Endangered Species, 1983 Signed in pencil and numbered from the edition of 150 (total edition includes 30 artist's proofs) Screenprint in colours 38 x 38 in 96.5 x 96.... View Page
Artists
Andy Warhol, Rebel Without a Cause (James Dean), from Ads, 1985
Rebel Without a Cause is a part of Andy Warhol’s 1985 Ads portfolio. This series features ten screenprints based on massively successful corporate advertisements. The print, which features Hollywood a... View Page
Artists
Andy Warhol, Henry Geldzahler, from The Geldzahler Portfolio, 1964
Video transfer of black and white film, 16mm, silent, 99 minutes in length,1964, courtesy of the Andy Warhol Foundation for the Visual Arts, 10.5 x 19 x 3 cm. (4¼ x 7½ in.) View Page
Artists
Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the ... View Page
Artists
Andy Warhol, Waterzoie, from Wild Raspberries, 1959
Offset lithograph with hand-colouring, 1959, on wove paper as issued, from the edition of unknown size, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts o... View Page
Artists
Andy Warhol, Untitled, from 25 Cats Name[d] Sam and One Blue Pussy, 1954
Offset lithograph, circa 1954, on wove paper, from the limited edition of unknown size, with the Estate of Andy Warhol and the Warhol Foundation ink stamps on the reverse, 30.5 x 22.9 cm. (12 x 9 in.)... View Page
Artworks
Andy Warhol, Siberian Tiger, From Endangered Species, 1983
Andy Warhol Siberian Tiger, From Endangered Species, 1983 Signed in pencil and numbered from the edition of 150 (total edition includes 30 artist's proofs) Screenprint in colours 38 x 38 in 96.5 x 96.... View Page
Artworks
Andy Warhol, Shoes, 1980
Andy Warhol loved to draw them: high heels, pumps, or jeweled stilettos. Many of them were blotted-line drawings, filled in with colour, and created when the artist was a commercial fashion illustrato... View Page
Artworks
Andy Warhol, Mick Jagger, 1975
Andy Warhol and Mick Jagger first met at a party in New York, 1964, and maintained a strong professional and personal relationship until Warhol’s untimely death in 1987. In the summer of 1975, whilst ... View Page
Artworks
Andy Warhol, Electric Chair, 1971
Screenprint in colours, 1971, on wove paper, signed and dated in ball point pen on the reverse, numbered from the edition of 250 (there were also 50 Artist’s proofs) with a rubber stamp on the reverse... View Page
Artworks
Andy Warhol, Henry Geldzahler, from The Geldzahler Portfolio, 1964
Video transfer of black and white film, 16mm, silent, 99 minutes in length,1964, courtesy of the Andy Warhol Foundation for the Visual Arts, 10.5 x 19 x 3 cm. (4¼ x 7½ in.) View Page
Artworks
Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the ... View Page
Artworks
Andy Warhol, Waterzoie, from Wild Raspberries, 1959
Offset lithograph with hand-colouring, 1959, on wove paper as issued, from the edition of unknown size, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts o... View Page
Artworks
Julia Warhola (Andy Warhol's mother), Holy Cats, 1954
Andy Warhol’s mother, Julia Warhola was an artist in her own right and provided the calligraphy to hundreds of her son’s album covers, advertisements and book illustrations. In Holy Cats, however, she... View Page
Artworks
Andy Warhol, Untitled, from 25 Cats Name[d] Sam and One Blue Pussy, 1954
Offset lithograph, circa 1954, on wove paper, from the limited edition of unknown size, with the Estate of Andy Warhol and the Warhol Foundation ink stamps on the reverse, 30.5 x 22.9 cm. (12 x 9 in.)... View Page
Artworks
Andy Warhol, Rebel Without a Cause (James Dean), from Ads, 1985
Rebel Without a Cause is a part of Andy Warhol’s 1985 Ads portfolio. This series features ten screenprints based on massively successful corporate advertisements. The print, which features Hollywood a... View Page
Exhibitions
Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the ... View Page
Exhibitions
Andy Warhol, Electric Chair, 1971
Screenprint in colours, 1971, on wove paper, signed and dated in ball point pen on the reverse, numbered from the edition of 250 (there were also 50 Artist’s proofs) with a rubber stamp on the reverse... View Page
Artworks
Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the ... View Page
Artworks
Andy Warhol, Greengages a la Warhol, from Wild Raspberries, 1959
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithographic title page printed in black on the reverse as issued, with the inkstamps of T... View Page
Exhibitions
Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the ... View Page
Exhibitions
Andy Warhol, Waterzoie, from Wild Raspberries, 1959
Offset lithograph with hand-colouring, 1959, on wove paper as issued, from the edition of unknown size, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts o... View Page
Exhibitions
Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the ... View Page
Blog
Andy Warhol's Blotted Line Drawing
Artists Andy Warhol (front), Dorothy Cantor, and Philip Pearlstein at Carnegie Tech in 1948. In 1950s New York, before the... View Page
Blog
Happy Birthday Andy Warhol
Born on the 6th of August 1928, today we celebrate the internationally renowned American Pop artist Andy Warhol with five unusual facts about his art and life. View Page
Artists
Andy Warhol, Cheddar Cheese, from Campbell’s Soup II, 1969
Screenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp, verso, from the edition of 250 (there were also 26 artist's proofs lettered A-Z), printed by Sal... View Page
Artists
Andy Warhol, Flowers: One Plate (F & S II.70), 1970
Screenprint in colours, 1970, on wove paper, signed in ball-point pen on the reverse, stamp-numbered from the edition of 250 (there were also 26 artist’s proofs lettered A-Z), published by Factory Add... View Page
Artists
Andy Warhol, Ladies and Gentlemen, 1975
Screenprint in colours, 1975, on textured watercolour Arches paper, signed by the artist in pencil on the reverse, numbered from the edition of 250 (there were also 50 artist’s proofs in roman numeral... View Page
Artists
Andy Warhol, Peaches, from Space Fruits: Still Lifes, 1979
Screenprint in colours, 1979, on Lennox Museum board, signed and numbered 67th from the edition of 150, printed by Rupert Jasen Smith and Joe Grippi, New York, published by Grippi/Zivian, Inc., New Yo... View Page
Artists
Andy Warhol, Grace Kelly, 1984
Screenprint in colours, 1984, on Lenox Museum Board, signed in pencil and numbered from the edition of 225 (there were also 30 artists proofs), printed by Rupert Jasen Smith, New York, published by In... View Page
Artists
Andy Warhol, Queen Ntombi Twala, 1985
Queen Ntombi Twala is one of four portraits which makeup Warhol’s renowned portfolio Reigning Queens, 1985. Each of the four Queens were chosen by the artist because they assumed their thrones through... View Page
Artists
Andy Warhol, Marilyn, 1967
One of ten prints from Warhol's iconic Marilyn Monroe portfolio. The image derives from a publicity photograph by Gene Kornman for the 1953 film Niagara. In 1967, Warhol established a print-publishing... View Page
Artists
Andy Warhol, Cream of Mushroom, from Campbell’s Soup I, 1968
Warhol’s Campbell’s Soup has become a defining emblem of American consciousness. Beef Consommé was first created by Warhol in 1962 as one of the 32 paintings of Campbell’s soup flavours exhibited in h... View Page
Artists
Andy Warhol, Tomato Soup, from Campbell's Soup I, 1968
Warhol’s ‘Campbell’s Soup’ has become a defining emblem of American consciousness. ‘Tomato Soup’ was first created by Warhol in 1962 as one of the 32 paintings of Campbell’s soup flavours exhibited in... View Page
Artists
Andy Warhol, Mao (II 97), 1972
Warhol’s idea for creating portraits of Mao Zedong, the Chinese Communist revolutionary, began, according to Bob Colacello’s biography of Warhol, Holy Terror, with Bruno Bischofberger, Warhol’s longti... View Page
Artists
Andy Warhol, Goethe (F. & S. II.270) , 1982
This screenprint is based on a painting by the German artist Johann Tischbein. It depicts Goethe, a key figure in German literature as a traveller in a landscape of ruins. Warhol has cropped the origi... View Page
Artists
Andy Warhol, Grevy's Zebra, From Endangered Species, 1985
Screenprint in colours, signed in pencil and numbered from the edition of 150 (total edition includes 30 artist's proofs), on Lenox Museum Board, with the blindstamp of the printer, Rupert Jasen Smith... View Page
Artists
Andy Warhol, Queen Elizabeth II, from Reigning Queens, 1985
The present work is one of four portraits forming Warhol's renowned portfolio ‘Reigning Queens’. Completed towards the end of his life, the portfolio is considered one of his most notable and iconic w... View Page
Artists
Andy Warhol, Northwest Coast Mask, from Cowboys and Indians, 1986
Screenprint in colours, 1986, on Lenox Museum Board, signed in pencil, numbered from the edition of 250 (there were also 50 artist's proofs), printed by Rupert Jason Smith, New York, published by Gaul... View Page
Artists
Andy Warhol, Lincoln Center Ticket, 1967, 1967
Screenprint in colours on wove paper, 1967, signed by the artist in ink, from the edition of 500, published by List Art Posters for Lincoln Center for the Performing Arts, 114 x 61 cm. (45 x 24 in.) View Page
Artworks
Andy Warhol, Grace Kelly, 1984
Screenprint in colours, 1984, on Lenox Museum Board, signed in pencil and numbered from the edition of 225 (there were also 30 artists proofs), printed by Rupert Jasen Smith, New York, published by In... View Page
Artworks
Andy Warhol, Goethe (F. & S. II.270) , 1982
This screenprint is based on a painting by the German artist Johann Tischbein. It depicts Goethe, a key figure in German literature as a traveller in a landscape of ruins. Warhol has cropped the origi... View Page
Artworks
Andy Warhol, Peaches, from Space Fruits: Still Lifes, 1979
Screenprint in colours, 1979, on Lennox Museum board, signed and numbered 67th from the edition of 150, printed by Rupert Jasen Smith and Joe Grippi, New York, published by Grippi/Zivian, Inc., New Yo... View Page
Artworks
Andy Warhol, Ladies and Gentlemen, 1975
Screenprint in colours, 1975, on textured watercolour Arches paper, signed by the artist in pencil on the reverse, numbered from the edition of 250 (there were also 50 artist’s proofs in roman numeral... View Page
Artworks
Andy Warhol, Mao (II 97), 1972
Warhol’s idea for creating portraits of Mao Zedong, the Chinese Communist revolutionary, began, according to Bob Colacello’s biography of Warhol, Holy Terror, with Bruno Bischofberger, Warhol’s longti... View Page
Artworks
Andy Warhol, Flowers: One Plate (F & S II.70), 1970
Screenprint in colours, 1970, on wove paper, signed in ball-point pen on the reverse, stamp-numbered from the edition of 250 (there were also 26 artist’s proofs lettered A-Z), published by Factory Add... View Page
Artworks
Andy Warhol, Cheddar Cheese, from Campbell’s Soup II, 1969
Screenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp, verso, from the edition of 250 (there were also 26 artist's proofs lettered A-Z), printed by Sal... View Page
Artworks
Andy Warhol, Cream of Mushroom, from Campbell’s Soup I, 1968
Warhol’s Campbell’s Soup has become a defining emblem of American consciousness. Beef Consommé was first created by Warhol in 1962 as one of the 32 paintings of Campbell’s soup flavours exhibited in h... View Page
Artworks
Andy Warhol, Tomato Soup, from Campbell's Soup I, 1968
Warhol’s ‘Campbell’s Soup’ has become a defining emblem of American consciousness. ‘Tomato Soup’ was first created by Warhol in 1962 as one of the 32 paintings of Campbell’s soup flavours exhibited in... View Page
Artworks
Andy Warhol, Lincoln Center Ticket, 1967, 1967
Screenprint in colours on wove paper, 1967, signed by the artist in ink, from the edition of 500, published by List Art Posters for Lincoln Center for the Performing Arts, 114 x 61 cm. (45 x 24 in.) View Page
Artworks
Andy Warhol, Marilyn, 1967
One of ten prints from Warhol's iconic Marilyn Monroe portfolio. The image derives from a publicity photograph by Gene Kornman for the 1953 film Niagara. In 1967, Warhol established a print-publishing... View Page
Artworks
Andy Warhol, Queen Ntombi Twala, 1985
Queen Ntombi Twala is one of four portraits which makeup Warhol’s renowned portfolio Reigning Queens, 1985. Each of the four Queens were chosen by the artist because they assumed their thrones through... View Page
Artworks
Andy Warhol, Queen Elizabeth II, from Reigning Queens, 1985
The present work is one of four portraits forming Warhol's renowned portfolio ‘Reigning Queens’. Completed towards the end of his life, the portfolio is considered one of his most notable and iconic w... View Page
Artworks
Andy Warhol, Grevy's Zebra, From Endangered Species, 1985
Screenprint in colours, signed in pencil and numbered from the edition of 150 (total edition includes 30 artist's proofs), on Lenox Museum Board, with the blindstamp of the printer, Rupert Jasen Smith... View Page
Artworks
Andy Warhol, Northwest Coast Mask, from Cowboys and Indians, 1986
Screenprint in colours, 1986, on Lenox Museum Board, signed in pencil, numbered from the edition of 250 (there were also 50 artist's proofs), printed by Rupert Jason Smith, New York, published by Gaul... View Page
Artworks
Manolo Valdés, Profil (Andy Warhol), 2008
Etching, aquatint, drypoint and collage in colours, 2008, on handmade paper, signed in pencil, a unique proof aside from the edition of eight, 122.7 x 92.5 cm. (48¼ x 36½ in.) View Page
Events
Andy Warhol, Grace Kelly, 1984
Screenprint in colours, 1984, on Lenox Museum Board, signed in pencil and numbered from the edition of 225 (there were also 30 artists proofs), printed by Rupert Jasen Smith, New York, published by In... View Page
Events
Andy Warhol, Queen Ntombi Twala, 1985
Queen Ntombi Twala is one of four portraits which makeup Warhol’s renowned portfolio Reigning Queens, 1985. Each of the four Queens were chosen by the artist because they assumed their thrones through... View Page
Exhibitions
Andy Warhol, Peaches, from Space Fruits: Still Lifes, 1979
Screenprint in colours, 1979, on Lennox Museum board, signed and numbered 67th from the edition of 150, printed by Rupert Jasen Smith and Joe Grippi, New York, published by Grippi/Zivian, Inc., New Yo... View Page
Exhibitions
Andy Warhol, Grace Kelly, 1984
Screenprint in colours, 1984, on Lenox Museum Board, signed in pencil and numbered from the edition of 225 (there were also 30 artists proofs), printed by Rupert Jasen Smith, New York, published by In... View Page
Exhibitions
Andy Warhol, Queen Ntombi Twala, 1985
Queen Ntombi Twala is one of four portraits which makeup Warhol’s renowned portfolio Reigning Queens, 1985. Each of the four Queens were chosen by the artist because they assumed their thrones through... View Page
Exhibitions
Andy Warhol, Ladies and Gentlemen, 1975
Screenprint in colours, 1975, on textured watercolour Arches paper, signed by the artist in pencil on the reverse, numbered from the edition of 250 (there were also 50 artist’s proofs in roman numeral... View Page
Exhibitions
Andy Warhol, Queen Ntombi Twala, 1985
Queen Ntombi Twala is one of four portraits which makeup Warhol’s renowned portfolio Reigning Queens, 1985. Each of the four Queens were chosen by the artist because they assumed their thrones through... View Page
Exhibitions
Manolo Valdés, Profil (Andy Warhol), 2008
Etching, aquatint, drypoint and collage in colours, 2008, on handmade paper, signed in pencil, a unique proof aside from the edition of eight, 122.7 x 92.5 cm. (48¼ x 36½ in.) View Page
Exhibitions
Andy Warhol, Ladies and Gentlemen, 1975
Screenprint in colours, 1975, on textured watercolour Arches paper, signed by the artist in pencil on the reverse, numbered from the edition of 250 (there were also 50 artist’s proofs in roman numeral... View Page
Exhibitions
Manolo Valdés, Profil (Andy Warhol), 2008
Etching, aquatint, drypoint and collage in colours, 2008, on handmade paper, signed in pencil, a unique proof aside from the edition of eight, 122.7 x 92.5 cm. (48¼ x 36½ in.) View Page
Artworks
Andy Warhol, Waterzoie, from Wild Raspberries, 1959
‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature blotted line technique. Alongside ‘A Gold Book’, 1957, ‘Wild Raspberries’ is c... View Page
Artworks
Andy Warhol, Greengages a la Warhol, from Wild Raspberries, 1959
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithographic title page printed in black on the reverse as issued, with the inkstamps of T... View Page
Artworks
Andy Warhol, Ladies and Gentlemen, 1975
Screenprint in colours, 1975, on textured watercolour Arches paper, signed by the artist in pencil on the reverse, numbered from the edition of 250 (there were also 50 artist’s proofs in roman numeral... View Page
Artworks
Andy Warhol, Queen Ntombi Twala, 1985
Queen Ntombi Twala is one of four portraits which makeup Warhol’s renowned portfolio Reigning Queens, 1985. Each of the four Queens were chosen by the artist because they assumed their thrones through... View Page
Artworks
Andy Warhol, Tomato Soup, from Campbell's Soup I, 1968
Warhol’s ‘Campbell’s Soup’ has become a defining emblem of American consciousness. ‘Tomato Soup’ was first created by Warhol in 1962 as one of the 32 paintings of Campbell’s soup flavours exhibited in... View Page
Artworks
Andy Warhol, Flowers (Hand-Colored) (F & S II.118), 1974
Unique screenprint in black and white, hand-coloured with Dr. Martin’s aniline watercolor dyes on Arches paper and J. Green paper, initialled in pencil by the artist, also signed by the artist in penc... View Page
Artworks
Andy Warhol, Flowers (Hand-Colored) (F & S II.116), 1974
Unique screenprint in black and white, hand-coloured with Dr. Martin’s aniline watercolor dyes on Arches paper and J. Green paper, initialled in pencil by the artist, also signed by the artist in penc... View Page
Artworks
Andy Warhol, Queen Elizabeth II, from Reigning Queens, 1985
The present work is one of four portraits forming Warhol's renowned portfolio ‘Reigning Queens’. Completed towards the end of his life, the portfolio is considered one of his most notable and iconic w... View Page
Artworks
Andy Warhol, Cheddar Cheese, from Campbell's Soup II, 1969
Screenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp on the reverse, from the edition of 250 (there were also 26 artist's proofs lettered A-Z), printe... View Page
Exhibitions
Andy Warhol, Flowers: One Plate (F & S II.70), 1970
Screenprint in colours, 1970, on wove paper, signed in ball-point pen on the reverse, stamp-numbered from the edition of 250 (there were also 26 artist’s proofs lettered A-Z), published by Factory Add... View Page
Exhibitions
Andy Warhol, Peaches, from Space Fruits: Still Lifes, 1979
Screenprint in colours, 1979, on Lennox Museum board, signed and numbered 67th from the edition of 150, printed by Rupert Jasen Smith and Joe Grippi, New York, published by Grippi/Zivian, Inc., New Yo... View Page
Exhibitions
Andy Warhol, Peaches, from Space Fruits: Still Lifes, 1979
Screenprint in colours, 1979, on Lennox Museum board, signed and numbered 67th from the edition of 150, printed by Rupert Jasen Smith and Joe Grippi, New York, published by Grippi/Zivian, Inc., New Yo... View Page
Artworks
Manolo Valdés, Profil (Andy Warhol), 2008
Etching, aquatint, drypoint and collage in colours, 2008, on handmade paper, signed in pencil, a unique proof aside from the edition of eight, 122.7 x 92.5 cm. (48¼ x 36½ in.) View Page
Art fairs
Andy Warhol, Grace Kelly, 1984
Screenprint in colours, 1984, on Lenox Museum Board, signed in pencil and numbered from the edition of 225 (there were also 30 artists proofs), printed by Rupert Jasen Smith, New York, published by In... View Page
Art fairs
Andy Warhol, Queen Ntombi Twala, 1985
Queen Ntombi Twala is one of four portraits which makeup Warhol’s renowned portfolio Reigning Queens, 1985. Each of the four Queens were chosen by the artist because they assumed their thrones through... View Page
Blog
There are Fairies in the Bottom of Andy Warhol's Garden!
While the Summer heatwave continues, let's take refuge at the bottom of Andy Warhol’s garden. Currently on exhibition at our flagship gallery on New Bond Street, is Andy Warhol's series 'In the Bottom... View Page
Artists
Manolo Valdés, Profil (Andy Warhol), 2008
Etching, aquatint, drypoint and collage in colours, 2008, on handmade paper, signed in pencil, a unique proof aside from the edition of eight, 122.7 x 92.5 cm. (48¼ x 36½ in.) View Page
Blog
Andy Warhol's Blotted Line Drawing
Artists Andy Warhol (front), Dorothy Cantor, and Philip Pearlstein at Carnegie Tech in 1948. In 1950s New York, before the... View Page
Blog
There are Fairies in the Bottom of Andy Warhol's Garden!
While the Summer heatwave continues, let's take refuge at the bottom of Andy Warhol’s garden. Currently on exhibition at our flagship gallery on New Bond Street, is Andy Warhol's series 'In the Bottom... View Page
Blog
Happy Birthday Andy Warhol
Born on the 6th of August 1928, today we celebrate the internationally renowned American Pop artist Andy Warhol with five unusual facts about his art and life. View Page
Blog
There are Fairies in the Bottom of Andy Warhol's Garden!
While the Summer heatwave continues, let's take refuge at the bottom of Andy Warhol’s garden. Currently on exhibition at our flagship gallery on New Bond Street, is Andy Warhol's series 'In the Bottom... View Page
Artworks
Andy Warhol, Waterzoie, from Wild Raspberries, 1959
‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature blotted line technique. Alongside ‘A Gold Book’, 1957, ‘Wild Raspberries’ is c... View Page
Artworks
Andy Warhol, Flowers (Hand-Colored) (F & S II.118), 1974
Unique screenprint in black and white, hand-coloured with Dr. Martin’s aniline watercolor dyes on Arches paper and J. Green paper, initialled in pencil by the artist, also signed by the artist in penc... View Page
Artworks
Andy Warhol, Flowers (Hand-Colored) (F & S II.116), 1974
Unique screenprint in black and white, hand-coloured with Dr. Martin’s aniline watercolor dyes on Arches paper and J. Green paper, initialled in pencil by the artist, also signed by the artist in penc... View Page
Artworks
Andy Warhol, Queen Elizabeth II, from Reigning Queens, 1985
The present work is one of four portraits forming Warhol's renowned portfolio ‘Reigning Queens’. Completed towards the end of his life, the portfolio is considered one of his most notable and iconic w... View Page
Artworks
Andy Warhol, Cheddar Cheese, from Campbell's Soup II, 1969
Screenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp on the reverse, from the edition of 250 (there were also 26 artist's proofs lettered A-Z), printe... View Page
Blog
#WarholWednesday - Turtle
Andy Warhol ’s Turtle , 1985 is a metamorphic portrait of a sea turtle in shades of purples, pinks, and... View Page
Blog
#WarholWednesday - The Star
Andy Warhol ’s Myths (1981) is a portfolio of 10 prints that includes: The Star, The Witch, Howdy Doody, Uncle... View Page
Blog
#WarholWednesday - Mick Jagger
Andy Warhol met Mick Jagger in 1963 when the Rolling Stones were relatively unknown in the United States. Warhol had... View Page
Blog
#WarholWednesday - Vesuvius
In ‘Vesuvius ’, Andy Warhol represents the magnificence and grandeur of the Neapolitan icon in his typical Pop Art style.... View Page
Blog
#WarholWednesday - Shoes
High heels, pumps, or jeweled stilettos, Andy Warhol loved to draw them all. Many of them were blotted-line drawings, filled... View Page
Blog
#WarholWednesday - Birth of Venus
Andy WARHOL Sandro Botticelli, Birth of Venus, 1984 Screenprint on Arches Aquarelle (Cold Pressed) paper Edition of 70 ‘When you... View Page
Blog
#WarholWednesday - Black Rhinoceros
Black Rhinoceros is part of Andy Warhol ’s influential 1983 Endangered Species series. Following an impassioned conversation with his New... View Page
Blog
#WarholWednesday - Committee 2000
Andy Warhol ’s ‘Committee 2000’ was commissioned and published by a group called Committee 2000 in Munich, Germany, in 1982... View Page
Blog
Spotlight | Ladies and Gentlemen
Known for his fascination with the iconic, famous and infamous, Andy Warhol captured the likeness of countless household names, however... View Page
Exhibitions
Made in America | 24 November 2022 - 8 February 2023
Our new exhibition ‘Made in America’ is now open at our Maddox Street gallery until the end of January 2023. The show features original prints by some of the greatest American artists of the 20th cent... View Page
Exhibitions
Made in America | 24 November 2022 - 8 February 2023
Our new exhibition ‘Made in America’ is now open at our Maddox Street gallery until the end of January 2023. The show features original prints by some of the greatest American artists of the 20th cent... View Page
Exhibitions
Made in America | 24 November 2022 - 8 February 2023
Our new exhibition ‘Made in America’ is now open at our Maddox Street gallery until the end of January 2023. The show features original prints by some of the greatest American artists of the 20th cent... View Page
Exhibitions
Made in America | 24 November 2022 - 8 February 2023
Our new exhibition ‘Made in America’ is now open at our Maddox Street gallery until the end of January 2023. The show features original prints by some of the greatest American artists of the 20th cent... View Page
Exhibitions
The Modern Muse | 22 October - 24 November 2024
Visit Shapero Modern this autumn and come face to face with some of the most iconic portraits in modern and contemporary art. The Modern Muse will showcase artworks by Pablo Picasso , David Hockney , ... View Page
Exhibitions
Summer Show 2022 | 6 June - 24 August 2022
This is a group exhibition celebrating the brilliance and diversity of modern printmaking techniques with works by Andy Warhol, Alex Katz, David Hockney, Jasper Johns, Joan Miro and Pablo Picasso. Cli... View Page
Exhibitions
Summer Show 2022 | 6 June - 24 August 2022
This is a group exhibition celebrating the brilliance and diversity of modern printmaking techniques with works by Andy Warhol, Alex Katz, David Hockney, Jasper Johns, Joan Miro and Pablo Picasso. Cli... View Page
Exhibitions
Summer Show 2022 | 6 June - 24 August 2022
This is a group exhibition celebrating the brilliance and diversity of modern printmaking techniques with works by Andy Warhol, Alex Katz, David Hockney, Jasper Johns, Joan Miro and Pablo Picasso. Cli... View Page
Exhibitions
Summer Show 2022 | 6 June - 24 August 2022
This is a group exhibition celebrating the brilliance and diversity of modern printmaking techniques with works by Andy Warhol, Alex Katz, David Hockney, Jasper Johns, Joan Miro and Pablo Picasso. Cli... View Page
Exhibitions
Summer Show 2022 | 6 June - 24 August 2022
This is a group exhibition celebrating the brilliance and diversity of modern printmaking techniques with works by Andy Warhol, Alex Katz, David Hockney, Jasper Johns, Joan Miro and Pablo Picasso. Cli... View Page
Exhibitions
Summer Show 2022 | 6 June - 24 August 2022
This is a group exhibition celebrating the brilliance and diversity of modern printmaking techniques with works by Andy Warhol, Alex Katz, David Hockney, Jasper Johns, Joan Miro and Pablo Picasso. Cli... View Page
Exhibitions
Summer Show 2022 | 6 June - 24 August 2022
This is a group exhibition celebrating the brilliance and diversity of modern printmaking techniques with works by Andy Warhol, Alex Katz, David Hockney, Jasper Johns, Joan Miro and Pablo Picasso. Cli... View Page
Exhibitions
Summer Show 2022 | 6 June - 24 August 2022
This is a group exhibition celebrating the brilliance and diversity of modern printmaking techniques with works by Andy Warhol, Alex Katz, David Hockney, Jasper Johns, Joan Miro and Pablo Picasso. Cli... View Page
Exhibitions
Summer Show 2022 | 6 June - 24 August 2022
This is a group exhibition celebrating the brilliance and diversity of modern printmaking techniques with works by Andy Warhol, Alex Katz, David Hockney, Jasper Johns, Joan Miro and Pablo Picasso. Cli... View Page
Exhibitions
Summer Show 2022 | 6 June - 24 August 2022
This is a group exhibition celebrating the brilliance and diversity of modern printmaking techniques with works by Andy Warhol, Alex Katz, David Hockney, Jasper Johns, Joan Miro and Pablo Picasso. Cli... View Page
Exhibitions
Summer Show 2022 | 6 June - 24 August 2022
This is a group exhibition celebrating the brilliance and diversity of modern printmaking techniques with works by Andy Warhol, Alex Katz, David Hockney, Jasper Johns, Joan Miro and Pablo Picasso. Cli... View Page
Blog
The summer show is now open until 31 August 2025
Open now at the gallery’s flagship space on New Bond Street , the exhibition features artworks by Andy Warhol ,... View Page
Blog
The summer show is now open until 31 August 2025
Open now at the gallery’s flagship space on New Bond Street , the exhibition features artworks by Andy Warhol ,... View Page
Blog
The Top 10 Blue Chip Artists
Discover the leading artists of the 20th and 21st centuries at Shapero Modern. From Pop icons such as Andy Warhol... View Page
Blog
The Top 10 Blue Chip Artists
Discover the leading artists of the 20th and 21st centuries at Shapero Modern. From Pop icons such as Andy Warhol... View Page
Exhibitions
The Modern Muse | 22 October - 24 November 2024
Visit Shapero Modern this autumn and come face to face with some of the most iconic portraits in modern and contemporary art. The Modern Muse will showcase artworks by Pablo Picasso , David Hockney , ... View Page
Exhibitions
The Modern Muse | 22 October - 24 November 2024
Visit Shapero Modern this autumn and come face to face with some of the most iconic portraits in modern and contemporary art. The Modern Muse will showcase artworks by Pablo Picasso , David Hockney , ... View Page
Exhibitions
The Modern Muse | 22 October - 24 November 2024
Visit Shapero Modern this autumn and come face to face with some of the most iconic portraits in modern and contemporary art. The Modern Muse will showcase artworks by Pablo Picasso , David Hockney , ... View Page
Exhibitions
The Modern Muse | 22 October - 24 November 2024
Visit Shapero Modern this autumn and come face to face with some of the most iconic portraits in modern and contemporary art. The Modern Muse will showcase artworks by Pablo Picasso , David Hockney , ... View Page
Exhibitions
The Modern Muse | 22 October - 24 November 2024
Visit Shapero Modern this autumn and come face to face with some of the most iconic portraits in modern and contemporary art. The Modern Muse will showcase artworks by Pablo Picasso , David Hockney , ... View Page
Events
Event: Frieze Masters 2023
Shapero Modern & Shapero Rare Books are honoured to be participating in the 2023 edition of FRIEZE MASTERS, located in the north-west corner of London's Regents Park. Visit us at Stand A08 to see a su... View Page
Search
View Page
Events
Event: Frieze Masters 2023
Shapero Modern & Shapero Rare Books are honoured to be participating in the 2023 edition of FRIEZE MASTERS, located in the north-west corner of London's Regents Park. Visit us at Stand A08 to see a su... View Page
Blog
#WarholWednesday - Kiku
Warhol once remarked, ‘I always notice flowers.' Kiku is a fascinating series that focuses on the chrysanthemum flower, Kiku in... View Page
Blog
#WarholWednesday - Electric Chair
Electric Chair is part of Warhol ’s substantial Death and Disaster series which he started in 1962, early examples of... View Page
Blog
Details of Renaissance Paintings at Art Miami 2024
In 1984, Andy Warhol’ s work took a transformative turn with his Details of Renaissance Paintings series, marking a departure... View Page
Exhibitions
Made in America | 24 November 2022 - 8 February 2023
Our new exhibition ‘Made in America’ is now open at our Maddox Street gallery until the end of January 2023. The show features original prints by some of the greatest American artists of the 20th cent... View Page
Exhibitions
Made in America | 24 November 2022 - 8 February 2023
Our new exhibition ‘Made in America’ is now open at our Maddox Street gallery until the end of January 2023. The show features original prints by some of the greatest American artists of the 20th cent... View Page
Exhibitions
Made in America | 24 November 2022 - 8 February 2023
Our new exhibition ‘Made in America’ is now open at our Maddox Street gallery until the end of January 2023. The show features original prints by some of the greatest American artists of the 20th cent... View Page
Exhibitions
Made in America | 24 November 2022 - 8 February 2023
Our new exhibition ‘Made in America’ is now open at our Maddox Street gallery until the end of January 2023. The show features original prints by some of the greatest American artists of the 20th cent... View Page
Blog
Spotlight | Ladies and Gentlemen
Known for his fascination with the iconic, famous and infamous, Andy Warhol captured the likeness of countless household names, however... View Page
Blog
#WarholWednesday - Committee 2000
Andy Warhol ’s ‘Committee 2000’ was commissioned and published by a group called Committee 2000 in Munich, Germany, in 1982... View Page
Blog
#WarholWednesday - Black Rhinoceros
Black Rhinoceros is part of Andy Warhol ’s influential 1983 Endangered Species series. Following an impassioned conversation with his New... View Page
Blog
#WarholWednesday - Birth of Venus
Andy WARHOL Sandro Botticelli, Birth of Venus, 1984 Screenprint on Arches Aquarelle (Cold Pressed) paper Edition of 70 ‘When you... View Page
Blog
#WarholWednesday - Vesuvius
In ‘Vesuvius ’, Andy Warhol represents the magnificence and grandeur of the Neapolitan icon in his typical Pop Art style.... View Page
Blog
#WarholWednesday - Mick Jagger
Andy Warhol met Mick Jagger in 1963 when the Rolling Stones were relatively unknown in the United States. Warhol had... View Page
Blog
#WarholWednesday - The Star
Andy Warhol ’s Myths (1981) is a portfolio of 10 prints that includes: The Star, The Witch, Howdy Doody, Uncle... View Page
Blog
#WarholWednesday - Turtle
Andy Warhol ’s Turtle , 1985 is a metamorphic portrait of a sea turtle in shades of purples, pinks, and... View Page
Blog
Details of Renaissance Paintings at Art Miami 2024
In 1984, Andy Warhol’ s work took a transformative turn with his Details of Renaissance Paintings series, marking a departure... View Page
Artworks
Takashi Murakami, One Plate, from We Are The Square Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.5 x 47.5 cm. (18 3/4 x 18 3/4 in.) View Page
Mailing list
Join our mailing list
View Page
Art fairs
Art fair: London Original Print Fair 2021
Shapero Modern is excited to be taking part in London Print Week, this year’s edition of the London Original Print Fair, which will take place from Saturday 1st to Saturday 8th May in our gallery at 4... View Page
Art fairs
Art fair: Hamptons Art Fair 2023
Shapero Modern are delighted to announce their participation at this summer’s Hamptons Fine Art Fair 2023 which takes place at the Southampton Fairgrounds from 13 -16 July 2023. The fair’s Executive D... View Page
Art fairs
Art fair: Art Miami 2022
Shapero Modern will be returning for a third time to Miami for America’s foremost contemporary and modern art fair. The Fair is the original and longest-running contemporary art fair in Miami and cont... View Page
Art fairs
Art fair: Masterpiece London 2022
Masterpiece London is one of the leading international art & antique fairs, with exhibitors from around the world showcasing a wide variety of fine art, antiques, design and collectables ranging from ... View Page
Art fairs
Art fair: London Original Print Fair 2022
We are delighted once more to be taking part in the LOPF. Founded in 1985 at the Royal Academy of Arts, this year the LOPF moves to Somerset House for its 37th edition. Reserve your complimentary tick... View Page
Art fairs
Art fair: Frieze Masters 2021
Shapero Rare Books and Shapero Modern are delighted to be taking part in the 2021 edition of Frieze Masters, which will be taking place in London’s Regents Park from 13th until 17th October. As well a... View Page
Art fairs
Art fair: Art Miami 2023
Shapero Modern will be returning for a fourth time to Miami for America’s foremost contemporary and modern art fair. The Fair is the original and longest-running contemporary art fair in Miami and con... View Page
Art fairs
Art fair: IFPDA Print Fair 2024
Shapero Modern is excited to return to New York for the IFPDA at Park Avenue Armory this 15th -18th February. Established in 1987, the IFPDA is the preeminent organization for fine art print galleries... View Page
Art fairs
Art fair: TEFAF Maastricht 2024
As supporters of TEFAF Maastricht from the very beginning, we are always delighted to have the opportunity to exhibit again at this premier fine art fair, and will be exhibiting some of the finest rar... View Page
Art fairs
Art fair: Art Miami 2024
Shapero Modern is set to make its fifth appearance at Miami’s premier contemporary and modern art fair ART MIAMI 2024 (3-8 December). As the longest-established and most prestigious event of its kind ... View Page
Art fairs
Art fair: TEFAF Maastricht 2025
Experience the Finest Rare Books and Works on Paper at TEFAF Maastricht 2025 . As longstanding supporters of TEFAF Maastricht, we are thrilled to return to this prestigious fine art fair once again. T... View Page
Art fairs
Works | Treasure House Fair 2026
Shapero Modern & Shapero Rare Books are delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 24-30 June 2026. Contin... View Page
Art fairs
Works | Frieze Masters 2026
Shapero Modern & Shapero Rare Books are delighted to be returning to The Regent's Park, London for the 2026 edition of FRIEZE MASTERS . Join us at Stand A07 to explore a a prestigious selection of 20t... View Page
Blog
Stories
To celebrate what would have been Robert Indiana's 97th birthday we are having a look at the artist’s signature, a word which appeared across paintings, prints, sculptures and posters in bold typograp... View Page
Blog
'What is a Print?' by Gallery Director Tabitha Philpott-Kent
Artists have long supplemented their larger practice by making prints: original works, usually on paper, created in numbered editions and... View Page
Blog
A Butterfly Has Landed at Shapero
Walking past the windows of our gallery on New Bond Street you will currently experience the magnetic pull of the vibrant yellow butterfly 'The Souls on Jacob's Ladder Take Their Flight' by renowned B... View Page
Blog
The Last Taste Of Summer
With the arrival of September and with the evenings drawing in, it’s apparent that summer is drawing to a close. Although the arrival of a new season is always exciting, for those of us holding onto t... View Page
Blog
From A to Blake
What do a Clown, an Elephant, a Rainbow and the Everly Brothers all have in common? Well not much apart from the fact that they all find themselves in Peter Blake’s Alphabet Series. View Page
Blog
Robert Indiana's Garden's of Love
To celebrate what would have been Robert Indiana's 97th birthday we are having a look at the artist’s signature, a word which appeared across paintings, prints, sculptures and posters in bold typograp... View Page
Artists
Robert Indiana
Find Robert Indiana's iconic artwork at Shapero Modern, with editions and signed prints showcasing his bold pop art and thought-provoking symbolism. View Page
Blog
Summer Exhibition 2025
This Summer, Shapero Modern will be presenting a stunning group exhibition featuring blue-chip artists whose bold, colourful prints have come... View Page
Blog
Spotlight | Shot Blue Sage Marilyn
Do you know why Warhol named his piece the Shot Blue Sage Marilyn? Take a look at this exhibition poster... View Page
Blog
Power of Colours | Mylands X Shapero Modern
Shapero Modern is delighted to present a stunning exhibition co-curated with renowned interior designer Beata Heuman, who is celebrating the... View Page
Exhibitions
Still Life
Still life, the art of representing inanimate objects like fruit, flowers, tableware, and everyday objects, is among the oldest genres in Western Art. View Page
Exhibitions
Summer Show 2026 | 4 June - 13 September 2026
This summer, Shapero Modern is presenting an exquisite group exhibition featuring post-war and contemporary artists whose bold, colourful prints evoke the joy of sunny days. View Page
Artists
Frank Stella
Frank Stella Exhibitions: Summer Show 2026, Channelling the spirit of relaxation and adventure, 4 Jun - 13 Sep 2026 View Page
Blog
Intaglio Printmaking
I ntaglio… is the word used to describe the collection of printmaking techniques that create a print by incising an... View Page
Blog
Modern Spanish Printmakers
Modern Spanish Printmakers This week, we explore the works of Spain’s most iconic modern masters, whose innovative approaches to traditional... View Page
Artists
Manolo Valdés
Manolo Valdés Exhibitions: New Year Show, 17 Jan - 9 Mar 2024 View Page
Publications
Publication: Art Miami 2024 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Hamptons Fine Art Fair - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Art Miami 2022 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Frieze Masters 2022 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: London Original Print Fair 2022 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Warhol in Focus - Exhibition Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Frieze Masters 2021 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: London Original Print Fair 2021 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Art Miami 2020 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: TEFAF 2020 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Art Miami 2019 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Artists
Roy Lichtenstein
Explore iconic Roy Lichtenstein artwork, editions, and signed prints for sale. Discover vibrant pop art classics at Shapero Modern, featuring his distinctive comic-strip style. View Page
Blog
Summer Show | Roy Lichtenstein
A leading figure in the American Pop Art movement, Roy Lichtenstein grounded his innovative career in imitation and parody. His... View Page
Artists
Joan Miró
Uncover Joan Miró's signed prints and editions at Shapero Modern, celebrating his imaginative surrealism with dreamlike symbols and vibrant colour. View Page
Blog
Picasso: The Places That Defined Him (Part 2)
Picasso ’s first visit to Paris in 1900 had a major impact on the artist’s life, helping him to discover... View Page
Artists
Pablo Picasso
Explore Pablo Picasso's iconic signed prints and editions for sale at Shapero Modern, representing the artist's profound influence on modern art. View Page
Blog
Picasso: The Places That Defined Him (Part 1)
Born in Malaga in 1881, Picasso began his artistic career in the port city of A Coruña in Northern Spain... View Page
Artists
Alex Katz
Browse Alex Katz's elegant signed prints at Shapero Modern, capturing his distinctive portraits and landscapes in stylish editions for sale. View Page
Blog
'What is a Print?' by Gallery Director Tabitha Philpott-Kent
Artists have long supplemented their larger practice by making prints: original works, usually on paper, created in numbered editions and... View Page
Artists
David Shrigley
David Shrigley Exhibitions: Summer Exhibition 2025, The Pop Art movement and its evolution into the present day, 10 Jul - 31 Aug 2025; Beata Heuman's Show, Interior Designer, Beata Heuman has curated ... View Page
Blog
In Monochrome
This week at Shapero Modern, we are exploring how three iconic works by Barbara Kruger, Tracey Emin, and David Shrigley... View Page
Exhibitions
Present Perfect | 28 November 2024 - 15 January 2025
This festive season, Shapero Modern invites you to explore a specially curated selection of works, perfect for any art lover. Present Perfect showcases an array of exquisite pieces that celebrate the ... View Page
Blog
Spotlight on: Takashi Murakami
This week we are highlighting one of the world’s most celebrated contemporary printmakers, Takashi Murakami . His contemporary artworks integrate... View Page
Artists
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Takashi Murakami One Plate, from We are the Jocular Clan, 2018 Lithograph 47.6 x 47.6 cm View Page
Artists
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Artists
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Artists
David Hockney
Explore David Hockney's original artworks for sale. Discover signed prints and unique pieces by the 20th-century icon. Browse now. View Page
Blog
Olympic Posters: The 1972 Collection
As the 2024 Olympic Games opens in Paris, we are celebrating this momentous occasion with an exhibition of a rare,... View Page
Exhibitions
Various Artists, The Munich 1972 Olympic Posters, 1972
The extremely rare, complete collection of 28 artists original graphics, the first signed edition before the second poster edition of 4000, with varying edition numbers including Artist’s Proofs, from... View Page
Blog
A Year at Shapero Modern
Looking Back On 2024 As the year draws to a close, we are taking a moment to reflect on the... View Page
Blog
The Spaces of Helen Frankenthaler
Helen Frankenthaler's art offers an abstraction of place, a seized impression of streets, buildings and skies that moves beyond concrete... View Page
Artists
Helen Frankenthaler, Flotilla, 2006
Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 in.) ‘Flotilla’ tak... View Page
Artists
Helen Frankenthaler, Broome Street at Night, 1987
Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, inscribed ‘AP’, an artist's proof aside from the edition of 68, printed by Vigna Antoniniana Stamperia d'... View Page
Artists
Helen Frankenthaler, Ramblas, 1987
Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed by the artist in pencil, numbered from the edition of 75, 87 x 68 cm. (34¼ x 26¾ in.) View Page
Events
Event: Art Miami 2024
Shapero Modern is set to make its fifth appearance at Miami’s premier contemporary and modern art fair ART MIAMI 2024 (3-8 December). As the longest-established and most prestigious event of its kind ... View Page
Artists
Keith Haring
Discover Keith Haring artwork for sale at Shapero Modern. Shop vibrant editions and signed prints showcasing Haring's iconic, bold, and expressive street art style. View Page
Blog
Keith Haring’s ‘Chocolate Buddha’ Series
Keith Haring’s ‘Chocolate Buddha’ Series New York artist, Keith Haring (1958-1990) is one of the most influential names in Post-War... View Page
Artists
Alexander Calder
Alexander Calder Exhibitions: Alexander Calder: Art and Motion, 24 Sep - 8 Nov 2026; Summer Show 2026, Channelling the spirit of relaxation and adventure, 4 Jun - 13 Sep 2026 View Page
Blog
Alexander Calder's Printmaking
CALDER'S PRINTMAKING Two fine examples of Calder’s printmaking are available at this year’s Art Miami fair . The works are... View Page
Publications
Publication: Art Miami 2019 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Exhibitions
Alexander Calder, Pennants, 1965
Lithograph in colours, 1965, on wove paper, signed in pencil and numbered from the edition of 110, sheet: 58.4 x 78.4 cm (23 x 30¾ in). View Page
Exhibitions
Alexander Calder, Untitled, 1964
Lithograph in colors, 1964, on BFK Rives paper, signed in felt-tip pen and numbered from the edition of 100 in pencil, sheet: edition of 100 50.3 x 65 cm. (19¾ x 25½ in.) View Page
Exhibitions
Alexander Calder, Sun And Planets, 1970
Lithograph in colours, c. 1970, on wove paper, signed in pencil, numbered 44/50 from the edition of 50, sheet: 57.7 x 67.9 cm. (22¾ x 26¾ in.) View Page
Exhibitions
Alexander Calder: Art and Motion | 24 September - 8 November 2026
Shapero Modern presents Art in Motion, an exhibition of work by Alexander Calder (1898–1976), a central figure in twentieth-century modernism. View Page
Exhibitions
Alexander Calder, L'Etoile Rouge
Lithograph in colours, 1976, on Arches paper, signed in pencil, numbered from the edition of 75, published by George J. Goodstadt, Inc., Connecticut, sheet: 74.9 x 105.4 cm. (29½ x 41½ in.) View Page
Exhibitions
Alexander Calder, Le Bateau Lavoir, 1969
Lithograph in colors, 1969, on wove paper, signed in pencil, numbered from the edition of 75, published by Maeght, Paris, sheet: 55.2 x 75.2 cm. View Page
Exhibitions
Alexander Calder, Composition aux Cercles, 1975
Lithograph in colours, 1975, on wove paper, signed in pencil, numbered from the edition of 95, sheet: 74.6 x 109.9 cm (29¼ x 43¼ in.) View Page
Exhibitions
Alexander Calder, Octopus, from Our Unfinished Revolution, 1976
Lithograph in colours, 1976, on Arches paper, signed and numbered in pencil, inscribed ‘E.A’, one of 25 artist’s proof, aside from the standard edition of 175, printed by Mourlot, Paris, published by ... View Page
Exhibitions
Alexander Calder, Frontispiece, from Our Unfinished Revolution, 1976
Lithograph in colours, 1976, on Arches paper, signed and numbered in pencil, inscribed ‘E.A’, an artist’s proof, aside from the standard edition of 175, printed by Mourlot, Paris, published by Alba Ed... View Page
Exhibitions
Alexander Calder, Circle with Eyes, from Our Unfinished Revolution, 1976
Alexander Calder Circle with Eyes, from Our Unfinished Revolution, 1976 Signed and numbered in pencil, inscribed ‘E.A’, one of 25 artist’s proof Lithograph in colours on Arches paper 55.88 x 76.2 cm ... View Page
Exhibitions
Alexander Calder, Animals, from Our Unfinished Revolution, 1976
Lithograph in colours, 1976, on Arches paper, signed and numbered in pencil, inscribed ‘E.A’, one of 25 artist’s proof, aside from the standard edition of 175, printed by Mourlot, Paris, published by ... View Page
Artists
Christopher Wool, 2008, 2008
'As Wool has gradually pulled away from language, he has moved ever closer to paintings that slip further and further into the void. There is a real menace that comes with the fog and the rot and the ... View Page
Exhibitions
New Year Show | 17 January - 9 March 2024
Temporary Friends, 2019 , Pattern Makers, 2020 , T is for The Beatles, from Alphabet Series, 1991 , Haus der Bilder, from 100 Years Ago series, 2000 , Pinto, 2000 , Dedicated Follower of Fashion, 1980... View Page
Artists
Grayson Perry
Grayson Perry Exhibitions: New Year Show, 17 Jan - 9 Mar 2024 View Page
Blog
The Modern Muse | CURRENT EXHIBITION
Current Exhibition | Shapero Modern open until 24th November The concept of the muse has always held a special place... View Page
Artists
Michelangelo Pistoletto
Michelangelo Pistoletto was born in Biella, Italy in 1933. In the 1950s, Pistoletto started painting figurative works and self-portraits. He worked in his father’s restoration workshop in Turin to sup... View Page
Artists
Nam June Paik
Nam June Paik Exhibitions: The Modern Muse, Iconic portraits in modern and contemporary art., 22 Oct - 24 Nov 2024 View Page
Artists
Banksy
Banksy Exhibitions: The Modern Muse, Iconic portraits in modern and contemporary art., 22 Oct - 24 Nov 2024 View Page
Blog
Accessible Artworks
How you can own a piece of art history and enrich your collection with timeless works of art... This week... View Page
Blog
Accessible Artworks
How you can own a piece of art history and enrich your collection with timeless works of art... This week... View Page
Artists
Joseph Beuys, Institut for Cosmetic Surgery, 1974
Baked enamel on convex metal sheet, 1974, signed in black ball-point pen on the Edition Staeck label on the revers; from the numbered edition of 80, published by Edition Staeck, Heidelberg, 20 x 30cm.... View Page
Artists
Peter Blake
Peter Blake Exhibitions: Present Perfect, An array of exquisite pieces that celebrate the joys of discovering, owning and giving stunning works of art, 28 Nov 2024 - 15 Jan 2025 View Page
Blog
10 Prints Under £10k
Explore our favourite ten artworks under £10,000. This curated selection features modern masters such as Pablo Picasso , Salvador Dalí... View Page
Artists
Julian Schnabel
Julian Schnabel Exhibitions: Summer Exhibition 2025, The Pop Art movement and its evolution into the present day, 10 Jul - 31 Aug 2025 View Page
Events
Event: IFPDA Print Fair 2024
Shapero Modern is excited to return to New York for the IFPDA at Park Avenue Armory this 15th -18th February. Established in 1987, the IFPDA is the preeminent organization for fine art print galleries... View Page
Exhibitions
Summer Exhibition 2025 | 10 July - 31 August 2025
This summer, Shapero Modern is presenting a stunning group exhibition featuring blue-chip artists whose bold, colourful prints have come to define the Pop Art movement and its evolution into the prese... View Page
Blog
Op Art in Three Acts: France, England and United States
1. Victor Vasarely Victor Vasarely (1906-1997) was a pioneering artist in Op Art. He began his journey towards abstraction at... View Page
Artists
Richard Anuszkiewicz
Works by Richard Anuszkiewicz: Of the Same Brilliance , 1964 View Page
Artists
Richard Anuszkiewicz, Of the Same Brilliance , 1964
Liquitex on board, 1964, signed and dated 'RICHARD ANUSZKIEWICZ 1964' (on the reverse) 24 1/8 x 36 in. (61.3 x 91.4 cm.) View Page
Artists
Tunji ADENIYI-JONES, Pattern Makers, 2020
Tunji ADENIYI-JONES Pattern Makers, 2020 Signed in pencil, numbered from the edition of 30 Screenprint in colours, on Coventry Rag paper, published by Fort Makers, New York 19 7/8 x 15 7/8 in 50.5 x 4... View Page
Blog
Op Art in Three Acts: France, England and United States
1. Victor Vasarely Victor Vasarely (1906-1997) was a pioneering artist in Op Art. He began his journey towards abstraction at... View Page
Artists
Victor Vasarely, Tsillag, 1990
After the ground-breaking relief wall-sculptures of the late 1960’s, Vasarely moved away for a time from three-dimensional surfaces to the flat surfaces of canvas and paper. In the late 1980’s he retu... View Page
Artists
Thomas Wachholz, The Parker, 2019
Red phosphorous and acrylic on canvas, 2019, label from studio Thomas Wachholz (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Artists
Thomas Wachholz, Star Palace, 2019
Red phosphorous and acrylic on canvas, 2019, label from studio Thomas Wachholz (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Artists
Thomas Wachholz, Capri, 2019
Red phosphorous and acrylic on canvas, 2019, label from studio Thomas Wachholz (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Artists
Thomas Wachholz, Piccoli, 2019
Red phosphorous and acrylic on canvas, 2019, signed, titled, and dated ‘Piccoli Thomas Wachholz 2019’ (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Artists
Claes Oldenburg
Claes Oldenburg Exhibitions: Summer Exhibition 2025, The Pop Art movement and its evolution into the present day, 10 Jul - 31 Aug 2025; Claes Oldenburg: Multiples, The first London exhibition of Olden... View Page
Blog
NOW OPEN | Claes Oldenburg: Multiples
'Becasue my work is naturally non-meaningful, the meaning found in it will remain doubtful and inconsistent - which is the... View Page
Artists
Claes Oldenburg, Tilting Neon Cocktail, 1983
Stainless steel, cast aluminium, acrylic paint and Plexiglas, 1983, signed, dated, and numbered by incision on the base, from the edition of 50, published by Brooke Alexander for the New York Museum o... View Page
Artists
Claes Oldenburg, Notebook Torn in Half (State I), 1997
Lithograph on St. Armand Special Etching paper, 1997, signed and numbered in pencil, an artist’s proof aside from the edition of 97, published by Brooke Alexander Editions, New York, sheet: 641 x 552 ... View Page
Artists
Claes Oldenburg, Museum à la mode, from the Museum für Moderne Kunst portfolio, 1994
Offset lithograph in colours on Coventry Smooth 290-gram paper, 1994, signed in pencil and numbered from the edition of 175, printed by Team Litho, New York, published by Achenbach Art Edition GmbH, D... View Page
Artists
Claes Oldenburg, The Soap at Baton Rouge , 1990
Cast resin, vinyl filled with aluminium silicate, screenprint in two colours on acetate, deluxe edition of Claes Oldenburg: Multiples in Retrospect, cloth-covered portfolio box screenprinted in two co... View Page
Artists
Claes Oldenburg, Centennial Print, Judson Memorial Church, 1990
Screenprint in colours on BFK Rives paper, 1990, signed and numbered in pencil, from the edition of 100 (there are also 10 artist’ proofs), printed by Maurel Studios, New York, published by Brooke Ale... View Page
Artists
Claes Oldenburg, Profiterole, 1989
Cast aluminium with latex paint, brass, 1989, signed, titled, dated, and numbered by incision on a brass disk in base, from the edition of 75 (there are also 25 artist’s proofs), published by Gemini G... View Page
Artists
Claes Oldenburg, Souvenir of Documenta 7: Beschmierter Friderico, 1982
Cast plaster and enamel, 1982, signed and numbered in enamel on base, from the edition of 35, published by the artist for Fashion MODA at Documenta 7, Kassel, Germany, overall: 195 x 75 x 80 mm (7¾ x ... View Page
Artists
Claes Oldenburg, Broken Button, 1981
Dyed and cast paper, screenprint on board, wood, Plexiglass, 1981, signed, dated, and numbered in pencil on base, from the edition of 100 (there are also 14 artist’s proofs and 8 additional proofs), p... View Page
Artists
Claes Oldenburg, Screwarch Bridge (State II), 1980
Hard-ground etching, spitbite sugar-lift aquatint, and sanding in five colours on Arches Roll paper, 1980, signed and numbered in pencil, from the edition of 35 (there are also 12 artist’s proofs), pr... View Page
Artists
Claes Oldenburg, Soft Alphabet, 1978
Complete set of 41 sewn cotton, sand-filled bags, contained in a wooden box with screenprinted box lid, 1978, signed and numbered from the edition of 16 (there are also 2 artist’s proofs), published b... View Page
Artists
Claes Oldenburg, M. Mouse (with) 1 Ear (equals) Tea Bag Blackboard Version (1965), from the New York Collection for Stockholm portfolio, 1973
Screenprint and lithograph in colours on BFK Rives paper, 1973, signed and numbered ‘17/30 A.C.’ in white pencil, a proof aside from the edition of 300, printed by Styria Studio, Inc., published by Ex... View Page
Artists
Claes Oldenburg, Sculpture in the Form of Trowel Stuck in the Ground (Model), 1969
Painted wood and fabric construction, 1969, a unique work, overall: 1118 x 756 x 635 mm (44 x 29¾ in.) View Page
Artists
Claes Oldenburg, Pop Art, 1969
Offset lithograph and screenprint in colours, 1969, from the edition of 700, printed by G & B Arts Ltd., London, published by Arts Council of Great Britain for the Hayward Gallery, London, sheet: 762 ... View Page
Artists
Claes Oldenburg, Fire Plug Souvenir - "Chicago August 1968", 1968
Cast plaster with red acrylic paint, 1968, signed in felt-tip pen, incised 'C.O.' and 'Chicago August 1968' on the base, numbered from the edition of 100, published by the Richard Feigen Gallery, Chic... View Page
Artists
Claes Oldenburg, Tea Bag, from the portfolio 4 on Plexiglas, 1966
Screenprint in colours on laminated vacuum formed vinyl, with felt, Plexiglas, and rayon cord, 1966, signed and numbered in pencil on the verso, from the edition of 125, published by Multiples Inc., N... View Page
Artists
Claes Oldenburg, Orpheum Sign, from the International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, volume 5, 1964 portfolio, 1962
Aquatint on BFK Rives paper, 1962, signed and numbered ‘ea’ from the edition of 60, printed by Atelier Goerges Leblanc, Paris, published by Galleria Schwarz, Milan, sheet: 254 x 190 mm (10 x 7½ in.) ... View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Blog
Behind the Scenes: Jack Milroy's Studio
Join us as we take a peek into the studio of Jack Milroy. Educated at the Scarborough School of Art... View Page
Exhibitions
Jack Milroy, The Monkey and the Nest , 2026
Jack Milroy The Monkey and the Nest , 2026 Cut book construction and collage on board with pegs and acrylic paint in an acrylic case 85 x 153 x 11 cm. (33½ x 60¼ x 4¼ in.) View Page
Exhibitions
Jack Milroy, The Librarian's Flowerbed, 2026
Cut book construction in an acrylic case, 2026, 74 x 100 cm. (29¼ x 39¼ in.) View Page
Exhibitions
Jack Milroy, The Librarian's Cottage Garden, 2026
Cut book construction in an acrylic case, 2026, 129 x 170 cm. (50¾ x 67 in.) View Page
Exhibitions
Jack Milroy, The Librarian's Butterfly Collection, 2020
Cut book page construction in an acrylic case, 2020, 67 x 60 cm. (26½ x 23½ in.) View Page
Exhibitions
Jack Milroy, The Japanese Librarian's Secret Garden, 2023
Five cut Japanese books (orihons) in five acrylic cases, 2023, each case: 23 x 183 cm. (9 x 72 in.) View Page
Exhibitions
Jack Milroy, The Golden Toad, 2025
Collage on pegs on wood and acrylic paint in an acrylic case, 2025, 122 x 95 cm. (48 by 37½ in.) View Page
Exhibitions
Jack Milroy, The Critics, 2026
Cut book construction in an acrylic case, 2026, 106 x 68 cm. (41¾ x 26¾ in.) View Page
Exhibitions
Jack Milroy, Territorial Ambitions, 2014
Cut book page construction in an acrylic case, 2014, 149 x 118 cm. (58¾ x 46½ in.) View Page
Exhibitions
Jack Milroy, Species, 2025
Jack Milroy Species, 2025 Cut postcards in an acrylic case 87 x 142 x 144 cm. (34¼ x 56 x 5½ in.) View Page
Exhibitions
Jack Milroy, Six Short Stories in Search of an Author, 2022
Jack Milroy Six Short Stories in Search of an Author, 2022 Cut postcards in an acrylic case 100 x 84 x 13 cm. (39¼ x 33 x 5 in.) View Page
Exhibitions
Jack Milroy, Plantes Grimpante au Coucher du Soleil, 2025
Cut book construction with acrylic paint on wood and peg supports in an acrylic case, 2025, 152 x 112 cm. (59¾ x 44 in.) View Page
Exhibitions
Jack Milroy, Plantes de Rocaille, 2011-2026
Cut and crumpled book pages construction in an acrylic case, 2020, 31 x 101 cm. (12¼ x 39¾ in.) View Page
Exhibitions
Jack Milroy, Piccanti Sartango, 2026
Cut sardine cans in an acrylic case, 2026, 17 x 25 cm. (6¾ x 9¾ in.) View Page
Exhibitions
Jack Milroy, Piccanti Piccanti, 2021
Cut sardine can in an acrylic case, 2021, 19 x 18 cm. (7½ x 7 in.) View Page
Exhibitions
Jack Milroy, Perch IV, 2026
Cut and constructed books in an acrylic case, 2026, 53 x 68 cm. (20¾ x 26¾ in.) View Page
Exhibitions
Jack Milroy, Orihon IV, 2023
Cut Japanese book (orihon) in an acrylic case, 2023-4, 21 x 104.5 cm. (8¼ x 41¼ in.) View Page
Exhibitions
Jack Milroy, Orihon I, 2023
Cut Japanese book (orihon) in an acrylic case, 2023, 21 x 104.5 cm. (8¼ x 41¼ in.) View Page
Exhibitions
Jack Milroy, Not Knots, 2020
Cut book construction in an acrylic case, 2020, 38 x 33 cm. (15 x 13 in.) View Page
Exhibitions
Jack Milroy, Mountain Flowers II, 2016
Cut book construction in an acrylic case, 2016, 20 x 24 cm. (7¾ x 9½ in.) View Page
Exhibitions
Jack Milroy, Monkey, 2024
Cut and crumpled book page construction in an acrylic case, 2024, 50 x 165 cm. (19¾ x 65 in.) View Page
Exhibitions
Jack Milroy, Incy Wincy, 2016
Cut book construction in an acrylic case, 2016, 19 x 15 cm. (7½ x 6 in.) View Page
Exhibitions
Jack Milroy, Humans, 2025
Cut book construction in an acrylic case, 2025, 158 x 132 cm. (62¼ x 52 in.) View Page
Exhibitions
Jack Milroy, Grey Skies, 2015
Cut book construction in an acrylic case, 2015, 201.5 x 121 cm. (79¼ x 47¾ in.) View Page
Exhibitions
Jack Milroy, Goldfish Bowl, 2026
Crumpled pages in a goldfish bowl, 1982, 22 x 22 cm. (8¾ x 8¾ in.) View Page
Exhibitions
Jack Milroy, Gardening in the Library, 2020
Cut book construction in an acrylic case, 2020, 93 x 115 cm. (36½ x 45¼ in.) View Page
Exhibitions
Jack Milroy, Fish and Flowers, 2026
Jack Milroy Fish and Flowers, 2026 Cut book construction in an acrylic case 109 x 106 x 15 cm. (43 x 41¾ x 6 in.) View Page
Exhibitions
Jack Milroy, DIV(in)E, 2023
Cut book in an acrylic case, 2023, 214 x 35 cm. (84¼ x 13¾ in.) View Page
Exhibitions
Jack Milroy, Dialogue, 2024
Jack Milroy Dialogue, 2024 Cut and constructed postcards in an acrylic case, 85 x 65 cm. (33½ x 25½ in.) 85 x 65 x 13.5 cm (33½ x 25½ x 5 ¼ in. ) View Page
Exhibitions
Jack Milroy, Climbing Plants, 2025
Jack Milroy Climbing Plants, 2025 Cut book construction with acrylic paint on wood and peg supports in an acrylic case 155 x 174 x 24 cm. (61 x 68½ x 9½ in.) View Page
Exhibitions
Jack Milroy, Cats, 2016
Cut book construction in an acrylic case, 2016, 19 x 15 cm. (7½ x 6 in.) View Page
Exhibitions
Jack Milroy, A Trashcan World, 2024
Cut and crumpled book page construction in an acrylic case, 2024, 50 x 165 cm. (19¾ x 65 in.) View Page
Exhibitions
Jack Milroy, Cabinet of Natural History, 2020
Cut book construction in 16 acrylic cases, 2020, 203 x 203 cm. (80 x 80 in.) View Page
Blog
Behind the Scenes: Jack Milroy's Studio
Join us as we take a peek into the studio of Jack Milroy. Educated at the Scarborough School of Art... View Page
Blog
Jack Milroy: In Detail
Meticulously working with a scalpel to carve out his cut-paper constructions, contemporary British artist Jack Milroy fashions breath-taking new worlds out of printed material. View Page
Artists
Jack Milroy, School's Out, 2026
Cut sardine cans in an acrylic case, 2026, overall: 36 x 54 x 11 cm. (14¼ x 21¼ x 4¼ in.) View Page
Artists
Jack Milroy, Perch IV, 2026
Cut and constructed books in an acrylic case, 2026, 53 x 68 cm. (20¾ x 26¾ in.) View Page
Artists
Jack Milroy, The Critics, 2026
Cut book construction in an acrylic case, 2026, 106 x 68 cm. (41¾ x 26¾ in.) View Page
Artists
Jack Milroy, The Librarian's Flowerbed, 2026
Cut book construction in an acrylic case, 2026, 74 x 100 cm. (29¼ x 39¼ in.) View Page
Artists
Jack Milroy, The Librarian's Cottage Garden, 2026
Cut book construction in an acrylic case, 2026, 129 x 170 cm. (50¾ x 67 in.) View Page
Artists
Jack Milroy, The Monkey and the Nest , 2026
Jack Milroy The Monkey and the Nest , 2026 Cut book construction and collage on board with pegs and acrylic paint in an acrylic case 85 x 153 x 11 cm. (33½ x 60¼ x 4¼ in.) View Page
Artists
Jack Milroy, The Librarian's Butterfly Collection, 2020
Cut book page construction in an acrylic case, 2020, 67 x 60 cm. (26½ x 23½ in.) View Page
Artists
Jack Milroy, Gardening in the Library, 2020
Cut book construction in an acrylic case, 2020, 93 x 115 cm. (36½ x 45¼ in.) View Page
Artists
Jack Milroy, Piccanti Piccanti, 2021
Cut sardine can in an acrylic case, 2021, 19 x 18 cm. (7½ x 7 in.) View Page
Artists
Jack Milroy, Orihon I, 2023
Cut Japanese book (orihon) in an acrylic case, 2023, 21 x 104.5 cm. (8¼ x 41¼ in.) View Page
Artists
Jack Milroy, Fish and Flowers, 2026
Jack Milroy Fish and Flowers, 2026 Cut book construction in an acrylic case 109 x 106 x 15 cm. (43 x 41¾ x 6 in.) View Page
Artists
Jack Milroy, Goldfish Bowl, 2026
Crumpled pages in a goldfish bowl, 1982, 22 x 22 cm. (8¾ x 8¾ in.) View Page
Artists
Henri Matisse
Henri Matisse Exhibitions: Summer Show 2026, Channelling the spirit of relaxation and adventure, 4 Jun - 13 Sep 2026 View Page
Blog
New Acquisitions July 2025
Discover the next addition to your collection – explore the latest artworks on view now as part of the Summer... View Page
Artists
Alex Katz, Olivia 1, 2025
Screenprint in colours, 2025, on Saunders 425 gsm paper, signed by the artist and numbered from the edition of 50, published by Lococo Fine Art, St. Louis, 150 x 102 cm. (59 x 40 in.) View Page
Artists
Ellsworth Kelly, Untitled, from The Geldzahler Portfolio, 1997
Lithograph in colours, 1997, on Rives BFK paper, signed in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, published by The Estate Project f... View Page
Blog
Spring Acquisitions: Gustav Klimt
Currently hanging in the windows of Shapero Modern's Bond Street gallery is a special Spring selection of printed editions capturing... View Page
Artists
Gustav Klimt, The House of Guardaboschi (Plate 9), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Artists
Gustav Klimt, Malcesine on Lake Garda (Plate 7), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Artists
Gustav Klimt, Garden with Roosters (Plate 26), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Artists
Gustav Klimt, Adam and Eve (Plate 20), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Artists
Gustav Klimt, Portrait of Friedricke Maria Beer (Plate 24), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Artists
Gustav Klimt, Church at Unterach on Lake Atter (Plate 28), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cmc View Page
Artists
Gustav Klimt, Field of Poppies (Plate 5), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Blog
Spring Acquisitions: Gustav Klimt
Currently hanging in the windows of Shapero Modern's Bond Street gallery is a special Spring selection of printed editions capturing... View Page
Artists
Jasper Johns
Jasper Johns Exhibitions: Summer Show 2022, 6 Jun - 24 Aug 2022 View Page
Blog
Jasper Johns | Process and Printmaking
Our current exhibition, a group selling show, celebrates the brilliance and diversity of modern printmaking techniques. Amongst the artists is... View Page
Blog
Jasper Johns | Process and Printmaking
Our current exhibition, a group selling show, celebrates the brilliance and diversity of modern printmaking techniques. Amongst the artists is... View Page
Artists
Jasper Johns, Untitled, from The Geldzahler Portfolio, 1997
Etching, 1997, on Hahnemühle copperplate paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, published by The Estate ... View Page
Artists
Jasper Johns, Savarin 4, Oval, 1978
Lithograph, on Richard de Bas paper, 1978, signed and dated in pencil, numbered from the edition of 42, published by ULAE, West Islip, New York, with their blind stamp, 65.7 x 50.2 cm. (26 x 19.8 in.)... View Page
Artists
Jasper Johns, Critic Sees, 1967
Embossing and screenprint, 1967, signed, titled and sated from the edition of 200, published by Tanglewood Press, New York, 24 x 20 in (60.9 x 50.8 cm) View Page
Blog
Robert Rauschenberg Facts: Five Things to Know
1. HE WASN’T AFRAID OF ATTENTION Rauschenberg playfully splashed his screen-prints with brilliant daubs of colour, forcing his audience to... View Page
Blog
Robert Rauschenberg Facts: Five Things to Know
1. HE WASN’T AFRAID OF ATTENTION Rauschenberg playfully splashed his screen-prints with brilliant daubs of colour, forcing his audience to... View Page
Blog
Icons of Pop Art
This week, we explore the revolutionary artworks of four icons of American Pop Art whose ground-breaking pieces continue to shape... View Page
Artworks
Frank Stella, Swan Engraving Circle I, State V, 1983
Etching, relief and engraving in colours, 1983, on light mauve TGL handmade paper with their blindstamp lower centre, signed and dated in pencil, numbered from the edition of 5, published by Tyler Gra... View Page
Artworks
Claes Oldenburg, Tilting Neon Cocktail, 1983
Stainless steel, cast aluminium, acrylic paint and Plexiglas, 1983, signed, dated, and numbered by incision on the base, from the edition of 50, published by Brooke Alexander for the New York Museum o... View Page
Artworks
Claes Oldenburg, Souvenir of Documenta 7: Beschmierter Friderico, 1982
Cast plaster and enamel, 1982, signed and numbered in enamel on base, from the edition of 35, published by the artist for Fashion MODA at Documenta 7, Kassel, Germany, overall: 195 x 75 x 80 mm (7¾ x ... View Page
Artworks
Robert Indiana, Tulip, from A Garden of Love, 1982
Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Domberger KG, Filder... View Page
Artworks
Sam Francis, Untitled, 1982
The work of Sam Francis has not followed a straight line of progression. He generated new forms, colours and formats with every piece, constantly adding to his large visual vocabulary. This unique mon... View Page
Artworks
Frank Stella, Yellow Journal, 1982
Lithograph, 1982, on white Arches Cover, mould-made paper, signed and dated an AP aside the edition of 50, published by Tyler Graphics Ltd., Bedford Village, NY., 133.5 x 97.8 cm (52 1/2 x 38 1/2 in),... View Page
Artworks
Robert Indiana, Zinnia, from A Garden of Love, 1982
Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Domberger KG, Filder... View Page
Artworks
Claes Oldenburg, Broken Button, 1981
Dyed and cast paper, screenprint on board, wood, Plexiglass, 1981, signed, dated, and numbered in pencil on base, from the edition of 100 (there are also 14 artist’s proofs and 8 additional proofs), p... View Page
Artworks
Richard Estes, Urban Landscapes No. 3, Set of Eight Silkscreens, 1981
The complete set of eight screenprints in colours, on Fabriano Cottone paper, with full margins, signed and numbered from the edition of 50 in pencil (there were also 15 artist's proofs), published by... View Page
Artworks
Marc Chagall, Dans le Ciel de l’Opera, 1980
‘Dans le Ciel de l’Opera’ depicts multiple figures floating mid-air above the Palais Garnier, Paris’s historic opera house situated at the heart of Place de l’Opera. Having spent the formative and cen... View Page
Artworks
Richard Hamilton, Dedicated Follower of Fashion, 1980
Etching and aquatint, 1980, on Rives BFK, signed and numbered from the edition of 100, printed at Studio Crommelynck, Paris, published by Waddington Graphics, London, sheet 58.4 × 38.1 cm. The title i... View Page
Artworks
Marc Chagall, L'Envolée Magique, 1980
Marc Chagall L'Envolée Magique, 1980 Signed in pencil, numbered from the edition of 50. Lithograph in colours 116.8 x 75.3 cm (46 x 29 5/8 in) View Page
Artworks
Marc Chagall, La Joie, 1980
Marc Chagall La Joie, 1980 Signed in pencil, numbered from the edition of 50. Lithograph in colours 45 5/8 x 29 5/8 in 115.9 x 75.3 cm View Page
Artworks
Marc Chagall, La Parade, 1980
Marc Chagall La Parade, 1980 Signed in pencil, numbered from the edition of 39/50. Lithograph in colours 45 1/2 x 29 3/4 in 115.6 x 75.6 cm View Page
Artworks
Marc Chagall, Les Amoureux à l'Isba, 1980
Marc Chagall Les Amoureux à l'Isba, 1980 Signed in pencil, numbered from the edition of 50. Lithograph in colours 45 5/8 x 29 5/8 in 115.9 x 75.3 cm View Page
Artworks
Roy Lichtenstein, Night Scene, 1980
‘Night Scene’ is one of six intaglio prints Roy Lichtenstein produced in 1980, during the same period as his ‘American Indian Theme’ series. This piece was hand drawn onto a copperplate by the artist ... View Page
Artworks
Philip Guston, Pile Up, 1980
Lithograph, 1980, on Barcham Green Crisbrook paper, with the artist's estate stamp as issued, numbered from the edition of 50 (there were also eleven artist's proofs), published by Gemini G.E.L., Los ... View Page
Artworks
Claes Oldenburg, Screwarch Bridge (State II), 1980
Hard-ground etching, spitbite sugar-lift aquatint, and sanding in five colours on Arches Roll paper, 1980, signed and numbered in pencil, from the edition of 35 (there are also 12 artist’s proofs), pr... View Page
Artworks
Gordon House, Still Life at Millbank, 1980
Printed for the Kelpra Studio & Tate Gallery Portfolio. The portfolio included seven screenprints; the other works comprise: Patrick Caulfield 'Dressed Lobster; R.B. Kitaj ‘Chris’, Victor Pasmore 'Blu... View Page
Artworks
Barbara Kruger, Surveillance Is Your Busywork, 1980
Original subway poster, c. 1980, on wove paper, unsigned as issued, 28 x 71.3 cm. 'Surveillance Is Your Busywork' is an unused subway lithograph placard, produced in the early 80s by Kruger for New Yo... View Page
Artworks
Marc Chagall, Vue de Notre Dame, 1980
Although the title of this artwork suggests that Paris’s most famous cathedral, Notre Dame, is to be the focus of the image, in fact it acts as a mere backdrop to the dream-like, romantic scene unfold... View Page
Artworks
Barbara Hepworth, Forms in a Flurry, 1969-70, 1979
screenprint in colours, 1969-70, each signed in pencil and numbered from the edition of 60 (total edition includes ten artist's proofs) published by Marlborough AG Schellenberg, FL, 77.7 x 58cm ... View Page
Artworks
Louise Nevelson, Louise Nevelson, City-Sunscape, 1979, 1979
Polyester resin multiple, 1979, with the artist's incised signature and date on a metal plaque affixed to the reverse, numbered from the edition, 150, published by Pace Editions, Inc., New York, 32.4 ... View Page
Artworks
Joan Miró, Pantagruel, 1978
Etching and aquatint with carborundum and knife scrapes in colours, 1978, on Arches wove paper, with the Maeght watermark, signed in pencil and numbered 5 from the edition of 50, printed by Morsang, P... View Page
Artworks
Jasper Johns, Savarin 4, Oval, 1978
Lithograph, on Richard de Bas paper, 1978, signed and dated in pencil, numbered from the edition of 42, published by ULAE, West Islip, New York, with their blind stamp, 65.7 x 50.2 cm. (26 x 19.8 in.)... View Page
Artworks
Claes Oldenburg, Soft Alphabet, 1978
Complete set of 41 sewn cotton, sand-filled bags, contained in a wooden box with screenprinted box lid, 1978, signed and numbered from the edition of 16 (there are also 2 artist’s proofs), published b... View Page
Artworks
Salvador Dalí, Plate 19 – “Principio de incertidumbre de Heisenberg”, from Les Caprices de Goya, 1977
Drypoint and etching on heliogravures in colours on Rives paper, 1977, signed in pencil and numbered from the edition of 200 (there were also 20 artist’s proofs), printed by Ateliers Rigal, Paris, pub... View Page
Artworks
Salvador Dalí, Plate 60 – “Relámpagos”, from Les Caprices de Goya, 1977
Drypoint and etching on heliogravures in colours on Rives paper, 1977, signed in pencil and numbered from the edition of 200 (there were also 20 artist’s proofs), printed by Ateliers Rigal, Paris, pub... View Page
Artworks
Salvador Dalí, Plate 67 – “Ni por ésas”, Les Caprices de Goya, 1977
Drypoint and etching on heliogravures in colours on Rives paper, 1977, signed in pencil and numbered from the edition of 200 (there were also 20 artist’s proofs), printed by Ateliers Rigal, Paris, pub... View Page
Artworks
Salvador Dalí, Plate 76 – “Setze jutges mengen fetge d’un penjat”, from Les Caprices de Goya, 1977
Drypoint and etching on heliogravures in colours on Rives paper, 1977, signed in pencil and numbered from the edition of 200 (there were also 20 artist’s proofs), printed by Ateliers Rigal, Paris, pub... View Page
Artworks
Frank Stella, Sinjerli Variation Ia, from Sinjerli Variations, 1977
Lithograph and screenprint in colours, 1977, on Arches Cover paper, signed in pencil, dated and numbered from the edition of 100, there were also 20 artist's proofs, published by Petersburg Press, she... View Page
Artworks
Frank Stella, Sinjerli Variation IIa, from Sinjerli Variations, 1977
Lithograph and screenprint in colours, 1977, on Arches Cover paper, signed in pencil, dated and numbered from the edition of 100, there were also 20 artist's proofs, published by Petersburg Press, she... View Page
Artworks
Alexander Calder, Animals, from Our Unfinished Revolution, 1976
Lithograph in colours, 1976, on Arches paper, signed and numbered in pencil, inscribed ‘E.A’, one of 25 artist’s proof, aside from the standard edition of 175, printed by Mourlot, Paris, published by ... View Page
Artworks
Alexander Calder, Circle with Eyes, from Our Unfinished Revolution, 1976
Alexander Calder Circle with Eyes, from Our Unfinished Revolution, 1976 Signed and numbered in pencil, inscribed ‘E.A’, one of 25 artist’s proof Lithograph in colours on Arches paper 55.88 x 76.2 cm ... View Page
Artworks
Roy Lichtenstein, Entablature II, from Entablature Series, 1976
Screenprint in colours with embossing and collage of gloss copper and mat pink metallic foil, 1976, on Rives BFK paper, signed and dated in pencil, numbered from edition of 30 (there were also 9 artis... View Page
Artworks
Roy Lichtenstein, Entablature III, from Entablature Series, 1976
Screenprint in colours with embossing and collage of mat and gloss gold metallic foil, 1976, on Rives BFK paper, signed, dated and numbered from the edition of 16 in pencil (there were also 9 artist's... View Page
Artworks
Richard Pettibone, Frank Stella, Tomlinson Court Park, 1976
Enamel on canvas, signed, titled, and dated ‘Frank Stella Tomlinson Court Park, 1959 / Richard Pettibone 1976’ (on the overlap). Size: 19.6 cm x W 25.4 cm View Page
Artworks
Alexander Calder, Frontispiece, from Our Unfinished Revolution, 1976
Lithograph in colours, 1976, on Arches paper, signed and numbered in pencil, inscribed ‘E.A’, an artist’s proof, aside from the standard edition of 175, printed by Mourlot, Paris, published by Alba Ed... View Page
Artworks
Joan Miró, Galathée, 1976
Etching and aquatint with embossing, 1976, on Arches paper, signed in pencil and numbered 49 from the edition of 50 (there are also 12 Artist’s Proofs), printed by Morsang, Paris, published by Maeght,... View Page
Artworks
Joan Miró, L'Aigrette Rouge, 1976
Etching and aquatint with carborundum in colours, 1976, on Arches paper, signed in pencil and numbered 40 from the edition of 50 (there were also 12 Artist's Proofs), printed by Morsang, Paris, publis... View Page
Artworks
Alexander Calder, Octopus, from Our Unfinished Revolution, 1976
Lithograph in colours, 1976, on Arches paper, signed and numbered in pencil, inscribed ‘E.A’, one of 25 artist’s proof, aside from the standard edition of 175, printed by Mourlot, Paris, published by ... View Page
Artworks
Alexander Calder, Composition aux Cercles, 1975
Lithograph in colours, 1975, on wove paper, signed in pencil, numbered from the edition of 95, sheet: 74.6 x 109.9 cm (29¼ x 43¼ in.) View Page
Artworks
Joan Miró, Le Bagnard et sa Compagne, 1975
Etching and aquatint in colours, 1975, on Arches paper, signed in white pencil and numbered from the edition of 50, printed by Morsang, Paris, published by Maeght, Paris, sheet: 1210 x 1600 mm. (47 5/... View Page
Artworks
Joan Miró, Le Beluga, 1975
Etching and aquatint with carborundum in colours, 1975, on Arches paper, with the Maeght watermark, signed in pencil and numbered from the edition of 50, printed by Morsang, Paris, published by Maeght... View Page
Artworks
Salvador Dalí, Liquid and Gaseous Television, 1975
Colour lithograph with screenprint and etching, with collage elements, 1975, on Rives BFK paper, signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper (the total edition was 6... View Page
Artworks
Frank Stella, Lunna Wola (V), 1975
Unique cotton-pulp relief with hand-colouring and collage, 1975, on coloured HMP handmade paper, signed, dated and annotated 'T.P' in black ink on the reverse, one of 14 unique colorway trial proofs, ... View Page
Artworks
Frank Stella, Paper Reliefs-Olyka (III), 1975
The Paper Relief ae based on six configurations from the painting series that employed relief elements, the Polish Village Series of 1971-73. Stella and Kenneth Taylor worked with papermaking experts ... View Page
Artworks
Salvador Dalí, A Shattering Entrance to the USA, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artworks
Salvador Dalí, Freud with Snail-head, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artworks
Salvador Dalí, Gala's Castle, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artworks
Salvador Dalí, God, Time, Space and the Pope, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artworks
Joseph Beuys, Institut for Cosmetic Surgery, 1974
Baked enamel on convex metal sheet, 1974, signed in black ball-point pen on the Edition Staeck label on the revers; from the numbered edition of 80, published by Edition Staeck, Heidelberg, 20 x 30cm.... View Page
Artworks
Salvador Dalí, The Curse Conquered, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artworks
Salvador Dalí, The Divine Back of Gala, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artworks
Salvador Dalí, The Laurels of Happiness, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artworks
Salvador Dalí, The Museum of Genius and Whim, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artworks
Salvador Dalí, The Sacred Love of Gala, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artworks
Frank Stella, York Factory II, 1974
Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., 46.9 x 112.8cm (18½ x 44½ in), framed 54.9 x 1... View Page
Artworks
Roy Lichtenstein, Bull I, from the Bull Profile Series, 1973
‘Bull I’ marks the beginning of Lichtenstein’s ‘Bull Profile’ series, which is an investigation into the abstraction and simplification of an image. The series begins with a figurative, well defined i... View Page
Artworks
Claes Oldenburg, M. Mouse (with) 1 Ear (equals) Tea Bag Blackboard Version (1965), from the New York Collection for Stockholm portfolio, 1973
Screenprint and lithograph in colours on BFK Rives paper, 1973, signed and numbered ‘17/30 A.C.’ in white pencil, a proof aside from the edition of 300, printed by Styria Studio, Inc., published by Ex... View Page
Artworks
Kenneth NOLAND, Untitled, from The New York Collection for Stockholm portfolio, 1973
Screenprint in colours, 1973, on wove paper, stamp signed, from the edition of 300, printed by Styria Studio, Inc., New York, published by Experiments in Art and Technology, New York, 23 x 30 cm. (9 x... View Page
Artworks
Antoni Tàpies, Antoni Tapies, Suite Catalana, plate 1, 1972, 1972
Aquatint in colours, 1972, on Guarro paper with watermark La Cometa, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona. Paper 75.7 x 100.5cm. ... View Page
Artworks
Antoni Tàpies, Antoni Tapies, Suite Catalana, plate 3, 1972, 1972
Aquatint in colours, 1972, on Guarro paper with watermark La Cometa, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona. Paper 75.7 x 100.5cm. ... View Page
Artworks
Antoni Tàpies, Antoni Tapies, Suite Catalana, plate 4, 1972, 1972
Aquatint in colours, 1972, on Guarro paper with watermark La Cometa, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona. Paper 75.7 x 100.5cm. ... View Page
Artworks
Various Artists, The Munich 1972 Olympic Posters, 1972
The extremely rare, complete collection of 28 artists original graphics, the first signed edition before the second poster edition of 4000, with varying edition numbers including Artist’s Proofs, from... View Page
Artworks
David Hockney, Coloured Flowers Made of Paper and Ink, 1971
Lithograph in colours, 1971, on Hodgkinson paper, signed, titled, dated and inscribed from the edition of 50, printed by Ernst Donagh, Cook Hammond and Kell, London, published by Petersburg Press, Lon... View Page
Artworks
Joan Miró, One Plate, from Ubu au Baléares, 1971
Lithograph in colours, 1971, on Japon nacré paper, signed in pencil, from the edition of 120, printed by Mourlot, published by Tériade, Paris, 50.4 x 66.2 cm. (19¾ x 26 in.) View Page
Artworks
Joan Miró, One Plate, from Ubu au Baléares, 1971
Lithograph in colours, 1971, on Japon nacré paper, signed in pencil, from the edition of 120, printed by Mourlot, published by Tériade, Paris, 50.4 x 66.2 cm. (19¾ x 26 in.) View Page
Artworks
Frank Stella, River of Ponds I , 1971
Lithograph in colours, 1971, on special Arjomari paper, signed, dated and numbered an AP aside from the edition of 78, published by Gemini G.E.L., Los Angeles., 38 x 38cm (96.5 x 96.5 in), framed 109 ... View Page
Artworks
Robert Indiana, The Decade Portfolio, 1971
The complete portfolio, comprising ten screenprints in colours, 1971, on Schoellers Parole paper, each signed in pencil, dated and numbered from the edition of 200 (there were also 25 artist's proofs)... View Page
Artworks
Richard Hamilton, Guggenheim (Black), 1970
Perspex form, vacuum formed acrylic and spray painted black, 1970, signed and dated verso, from the edition of 106, although an edition of 750 was planned it was not fully executed, published by xartc... View Page
Artworks
Alexander Calder, Sun And Planets, 1970
Lithograph in colours, c. 1970, on wove paper, signed in pencil, numbered 44/50 from the edition of 50, sheet: 57.7 x 67.9 cm. (22¾ x 26¾ in.) View Page
Artworks
Barbara Hepworth, Rangatira II, 1969-1970, 1969-1970
A lesser known side of Barbara Hepworth’s artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her ‘Opposing Form’s’ series, that the drawings were ‘sculp... View Page
Artworks
Barbara Hepworth, Two Ancestral Figures, 1969-70, 1969-1970
screenprint in colours, 1969-70, each signed in pencil and numbered from the edition of 60 (total edition includes ten artist's proofs) published by Marlborough AG Schellenberg, FL, 77.7 x 58cm ... View Page
Artworks
Alexander Calder, Le Bateau Lavoir, 1969
Lithograph in colors, 1969, on wove paper, signed in pencil, numbered from the edition of 75, published by Maeght, Paris, sheet: 55.2 x 75.2 cm. View Page
Artworks
(After) Pablo Picasso, Les Portraits Imaginaires: One Plate (12.3.69 II), 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the American edition of 250 marked 'A’, printed by Marcel Salinas, New York, with his blindstam... View Page
Artworks
(After) Pablo Picasso, Les Portraits Imaginaires: One Plate (26.3.69 II), 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the American edition of 250 marked 'A’, Printed by Marcel Salinas, New York, with his blindstam... View Page
Artworks
(After) Pablo Picasso, Les Portraits Imaginaires: One Plate (30.1.69), 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the American edition of 250 marked 'A’, Printed by Marcel Salinas, New York, with his blindstam... View Page
Artworks
(After) Pablo Picasso, Les Portraits Imaginaires: One Plate (30.3.69 II), 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the American edition of 250 marked 'A’, Printed by Marcel Salinas, New York, with his blindstam... View Page
Artworks
(After) Pablo Picasso, Les Portraits Imaginaires: One Plate (6.4.69 I), 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the American edition of 250 marked 'A’, Printed by Marcel Salinas, New York, with his blindstam... View Page
Artworks
Claes Oldenburg, Pop Art, 1969
Offset lithograph and screenprint in colours, 1969, from the edition of 700, printed by G & B Arts Ltd., London, published by Arts Council of Great Britain for the Hayward Gallery, London, sheet: 762 ... View Page
Artworks
Claes Oldenburg, Sculpture in the Form of Trowel Stuck in the Ground (Model), 1969
Painted wood and fabric construction, 1969, a unique work, overall: 1118 x 756 x 635 mm (44 x 29¾ in.) View Page
Artworks
Barbara Hepworth, Squares and Circles , 1969
Lithograph printed in colours, 1969, signed in pencil and numbered from the edition of 60, on handmade Barcham Green paper, printed and published by the Curwen Studio, with their blind stamp, 81.6 x 5... View Page
Artworks
Peter Sedgley, Video Discs, 1969
Complete set of six kinetic screenprints, 1969, on aluminium, signed, titled, dated ‘1970’ and numbered from the edition of 100 incised verso, published by Editions Alecto, London, each disc 75 cm. (2... View Page
Artworks
Claes Oldenburg, Fire Plug Souvenir - "Chicago August 1968", 1968
Cast plaster with red acrylic paint, 1968, signed in felt-tip pen, incised 'C.O.' and 'Chicago August 1968' on the base, numbered from the edition of 100, published by the Richard Feigen Gallery, Chic... View Page
Artworks
Pablo Picasso, Plate 10, from: Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Artworks
Pablo Picasso, Plate 2, from Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Artworks
Pablo Picasso, Plate 4, from: Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Artworks
Pablo Picasso, Plate 8, from: Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Artworks
Pablo Picasso, Raphael et la Fornaria III, from Series 347, 1968
Etching, 1968, on Rives wove paper, signed in pencil and numbered 22/50 from the edition of 50, (there were also 17 artist's proofs), printed by Aldo and Piero Crommelynck, published in 1969 by Galeri... View Page
Artworks
Jasper Johns, Critic Sees, 1967
Embossing and screenprint, 1967, signed, titled and sated from the edition of 200, published by Tanglewood Press, New York, 24 x 20 in (60.9 x 50.8 cm) View Page
Artworks
Joe Tilson, Joe Tilson, New York Decals 3 and 4, two screenprints in colours, 1967, 1967
This set of two screenprints from 1967, is firmly rooted in the Pop Art movement of which Tilson was one of the founding figures of British Pop and shows the artists lifelong interest in collage (a st... View Page
Artworks
Joe Tilson, Joe Tilson, Study for Decal 3, pencil and Indian ink, 1967, signed , 1967
Joe Tilson has been a lifelong and dedicated print-maker, gaining a reputation as one of Britain's foremost artists producing prints, multiples, constructions, paintings and reliefs. This is Tilson’s ... View Page
Artworks
Claes Oldenburg, Tea Bag, from the portfolio 4 on Plexiglas, 1966
Screenprint in colours on laminated vacuum formed vinyl, with felt, Plexiglas, and rayon cord, 1966, signed and numbered in pencil on the verso, from the edition of 125, published by Multiples Inc., N... View Page
Artworks
Alexander Calder, Pennants, 1965
Lithograph in colours, 1965, on wove paper, signed in pencil and numbered from the edition of 110, sheet: 58.4 x 78.4 cm (23 x 30¾ in). View Page
Artworks
Roy Lichtenstein, Shipboard Girl, 1965
Offset lithograph in colours on white wove paper, 1965, signed ‘rf Lichtenstein’ in pencil, from a limited edition of unknown size, printed by Graphic Industries, Inc., New York, published by Leo Cast... View Page
Artworks
Lord Christopher Thynne, The Beatles, George Harrison signing a book in the walled garden of the Ambassadeurs Club, Mayfair. , 1964/2021
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artworks
James Rosenquist, Certificate, 1964
Etching on paper, 1962/64, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. The International Anthology... View Page
Artworks
Jim Dine, Corner Brace, 1964
Etching on BFK Rives paper, 1962/64, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. From The Internat... View Page
Artworks
Richard Anuszkiewicz, Of the Same Brilliance , 1964
Liquitex on board, 1964, signed and dated 'RICHARD ANUSZKIEWICZ 1964' (on the reverse) 24 1/8 x 36 in. (61.3 x 91.4 cm.) View Page
Artworks
Lord Christopher Thynne, The Beatles in the walled garden of Les Ambassadeurs Club, Mayfair II, 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artworks
Lord Christopher Thynne, The Beatles, George Harrison and Claire Chivers dancing in the Garrison Room at les Ambassadeurs Club, Mayfair., 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artworks
Lord Christopher Thynne, The Beatles, John Lennon sitting on an advertising hoarding at Marylebone Station I., 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artworks
Lord Christopher Thynne, The Beatles, John Lennon sitting on an advertising hoarding at Marylebone Station II. , 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artworks
Lord Christopher Thynne, The Beatles, Paul McCartney on a train at Marylebone Station., 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artworks
Lord Christopher Thynne, The Beatles, Ringo Starr on a train at Marylebone Station., 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artworks
Red Grooms, Untitled, 1964
Etching on BFK Rives paper, 1962, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. From The Internation... View Page
Artworks
Alexander Calder, Untitled, 1964
Lithograph in colors, 1964, on BFK Rives paper, signed in felt-tip pen and numbered from the edition of 100 in pencil, sheet: edition of 100 50.3 x 65 cm. (19¾ x 25½ in.) View Page
Artworks
Pablo Picasso, Jacqueline au Bandeau de Face, 1962
Linocut in colours, 1962, on watermarked Arches paper, signed in pencil, inscribed 'epreuve d'artiste', an artist’s proof aside from the edition of 50, printed by Imprimerie Arnéra and published by Ga... View Page
Artworks
Pablo Picasso, Nature morte à la pastèque, 1962
Linocut in colours, 1962, on Arches paper, signed in pencil and numbered from the edition of 160 (there were also approximately twenty artist's proofs), published by Galerie Louise Leiris, Paris, shee... View Page
Artworks
Claes Oldenburg, Orpheum Sign, from the International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, volume 5, 1964 portfolio, 1962
Aquatint on BFK Rives paper, 1962, signed and numbered ‘ea’ from the edition of 60, printed by Atelier Goerges Leblanc, Paris, published by Galleria Schwarz, Milan, sheet: 254 x 190 mm (10 x 7½ in.) ... View Page
Artworks
Pablo Picasso, Bacchanale, 1955
Aquatint in colours, circa 1955, on Rives BFK wove paper, signed in pencil and numbered from the edition of 300, published by Atelier Crommelynck, Paris, with their blindstamp, 56 x 76.5 cm. (22 x 30 ... View Page
Artworks
Pablo Picasso, Le Crapaud, 1951
Lithograph, 1951, on Velin Arches paper, inscribed, dated and signed in red chalk lower left: ‘Si tard le soir, le soleil brille’ ‘ Pour geneviève’ ‘Picasso’ ‘4 Juillet 1951’, a proof aside from the s... View Page
Artworks
Pablo Picasso, David et Bethsabée (d’après Cranach), 1949
Lithograph, 1949, on Velin Arches paper, inscribed, dated and signed lower left in red chalk ‘Pour Geneviève Laporte (épreuve unique) 26.5.51 Picasso’, a rare unique print, dedicated to Geneviève Lapo... View Page
Artworks
Pablo Picasso, La Colombe (Bloch 583; Mourlot 141), 1949
'The composition is one of the most beautiful lithos ever produced; the mellowness obtained in the plumage...is absolutely remarkable. This plate gets the maximum of what can be obtained with litho in... View Page
Artworks
Henri Matisse, La Silence Habité des Maisons, 1947
Aquatint printed in colours, circa 1947, on Arches paper, signed and dedicated to Celia Bertin in pencil, aside from the edition of 200, printed by Lacouriere, Paris, with full margins, sheet 537 x 43... View Page
Artworks
Pablo Picasso, Françoise, 1946
Lithograph, 1946, on wove paper, signed in pencil by the artist, numbered from the edition of 50, 64 x 49.5 cm. View Page
Artworks
Pablo Picasso, Françoise, 1946
Françoise Gilot was both Picasso’s lover and artistic muse during their ten year relationship (1943-1953). She was just 21 years old when they met in Paris and despite their 40 year age gap, Picasso w... View Page
Artworks
Joan Miró, Stars and Dancers (Astres et Danseurs), 1938
A rare and unique etching with hand-colouring, 1938, on vellum, signed in red ink, numbered ‘2/4’, one of four numbered impressions on velum, aside from the standard edition of 30, with the printer’s ... View Page
Artworks
Pablo Picasso, Portrait de Marie-Thérèse de face (Portrait of Marie-Thérèse from the Front), 1934
Drypoint and etching with aquatint, 1934, on Richard de Bas laid paper, stamp-signed in black ink and numbered from the edition of 50 in pencil (there were also 16 artist's proofs in Roman numerals), ... View Page
Artworks
Gustav Klimt, Adam and Eve (Plate 20), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Artworks
Gustav Klimt, Church at Unterach on Lake Atter (Plate 28), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cmc View Page
Artworks
Gustav Klimt, Field of Poppies (Plate 5), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Artworks
Gustav Klimt, Garden with Roosters (Plate 26), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Artworks
Gustav Klimt, Malcesine on Lake Garda (Plate 7), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Artworks
Gustav Klimt, Portrait of Friedricke Maria Beer (Plate 24), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Artworks
Gustav Klimt, The House of Guardaboschi (Plate 9), from Eine Nachlese/Dernière grebe/An Aftermath portfolio, 1931
Collotype in colours, 1931, on chine colle paper laid down on heavy cream wove paper, from the edition of 500, the full sheet with deckled edges, published by Max Eisler, Vienna, 48 x 45.5 cm. (19 x 1... View Page
Artworks
Eric Gill, Eric Gill, Dilecti Mei Pulsantis, 1930, 1930
Original wood engraving,1930-31, plate 14.6 X 6.7 cm. View Page
Artworks
Eric Gill, Eric Gill, The Harem, 1925, 1925
Original wood engraving, 1925, on smooth cream wove paper, signed and numbered in pencil, sheet, 32.2 x 25.4 cm The Harem was one of the original wood engravings designed by Eric Gill as illustrations... View Page
Artworks
Pablo Picasso, Tête de Femme, 1925
Lithograph, 1925, on Japanese Imperial paper, signed lower right, an artist’s proof gifted directly to Genevieve Laporte from Picasso’s private collection, aside from the edition of one hundred, print... View Page
Artworks
Man Ray, Cadeau, 1921/1974
Iron multiple with copper nails, 1921, annotated with the artist's name and titled in white paint on the handle, numbered from the edition of 5000, also with a numbered and signed certificate card, pu... View Page
Artworks
Pablo Picasso, La Suite des Saltimbanques, 1904-05
The rare, complete suite of 15 etchings and drypoints on Van Gelder wove paper, executed in 1904-05, this set is from the edition of 250 (there is also an edition of 27 or 29 on Japan paper), printed ... View Page
Artworks
Wolf Vostell, Dé-coll/age happenings
Wolf Vostell Dé-coll/age happenings View Page
Artworks
Alexander Calder, L'Etoile Rouge
Lithograph in colours, 1976, on Arches paper, signed in pencil, numbered from the edition of 75, published by George J. Goodstadt, Inc., Connecticut, sheet: 74.9 x 105.4 cm. (29½ x 41½ in.) View Page
Artworks
Roy Lichtenstein, Road Before the Forest, from The Landscapes Series, 1985
Lithograph, woodcut and screenprint in colours, 1985, on Arches 88 paper, signed and dated in pencil, numbered from edition of 60, printed and published by Gemini G.E.L. Los Angeles, with their blinds... View Page
Artworks
Keith Haring, Ludo, 1985
‘My drawings don’t try to imitate life; they try to create life’. This five-part series, ‘Ludo’, with its mix of body parts and monsters rendered in an aboriginal inspired style, is both abstract and ... View Page
Artworks
Helen Frankenthaler, Soho Dreams, 1987
Helen Frankenthaler was born and raised on Park Avenue in New York City. A true New Yorker, she never strayed far from her beloved Manhattan. Upon returning to the city in 1949, following her studies,... View Page
Artworks
Helen Frankenthaler, Ramblas, 1987
Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed by the artist in pencil, numbered from the edition of 75, 87 x 68 cm. (34¼ x 26¾ in.) View Page
Artworks
Helen Frankenthaler, Broome Street at Night, 1987
Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, inscribed ‘AP’, an artist's proof aside from the edition of 68, printed by Vigna Antoniniana Stamperia d'... View Page
Artworks
Keith Haring, One Plate, from The Apocalypse Suite, 1988
Screenprint in colours, 1988, on Museum Board, signed, dated and numbered from the edition of 90 in pencil (there were also 20 artist's proofs and 5 hors commerce sets), published by George Mulder Fin... View Page
Artworks
Roy Lichtenstein, Imperfect Diptych, from Imperfect Series, 1988
Woodcut and Screenprint with collage in colours, 1988, on Archivart 4-ply Museum Board, signed and dated in pencil, numbered from the edition, printed & published by Gemini G.E.L., Los Angeles, with t... View Page
Artworks
Keith Haring, Growing #5, 1988
Screenprint in colours, 1988, on Lenox Museum Board, signed and dated in pencil, numbered from the edition of 100, published by Martin Lawrence Limited Editions, New York, with their blindstamp, 75.9 ... View Page
Artworks
Frank Stella, The Waves: The Quarter-Deck , 1989
Screenprint, lithograph, linocut, marbling and collage, in colours, with additional hand-colouring, 1988, on T. H. Saunders and Somerset wove paper, signed, dated and numbered from the edition of 60, ... View Page
Artworks
Frank Stella, The Waves: Squid, 1989
Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, published by Waddington Gr... View Page
Artworks
Frank Stella, The Waves: Going Abroad, 1989
Frank Stella’s Going Abroad (From The Waves Series), 1989 epitomizes his innovative approach to print making. Though the individual pieces of this image are flattened, their colors and presence create... View Page
Artworks
Claes Oldenburg, Profiterole, 1989
Cast aluminium with latex paint, brass, 1989, signed, titled, dated, and numbered by incision on a brass disk in base, from the edition of 75 (there are also 25 artist’s proofs), published by Gemini G... View Page
Artworks
Christo and Jeanne-Claude, Wrapped Armchair Project, 1990
Christo and Jeanne-Claude Wrapped Armchair Project, 1990 signed, titled and inscribed in black crayon Lithograph and screenprint with collage of cloth, jute, transparent polyethylene, string, twine an... View Page
Artworks
Victor Vasarely, Tsillag, 1990
After the ground-breaking relief wall-sculptures of the late 1960’s, Vasarely moved away for a time from three-dimensional surfaces to the flat surfaces of canvas and paper. In the late 1980’s he retu... View Page
Artworks
Claes Oldenburg, The Soap at Baton Rouge , 1990
Cast resin, vinyl filled with aluminium silicate, screenprint in two colours on acetate, deluxe edition of Claes Oldenburg: Multiples in Retrospect, cloth-covered portfolio box screenprinted in two co... View Page
Artworks
Nam June Paik, Robot, 1990
Paik was fascinated by the figure of the robot, and created his first radio-controlled robot in 1964. This later piece came towards the end of his career, shortly before the 1993 Bakelite Robot that w... View Page
Artworks
Sam Francis, For the Blue Sons of the Air, 1990
Screenprint in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 150, published by American Indian Heritage Foundation, Falls Church, Virginia, 135.6 x 81.3 cm. View Page
Artworks
Claes Oldenburg, Centennial Print, Judson Memorial Church, 1990
Screenprint in colours on BFK Rives paper, 1990, signed and numbered in pencil, from the edition of 100 (there are also 10 artist’ proofs), printed by Maurel Studios, New York, published by Brooke Ale... View Page
Artworks
Roy Lichtenstein, Bedroom: from Interior Series, 1990
Roy Lichtenstein takes a modernist perspective of the picture plane by utilising a method of commercial design through comic strips and advertisement. He integrates the readymade quality of screen pri... View Page
Artworks
Peter Blake, Z is for Zebra, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, X is for Xylophonist, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, W is for Wrestler, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Sam Francis, Untitled (SFE-081), 1991
Aquatint in colours, 1991, on wove paper, signed in pencil, numbered from the edition of 27, 61.6 x 44.5 cm. View Page
Artworks
Peter Blake, U is for Unusual People, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Sam Francis, Trietto 4 (SFE-077 RC), 1991
Aquatint in colours, 1991, on Fabriano paper, signed in pencil, one of 14 Artist’s Proofs in Roman Numerals, aside from the standard edition of 66, printed by Valter & Eleonora Rossi at Vigna Antonini... View Page
Artworks
Sam Francis, Trietto 3 (SFE-076 RC), 1991
In 1970, American Abstract artist Sam Francis established his own printing studio, The Litho Shop, in Santa Monica, California. Francis employed a full time staff of Master Printers in his studio, a n... View Page
Artworks
Peter Blake, P is for Pachyderm, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, N is for Nude, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, M is for Marilyn, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, L is for Love, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, K is for King, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, J is for James Dean, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, G is for Girl, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, F is for Football, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, E is for Everly Brothers, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, D is for Dwarfs and Midgets, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, C is for Clown, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Peter Blake, B is for Boxer, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Roy Lichtenstein, Water Lily, 1993
Water Lily was created to benefit the campaign of Los Angeles city councilman Joel Wachs. Screenprint in colours, 1993, on Lana Royale, signed and dated in pencil, numbered from the edition of 130 (th... View Page
Artworks
Claes Oldenburg, Museum à la mode, from the Museum für Moderne Kunst portfolio, 1994
Offset lithograph in colours on Coventry Smooth 290-gram paper, 1994, signed in pencil and numbered from the edition of 175, printed by Team Litho, New York, published by Achenbach Art Edition GmbH, D... View Page
Artworks
Louise Bourgeois, ‘Plate 1’ from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, sheet: 30 x 30 c... View Page
Artworks
Julian Schnabel, Otoño Floral, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artworks
Julian Schnabel, Mujer Primaveral, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artworks
Frank Stella, Libertinia, from Imaginary Places, 1995
Relief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were also 14 artist's proof... View Page
Artworks
Julian Schnabel, La Blusa Rosa II, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artworks
Julian Schnabel, La Blusa Rosa I, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artworks
Julian Schnabel, Inviernosexoprimaveral, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artworks
Julian Schnabel, Invierno Primaveral, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artworks
Louise Bourgeois, 'Plate 9' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artworks
Louise Bourgeois, 'Plate 8' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artworks
Louise Bourgeois, 'Plate 7' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artworks
Louise Bourgeois, 'Plate 6' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artworks
Louise Bourgeois, 'Plate 5' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artworks
Louise Bourgeois, 'Plate 4' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artworks
Louise Bourgeois, 'Plate 3' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artworks
Louise Bourgeois, 'Plate 2' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, sheet: 30 x 30 c... View Page
Artworks
Robert Indiana, Love, from The Book of Love, 1996
Screenprint in colours, 1996, on A.N.W. Crestwood Museum paper, signed in pencil and numbered from the edition of 200, published by American Image Editions, New York, 66 × 50.8 cm. (26 x 20 in.) Editi... View Page
Artworks
Francesco Clemente, Untitled, from The Geldzahler Portfolio, 1997
Digital Ink Jet Print in colours, 1997, on Arches 260 Hot Press paper, signed in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Nash Editions, Inc., published... View Page
Artworks
Ellsworth Kelly, Untitled, from The Geldzahler Portfolio, 1997
Lithograph in colours, 1997, on Rives BFK paper, signed in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, published by The Estate Project f... View Page
Artworks
Jasper Johns, Untitled, from The Geldzahler Portfolio, 1997
Etching, 1997, on Hahnemühle copperplate paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, published by The Estate ... View Page
Artworks
Robert Indiana, The Book of Love: A Portfolio of 12 Original Poems & 12 Original Prints, 1997
The complete portfolio of 12 screen prints and 12 original poems by the artist in colours, on A.N.W Crestwood Museum Edition paper, with text pages as issued, title page on parchment, signed by the pu... View Page
Artworks
Roy Lichtenstein, Still Life, from The Geldzahler Portfolio, 1997
Serigraph in colours, 1997, on 300 gram Somerset textured paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Noblet Serigraphie, Inc., ... View Page
Artworks
Claes Oldenburg, Notebook Torn in Half (State I), 1997
Lithograph on St. Armand Special Etching paper, 1997, signed and numbered in pencil, an artist’s proof aside from the edition of 97, published by Brooke Alexander Editions, New York, sheet: 641 x 552 ... View Page
Artworks
Frank Stella, Coxuria, from The Geldzahler Portfolio, 1997
Screenprint in colours, 1997, on White Lana mouldmade paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Tyler Graphics, Ltd., publishe... View Page
Artworks
David SALLE, Paper Lanterns, from The Geldzahler Portfolio, 1998
Solar plate/intaglio in colours, 1998, on Somerset paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Hampton Editions, Ltd., published... View Page
Artworks
David Hockney, Panama Hat with a Bow Tie on a Chair, from The Geldzahler Portfolio, 1998
Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice Payne, published by Dav... View Page
Artworks
Frank Stella, Orofena, from Imaginary Places III, 1998
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's... View Page
Artworks
Frank Stella, Aiolio, from Imaginary Places III, 1998
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 51 (there were also twelve artist's proofs), with the publish... View Page
Artworks
Jonathan Callan, Psychiatric Illness, 2000
Jonathan Callan Psychiatric Illness, 2000 Signed, titled and dated on the backing board. Punched photographic plate and book housed in a plexiglass box. 38 x 45.7 x 10.2 cm View Page
Artworks
Peter Doig, Pinto, 2000
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London View Page
Artworks
Peter Doig, Haus der Bilder, from 100 Years Ago series, 2000
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, 90.2 x 109.5 cm. (35½ x ... View Page
Artworks
Peter Doig, Country Rock, 2000
Etching in colours, 2000-01, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, 93.5 x 121.5 cm. (36¾ x 47... View Page
Artworks
Anthony Caro, Antony Caro, Leaf Pool, 2000
Wall mounted card sculpture, 2000, signed and numbered from the edition of 500 in pencil, published by Bernard Jacobson Gallery, London, overall 30 x 60 x 9cm. View Page
Artworks
Howard Hodgkin, Into the Woods, Spring, 2001
Lift-ground etching and aquatint in colours with carborundum and extensive hand-colouring in acrylic on two sheets of Moulin due Gue paper, 2001-2002, signed with initials in pencil, dated ‘MMI’, and ... View Page
Artworks
David Shrigley, Web, 2005
Woodcut, 2005, on wove paper, signed with initials, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, 59.7 x 39.7 cm. (23.5 x 15.6 in.) View Page
Artworks
David Shrigley, Poison, 2005
Woodcut, 2005, on wove paper, signed with initials, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, 59.7 x 39.7 cm. (23½ x 15¾ in.) View Page
Artworks
David Shrigley, David Shrigley, Paper, Woodcut, 2005, 2005
Woodcut, 2005, on wove paper, signed, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, sheet: 59.7 x 39.7cm. View Page
Artworks
Helen Frankenthaler, Flotilla, 2006
Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 in.) ‘Flotilla’ tak... View Page
Artworks
Damien Hirst, The Souls on Jacob's Ladder Take Their Flight, 2007
Aquatint and photogravures in colours, 2007, on Arches paper, signed in pencil on the front and numbered from the edition of 72 on the reverse (there were also eighteen artist's proof sets), published... View Page
Artworks
Manolo Valdés, Profil (Marc Chagall), 2008
Etching, aquatint, drypoint and collage in colours, 2008, on handmade paper, signed in pencil, numbered from the edition of eight, 122.7 x 92.5 cm. (48¼ x 36½ in.) Contemporary Spanish painter Manolo ... View Page
Artworks
Christopher Wool, 2008, 2008
'As Wool has gradually pulled away from language, he has moved ever closer to paintings that slip further and further into the void. There is a real menace that comes with the fog and the rot and the ... View Page
Artworks
Jonas Wood, Untitled, 2009
Lithograph, screenprint and woodcut in colours, 2009, on Coventry wove paper, signed and dated in pencil, numbered from the edition of 50, published by Cirrus Editions with their blindstamp and inksta... View Page
Artworks
Jonas Wood, Untitled, 2009
Lithograph, screenprint and woodcut printed in colours, 2009, on Coventry wove paper, signed in white pencil, dated and numbered, with the blindstamp of the publisher, Cirrus Editions, and with their ... View Page
Artworks
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artworks
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artworks
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artworks
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artworks
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artworks
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artworks
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artworks
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artworks
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artworks
David Hockney, Waiting at York 180, 2010
Ipad drawing, 2010, in colours, on wove paper, signed dated and numbered 14th from the edition of 25, published by Pace Gallery, London, 94 x 71 cm. (37 x 28 in.) View Page
Artworks
Bethan Huws, Where's Duchamp, 2011
Bethan Huws’ screenprint references one of the artists idols, Marcel Duchamp. The stark and simple text is often seen as an allusion to Duchamps’ considered approach to making work. Another interpreta... View Page
Artworks
Jack Milroy, Plantes de Rocaille, 2011-2026
Cut and crumpled book pages construction in an acrylic case, 2020, 31 x 101 cm. (12¼ x 39¾ in.) View Page
Artworks
Ali Banisadr, Divine Wind , 2012
Oil on linen, signed and dated ‘ALI BANISADR 12’ (lower right), and signed and dated ‘ALI BANISADR 2012’ (on the reverse). Size: 76.2 cm. x 91.4 cm. View Page
Artworks
Takashi Murakami, Panda Family and Me, 2013
Offset lithograph in colours, 2013, on wove paper, signed in silver ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, sheet: 500 x 500 mm (19¾ x 19¾ in.) View Page
Artworks
Jan-Ole Schiemann, I Left My Shoes in Düsseldorf, 2013
Ink and acrylic on canvas, 2013, signed, titled and dated ‘Jan-Ole Schiemann / 2013 / “I left my shoes in Düsseldorf”’ (on the reverse), 180 x 155 cm. (70¾ x 61 in.) View Page
Artworks
Jack Milroy, Territorial Ambitions, 2014
Cut book page construction in an acrylic case, 2014, 149 x 118 cm. (58¾ x 46½ in.) View Page
Artworks
Keith Coventry, Aylesbury Estate, 2014
Sheet 54 x 42cm Image 46 x 35cm View Page
Artworks
Jack Milroy, Grey Skies, 2015
Cut book construction in an acrylic case, 2015, 201.5 x 121 cm. (79¼ x 47¾ in.) View Page
Artworks
Jan-Ole Schiemann, Antennahair, 2015
Ink and acrylic on canvas, 2015, signed, titled, and dated ‘Jan-Ole Schiemann / “Antennahair” / 2015’ (on the reverse), 200 x 180 cm. (78¾ x 70¾ in.) View Page
Artworks
David Shrigley, Really Good, 2016
A mini replica statuette in polystone, numbered on the base, from the edition of 3000, 29 x 7.5 x 12.5 cm. Turner Prize-nominated artist David Shrigley unveiled ‘Really Good’ on 29th September, 2016 i... View Page
Artworks
Jack Milroy, Mountain Flowers II, 2016
Cut book construction in an acrylic case, 2016, 20 x 24 cm. (7¾ x 9½ in.) View Page
Artworks
Marcus Harvey, Maggie, 2016
Price: £1,250 + VAT (unframed) Price: £1,500 + VAT (framed) View Page
Artworks
Jack Milroy, Incy Wincy, 2016
Cut book construction in an acrylic case, 2016, 19 x 15 cm. (7½ x 6 in.) View Page
Artworks
Jack Milroy, Cats, 2016
Cut book construction in an acrylic case, 2016, 19 x 15 cm. (7½ x 6 in.) View Page
Artworks
Andreas Breunig, S-Works: Specialized No. 36, 2017
Oil, graphite, and charcoal on canvas, 2017, signed and dated twice ‘A. Breunig 2017’ (on the reverse), 210 x 170 cm. (82¾ x 67 in.) View Page
Artworks
Grayson Perry, Reclining Artist, 2017
'This is me, both as artist and model in my studio. I wanted to make something in the tradition of the reclining nude. I'm hoping it will be popular with educated middle-class people who might enjoy s... View Page
Artworks
Polly Morgan, Polly Morgan, More than Ever, taxidermy snake, 2017, 2017
Polly Morgan is a contemporary British artist known for her taxidermy sculptures. As a member of the UK Guild of Taxidermists, she only uses animals that have died naturally or accidentally in her wor... View Page
Artworks
David Shrigley, Vibes, 2018
Screenprint in colours, 2018, on wove paper, from the edition of 125, numbered, dated and signed by the artist verso, published by Counter Editions, 76 x 56cm. View Page
Artists
Polly Morgan, Polly Morgan, More than Ever, taxidermy snake, 2017, 2017
Polly Morgan is a contemporary British artist known for her taxidermy sculptures. As a member of the UK Guild of Taxidermists, she only uses animals that have died naturally or accidentally in her wor... View Page
Events
Event: London Original Print Fair 2021
Shapero Modern is excited to be taking part in London Print Week, this year’s edition of the London Original Print Fair, which will take place from Saturday 1st to Saturday 8th May in our gallery at 4... View Page
Events
Event: London Original Print Fair 2022
We are delighted once more to be taking part in the LOPF. Founded in 1985 at the Royal Academy of Arts, this year the LOPF moves to Somerset House for its 37th edition. Reserve your complimentary tick... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Exhibitions
Where It Takes Me | 21 June - 15 July 2024
Howard Jeffs was born in 1944 in the United Kingdom. He pursued his art education at Chelsea School of Art in the 1960s, where he developed his foundational skills and began experimenting with various... View Page
Mailing list
Join our mailing list
View Page
Artists
Barbara Hepworth, Forms in a Flurry, 1969-70, 1979
screenprint in colours, 1969-70, each signed in pencil and numbered from the edition of 60 (total edition includes ten artist's proofs) published by Marlborough AG Schellenberg, FL, 77.7 x 58cm ... View Page
Artists
Barbara Hepworth, Two Ancestral Figures, 1969-70, 1969-1970
screenprint in colours, 1969-70, each signed in pencil and numbered from the edition of 60 (total edition includes ten artist's proofs) published by Marlborough AG Schellenberg, FL, 77.7 x 58cm ... View Page
Artists
Barbara Hepworth, Rangatira II, 1969-1970, 1969-1970
A lesser known side of Barbara Hepworth’s artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her ‘Opposing Form’s’ series, that the drawings were ‘sculp... View Page
Artists
Barbara Hepworth, Squares and Circles , 1969
Lithograph printed in colours, 1969, signed in pencil and numbered from the edition of 60, on handmade Barcham Green paper, printed and published by the Curwen Studio, with their blind stamp, 81.6 x 5... View Page
Blog
A Butterfly Has Landed at Shapero
Walking past the windows of our gallery on New Bond Street you will currently experience the magnetic pull of the vibrant yellow butterfly 'The Souls on Jacob's Ladder Take Their Flight' by renowned B... View Page
Artists
Damien Hirst, The Souls on Jacob's Ladder Take Their Flight, 2007
Aquatint and photogravures in colours, 2007, on Arches paper, signed in pencil on the front and numbered from the edition of 72 on the reverse (there were also eighteen artist's proof sets), published... View Page
Blog
A Butterfly Has Landed at Shapero
Walking past the windows of our gallery on New Bond Street you will currently experience the magnetic pull of the vibrant yellow butterfly 'The Souls on Jacob's Ladder Take Their Flight' by renowned B... View Page
Artists
Marcus Harvey, Maggie, 2016
Price: £1,250 + VAT (unframed) Price: £1,500 + VAT (framed) View Page
Blog
How Abstract Art is Transforming Interiors
These days we often see large-scale abstract artworks feature as the centrepiece of beautifully curated rooms. But what is it... View Page
Artists
Jan-Ole Schiemann, Antennahair, 2015
Ink and acrylic on canvas, 2015, signed, titled, and dated ‘Jan-Ole Schiemann / “Antennahair” / 2015’ (on the reverse), 200 x 180 cm. (78¾ x 70¾ in.) View Page
Artists
Jan-Ole Schiemann, I Left My Shoes in Düsseldorf, 2013
Ink and acrylic on canvas, 2013, signed, titled and dated ‘Jan-Ole Schiemann / 2013 / “I left my shoes in Düsseldorf”’ (on the reverse), 180 x 155 cm. (70¾ x 61 in.) View Page
Artists
James Rosenquist
James Rosenquist (1933 – 2017) was born in 1933 in Grand Forks, North Dakota, growing up in Minneapolis, Minnesota. In Junior High School, Rosenquist won a short-term scholarship to study at the Minne... View Page
Artists
James Rosenquist, Certificate, 1964
Etching on paper, 1962/64, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. The International Anthology... View Page
Artists
Man Ray, Cadeau, 1921/1974
Iron multiple with copper nails, 1921, annotated with the artist's name and titled in white paint on the handle, numbered from the edition of 5000, also with a numbered and signed certificate card, pu... View Page
Blog
How Abstract Art is Transforming Interiors
These days we often see large-scale abstract artworks feature as the centrepiece of beautifully curated rooms. But what is it... View Page
Artists
Keith Coventry, Aylesbury Estate, 2014
Sheet 54 x 42cm Image 46 x 35cm View Page
Artists
Salvador Dalí, Plate 19 – “Principio de incertidumbre de Heisenberg”, from Les Caprices de Goya, 1977
Drypoint and etching on heliogravures in colours on Rives paper, 1977, signed in pencil and numbered from the edition of 200 (there were also 20 artist’s proofs), printed by Ateliers Rigal, Paris, pub... View Page
Artists
Salvador Dalí, Plate 60 – “Relámpagos”, from Les Caprices de Goya, 1977
Drypoint and etching on heliogravures in colours on Rives paper, 1977, signed in pencil and numbered from the edition of 200 (there were also 20 artist’s proofs), printed by Ateliers Rigal, Paris, pub... View Page
Artists
Salvador Dalí, Plate 67 – “Ni por ésas”, Les Caprices de Goya, 1977
Drypoint and etching on heliogravures in colours on Rives paper, 1977, signed in pencil and numbered from the edition of 200 (there were also 20 artist’s proofs), printed by Ateliers Rigal, Paris, pub... View Page
Artists
Salvador Dalí, Plate 76 – “Setze jutges mengen fetge d’un penjat”, from Les Caprices de Goya, 1977
Drypoint and etching on heliogravures in colours on Rives paper, 1977, signed in pencil and numbered from the edition of 200 (there were also 20 artist’s proofs), printed by Ateliers Rigal, Paris, pub... View Page
Artists
Salvador Dalí, Liquid and Gaseous Television, 1975
Colour lithograph with screenprint and etching, with collage elements, 1975, on Rives BFK paper, signed in pencil and numbered I-186/250 from the edition of 250 on Rives paper (the total edition was 6... View Page
Artists
Salvador Dalí, Freud with Snail-head, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artists
Salvador Dalí, The Curse Conquered, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artists
Salvador Dalí, The Laurels of Happiness, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artists
Salvador Dalí, The Divine Back of Gala, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artists
Salvador Dalí, The Museum of Genius and Whim, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artists
Salvador Dalí, The Sacred Love of Gala, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artists
Salvador Dalí, God, Time, Space and the Pope, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artists
Salvador Dalí, A Shattering Entrance to the USA, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artists
Salvador Dalí, Gala's Castle, from After 50 Years of Surrealism, 1974
Etching with hand-colouring, 1974, on BFK Rives paper, signed, inscribed ‘F’ and numbered from the French edition of 195 (there was also an edition of 195 on Arches with text in English inscribed ‘A’)... View Page
Artists
Francesco Clemente, Untitled, from The Geldzahler Portfolio, 1997
Digital Ink Jet Print in colours, 1997, on Arches 260 Hot Press paper, signed in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Nash Editions, Inc., published... View Page
Artists
Christo and Jeanne-Claude, Wrapped Armchair Project, 1990
Christo and Jeanne-Claude Wrapped Armchair Project, 1990 signed, titled and inscribed in black crayon Lithograph and screenprint with collage of cloth, jute, transparent polyethylene, string, twine an... View Page
Artists
Gary Hume | Original Screenprints for Sale | Shapero Rare Books
Explore our collection of original screenprints by Gary Hume, an English artist known for blending abstract formalism with everyday subjects. Discover unique works by this internationally recognised a... View Page
Blog
Gary Hume's 'The Sister troop Portfolio'
Abstracting the Iconic American Cheerleader © Voytek Ketz / Sprüth Magers Gary Hume (b. 1962) gained popularity for the way... View Page
Artists
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artists
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artists
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artists
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artists
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artists
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artists
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artists
Howard Hodgkin, Into the Woods, Spring, 2001
Lift-ground etching and aquatint in colours with carborundum and extensive hand-colouring in acrylic on two sheets of Moulin due Gue paper, 2001-2002, signed with initials in pencil, dated ‘MMI’, and ... View Page
Artists
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Artists
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Blog
Gary Hume's 'The Sister troop Portfolio'
Abstracting the Iconic American Cheerleader © Voytek Ketz / Sprüth Magers Gary Hume (b. 1962) gained popularity for the way... View Page
Artists
Anthony Caro, Antony Caro, Leaf Pool, 2000
Wall mounted card sculpture, 2000, signed and numbered from the edition of 500 in pencil, published by Bernard Jacobson Gallery, London, overall 30 x 60 x 9cm. View Page
Artists
Jonathan Callan, Psychiatric Illness, 2000
Jonathan Callan Psychiatric Illness, 2000 Signed, titled and dated on the backing board. Punched photographic plate and book housed in a plexiglass box. 38 x 45.7 x 10.2 cm View Page
Artists
Peter Doig, Pinto, 2000
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London View Page
Artists
Peter Doig, Country Rock, 2000
Etching in colours, 2000-01, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, 93.5 x 121.5 cm. (36¾ x 47... View Page
Artists
Peter Doig, Haus der Bilder, from 100 Years Ago series, 2000
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, 90.2 x 109.5 cm. (35½ x ... View Page
Artists
Richard Estes, Urban Landscapes No. 3, Set of Eight Silkscreens, 1981
The complete set of eight screenprints in colours, on Fabriano Cottone paper, with full margins, signed and numbered from the edition of 50 in pencil (there were also 15 artist's proofs), published by... View Page
Artists
Jim Dine, Corner Brace, 1964
Etching on BFK Rives paper, 1962/64, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. From The Internat... View Page
Artists
Louise Bourgeois
Works by Louise Bourgeois: ‘Plate 1’ from Ode à ma Mère, 1995 , 'Plate 6' from Ode à ma Mère, 1995 , 'Plate 9' from Ode à ma Mère, 1995 , 'Plate 3' from Ode à ma Mère, 1995 ,... View Page
Artists
Frank Stella, York Factory II, 1974
Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., 46.9 x 112.8cm (18½ x 44½ in), framed 54.9 x 1... View Page
Artists
Frank Stella, Lunna Wola (V), 1975
Unique cotton-pulp relief with hand-colouring and collage, 1975, on coloured HMP handmade paper, signed, dated and annotated 'T.P' in black ink on the reverse, one of 14 unique colorway trial proofs, ... View Page
Artists
Frank Stella, Sinjerli Variation Ia, from Sinjerli Variations, 1977
Lithograph and screenprint in colours, 1977, on Arches Cover paper, signed in pencil, dated and numbered from the edition of 100, there were also 20 artist's proofs, published by Petersburg Press, she... View Page
Artists
Frank Stella, Sinjerli Variation IIa, from Sinjerli Variations, 1977
Lithograph and screenprint in colours, 1977, on Arches Cover paper, signed in pencil, dated and numbered from the edition of 100, there were also 20 artist's proofs, published by Petersburg Press, she... View Page
Artists
Frank Stella, Yellow Journal, 1982
Lithograph, 1982, on white Arches Cover, mould-made paper, signed and dated an AP aside the edition of 50, published by Tyler Graphics Ltd., Bedford Village, NY., 133.5 x 97.8 cm (52 1/2 x 38 1/2 in),... View Page
Artists
Frank Stella, Swan Engraving Circle I, State V, 1983
Etching, relief and engraving in colours, 1983, on light mauve TGL handmade paper with their blindstamp lower centre, signed and dated in pencil, numbered from the edition of 5, published by Tyler Gra... View Page
Artists
Frank Stella, The Waves: Squid, 1989
Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, published by Waddington Gr... View Page
Artists
Frank Stella, Libertinia, from Imaginary Places, 1995
Relief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were also 14 artist's proof... View Page
Artists
Frank Stella, Coxuria, from The Geldzahler Portfolio, 1997
Screenprint in colours, 1997, on White Lana mouldmade paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Tyler Graphics, Ltd., publishe... View Page
Artists
Frank Stella, Aiolio, from Imaginary Places III, 1998
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 51 (there were also twelve artist's proofs), with the publish... View Page
Artists
Frank Stella, Orofena, from Imaginary Places III, 1998
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's... View Page
Artists
Frank Stella, Paper Reliefs-Olyka (III), 1975
The Paper Relief ae based on six configurations from the painting series that employed relief elements, the Polish Village Series of 1971-73. Stella and Kenneth Taylor worked with papermaking experts ... View Page
Artists
Frank Stella, The Waves: The Quarter-Deck , 1989
Screenprint, lithograph, linocut, marbling and collage, in colours, with additional hand-colouring, 1988, on T. H. Saunders and Somerset wove paper, signed, dated and numbered from the edition of 60, ... View Page
Artists
Frank Stella, The Waves: Going Abroad, 1989
Frank Stella’s Going Abroad (From The Waves Series), 1989 epitomizes his innovative approach to print making. Though the individual pieces of this image are flattened, their colors and presence create... View Page
Artists
Donald Sultan, Black Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Artists
Donald Sultan, Blue Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Artists
Donald Sultan, Red Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Artists
Donald Sultan, White Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Artists
Donald Sultan, Yellow Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Artists
Frank Stella, River of Ponds I , 1971
Lithograph in colours, 1971, on special Arjomari paper, signed, dated and numbered an AP aside from the edition of 78, published by Gemini G.E.L., Los Angeles., 38 x 38cm (96.5 x 96.5 in), framed 109 ... View Page
Artists
Joan Miró, Le Bagnard et sa Compagne, 1975
Etching and aquatint in colours, 1975, on Arches paper, signed in white pencil and numbered from the edition of 50, printed by Morsang, Paris, published by Maeght, Paris, sheet: 1210 x 1600 mm. (47 5/... View Page
Artists
Joan Miró, L'Aigrette Rouge, 1976
Etching and aquatint with carborundum in colours, 1976, on Arches paper, signed in pencil and numbered 40 from the edition of 50 (there were also 12 Artist's Proofs), printed by Morsang, Paris, publis... View Page
Artists
Joan Miró, Le Beluga, 1975
Etching and aquatint with carborundum in colours, 1975, on Arches paper, with the Maeght watermark, signed in pencil and numbered from the edition of 50, printed by Morsang, Paris, published by Maeght... View Page
Artists
Joan Miró, Galathée, 1976
Etching and aquatint with embossing, 1976, on Arches paper, signed in pencil and numbered 49 from the edition of 50 (there are also 12 Artist’s Proofs), printed by Morsang, Paris, published by Maeght,... View Page
Artists
Joan Miró, Pantagruel, 1978
Etching and aquatint with carborundum and knife scrapes in colours, 1978, on Arches wove paper, with the Maeght watermark, signed in pencil and numbered 5 from the edition of 50, printed by Morsang, P... View Page
Artists
Joan Miró, One Plate, from Ubu au Baléares, 1971
Lithograph in colours, 1971, on Japon nacré paper, signed in pencil, from the edition of 120, printed by Mourlot, published by Tériade, Paris, 50.4 x 66.2 cm. (19¾ x 26 in.) View Page
Artists
Joan Miró, One Plate, from Ubu au Baléares, 1971
Lithograph in colours, 1971, on Japon nacré paper, signed in pencil, from the edition of 120, printed by Mourlot, published by Tériade, Paris, 50.4 x 66.2 cm. (19¾ x 26 in.) View Page
Artists
Joan Miró, Stars and Dancers (Astres et Danseurs), 1938
A rare and unique etching with hand-colouring, 1938, on vellum, signed in red ink, numbered ‘2/4’, one of four numbered impressions on velum, aside from the standard edition of 30, with the printer’s ... View Page
Artists
Roy Lichtenstein, Shipboard Girl, 1965
Offset lithograph in colours on white wove paper, 1965, signed ‘rf Lichtenstein’ in pencil, from a limited edition of unknown size, printed by Graphic Industries, Inc., New York, published by Leo Cast... View Page
Artists
Roy Lichtenstein, Entablature II, from Entablature Series, 1976
Screenprint in colours with embossing and collage of gloss copper and mat pink metallic foil, 1976, on Rives BFK paper, signed and dated in pencil, numbered from edition of 30 (there were also 9 artis... View Page
Artists
Roy Lichtenstein, Entablature III, from Entablature Series, 1976
Screenprint in colours with embossing and collage of mat and gloss gold metallic foil, 1976, on Rives BFK paper, signed, dated and numbered from the edition of 16 in pencil (there were also 9 artist's... View Page
Artists
Roy Lichtenstein, Night Scene, 1980
‘Night Scene’ is one of six intaglio prints Roy Lichtenstein produced in 1980, during the same period as his ‘American Indian Theme’ series. This piece was hand drawn onto a copperplate by the artist ... View Page
Artists
Roy Lichtenstein, Still Life, from The Geldzahler Portfolio, 1997
Serigraph in colours, 1997, on 300 gram Somerset textured paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Noblet Serigraphie, Inc., ... View Page
Artists
Roy Lichtenstein, Bull I, from the Bull Profile Series, 1973
‘Bull I’ marks the beginning of Lichtenstein’s ‘Bull Profile’ series, which is an investigation into the abstraction and simplification of an image. The series begins with a figurative, well defined i... View Page
Artists
Roy Lichtenstein, Road Before the Forest, from The Landscapes Series, 1985
Lithograph, woodcut and screenprint in colours, 1985, on Arches 88 paper, signed and dated in pencil, numbered from edition of 60, printed and published by Gemini G.E.L. Los Angeles, with their blinds... View Page
Artists
Roy Lichtenstein, Imperfect Diptych, from Imperfect Series, 1988
Woodcut and Screenprint with collage in colours, 1988, on Archivart 4-ply Museum Board, signed and dated in pencil, numbered from the edition, printed & published by Gemini G.E.L., Los Angeles, with t... View Page
Artists
Roy Lichtenstein, Bedroom: from Interior Series, 1990
Roy Lichtenstein takes a modernist perspective of the picture plane by utilising a method of commercial design through comic strips and advertisement. He integrates the readymade quality of screen pri... View Page
Artists
Roy Lichtenstein, Water Lily, 1993
Water Lily was created to benefit the campaign of Los Angeles city councilman Joel Wachs. Screenprint in colours, 1993, on Lana Royale, signed and dated in pencil, numbered from the edition of 130 (th... View Page
Artists
Yayoi Kusama
Yayoi Kusama dazzles audiences worldwide with her immersive 'Infinity Mirror Rooms' and an aesthetic that embraces light, polka dots, and pumpkins. The avant-garde artist first rose to prominence in 1... View Page
Artists
Keith Haring, One Plate, from The Apocalypse Suite, 1988
Screenprint in colours, 1988, on Museum Board, signed, dated and numbered from the edition of 90 in pencil (there were also 20 artist's proofs and 5 hors commerce sets), published by George Mulder Fin... View Page
Artists
Keith Haring, Ludo, 1985
‘My drawings don’t try to imitate life; they try to create life’. This five-part series, ‘Ludo’, with its mix of body parts and monsters rendered in an aboriginal inspired style, is both abstract and ... View Page
Artists
Keith Haring, Growing #5, 1988
Screenprint in colours, 1988, on Lenox Museum Board, signed and dated in pencil, numbered from the edition of 100, published by Martin Lawrence Limited Editions, New York, with their blindstamp, 75.9 ... View Page
Artists
Richard Hamilton, Dedicated Follower of Fashion, 1980
Etching and aquatint, 1980, on Rives BFK, signed and numbered from the edition of 100, printed at Studio Crommelynck, Paris, published by Waddington Graphics, London, sheet 58.4 × 38.1 cm. The title i... View Page
Artists
Richard Hamilton, Guggenheim (Black), 1970
Perspex form, vacuum formed acrylic and spray painted black, 1970, signed and dated verso, from the edition of 106, although an edition of 750 was planned it was not fully executed, published by xartc... View Page
Artists
David Hockney, Waiting at York 180, 2010
Ipad drawing, 2010, in colours, on wove paper, signed dated and numbered 14th from the edition of 25, published by Pace Gallery, London, 94 x 71 cm. (37 x 28 in.) View Page
Artists
David Hockney, Panama Hat with a Bow Tie on a Chair, from The Geldzahler Portfolio, 1998
Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice Payne, published by Dav... View Page
Artists
David Hockney, Coloured Flowers Made of Paper and Ink, 1971
Lithograph in colours, 1971, on Hodgkinson paper, signed, titled, dated and inscribed from the edition of 50, printed by Ernst Donagh, Cook Hammond and Kell, London, published by Petersburg Press, Lon... View Page
Artists
Louise Bourgeois, 'Plate 8' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artists
Louise Bourgeois, 'Plate 2' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, sheet: 30 x 30 c... View Page
Artists
Louise Bourgeois, 'Plate 7' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artists
Louise Bourgeois, 'Plate 5' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artists
Louise Bourgeois, 'Plate 4' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artists
Louise Bourgeois, 'Plate 3' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artists
Louise Bourgeois, 'Plate 9' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artists
Louise Bourgeois, 'Plate 6' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Artists
Louise Bourgeois, ‘Plate 1’ from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, sheet: 30 x 30 c... View Page
Blog
Five Fast Facts: Louise Bourgeois's Spider
View Page
Blog
Five Fast Facts: Louise Bourgeois's Spider
View Page
Events
Works | Frieze Masters 2026
Shapero Modern & Shapero Rare Books are delighted to be returning to The Regent's Park, London for the 2026 edition of FRIEZE MASTERS . Join us at Stand A07 to explore a a prestigious selection of 20t... View Page
Events
Louise Bourgeois, 'Plate 9' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Events
Louise Bourgeois, 'Plate 8' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Events
Louise Bourgeois, 'Plate 7' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Events
Louise Bourgeois, 'Plate 6' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Events
Louise Bourgeois, 'Plate 5' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Events
Louise Bourgeois, 'Plate 4' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Events
Louise Bourgeois, 'Plate 3' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Events
Louise Bourgeois, ‘Plate 1’ from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, sheet: 30 x 30 c... View Page
Events
Works | Frieze Masters 2026
Shapero Modern & Shapero Rare Books are delighted to be returning to The Regent's Park, London for the 2026 edition of FRIEZE MASTERS . Join us at Stand A07 to explore a a prestigious selection of 20t... View Page
Events
David Hockney, Coloured Flowers Made of Paper and Ink, 1971
Lithograph in colours, 1971, on Hodgkinson paper, signed, titled, dated and inscribed from the edition of 50, printed by Ernst Donagh, Cook Hammond and Kell, London, published by Petersburg Press, Lon... View Page
Events
Sam Francis, Untitled, 1982
The work of Sam Francis has not followed a straight line of progression. He generated new forms, colours and formats with every piece, constantly adding to his large visual vocabulary. This unique mon... View Page
Artworks
Takashi Murakami, One Plate, from We Are The Jocular Clan (SM.116887), 2018
Offset lithograph in colours, 2018, on wove paper, signed in black ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, diameter: 476 mm (18¾ in.) View Page
Artworks
Takashi Murakami, One Plate, from We Are The Jocular Clan (SM.116881), 2018
Offset lithograph in colours, 2018, on wove paper, signed in silver ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, diameter: 476 mm (18¾ in.) View Page
Artworks
Takashi Murakami, One Plate, from We Are The Jocular Clan (SM. 116891), 2018
Offset lithograph in colours, 2018, on wove paper, signed in black ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, diameter: 476 mm (18¾ in.) View Page
Artworks
Takashi Murakami, One Plate, from We Are The Jocular Clan (SM. 116883), 2018
Offset lithograph in colours, 2018, on wove paper, signed in black ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, diameter: 476 mm (18¾ in.) View Page
Artworks
Takashi Murakami, One Plate, from We Are The Jocular Clan (SM. 116879), 2018
Offset lithograph in colours, 2018, on wove paper, signed in silver ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, diameter: 476 mm (18¾ in.) View Page
Artworks
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Artworks
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Takashi Murakami One Plate, from We are the Jocular Clan, 2018 Lithograph 47.6 x 47.6 cm View Page
Artworks
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Artworks
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Artworks
Jack Milroy, Lucky Star, 2018
Cut sardine can in an acrylic case, 2018, 19 x 16.5 x 8.5 cm. (7½ by 6½ in) View Page
Artworks
Ai Weiwei, Zodiac, from The Papercut Portfolio, 2019
Papercut, 2019, signed by the artist in pencil recto, from the Collector’s Edition of 250 (there were also 24 artist’s proofs), published by Taschen, London, 60 x 60 cm. (23.6 x 23.6 in.) View Page
Artworks
David Shrigley, Untitled (Fire), 2019
Screenprint in colours, 2019, on Somerset Tub paper, signed, dated and numbered from the edition of 125 in pencil, published by Stephen Friedman Gallery, London, 76 x 56cm. (30 x 22 in). 'I'm actually... View Page
Artworks
Thomas Wachholz, The Parker, 2019
Red phosphorous and acrylic on canvas, 2019, label from studio Thomas Wachholz (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Artworks
Nina Chanel Abney, Temporary Friends, 2019
Suite of five relief prints, 2019, signed and numbered from the edition of 35, published by PACE NY, 100 x 75 cm (39 ¼ x 29 ½ in). View Page
Artworks
Thomas Wachholz, Star Palace, 2019
Red phosphorous and acrylic on canvas, 2019, label from studio Thomas Wachholz (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Artworks
Thomas Wachholz, Piccoli, 2019
Red phosphorous and acrylic on canvas, 2019, signed, titled, and dated ‘Piccoli Thomas Wachholz 2019’ (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Artworks
Ai Weiwei, Haircut, from The Papercut Portfolio, 2019
Papercut, 2019, signed by the artist in pencil recto, from the Collector’s Edition of 250 (there were also 24 artist’s proofs), published by Taschen, London, 60 x 60 cm. (23.6 x 23.6 in.) View Page
Artworks
Ai Weiwei, Furniture, from The Papercut Portfolio, 2019
Papercut, 2019, signed by the artist in pencil recto, from the Collector’s Edition of 250 (there were also 24 artist’s proofs), published by Taschen, London, 60 x 60 cm. (23.6 x 23.6 in.) View Page
Artworks
Thomas Wachholz, Capri, 2019
Red phosphorous and acrylic on canvas, 2019, label from studio Thomas Wachholz (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Artworks
Benjamin Senior, Ball Games, 2019
Colours Lithograph, 2019, on Somerset Velvet Warm White 400gsm, signed, numbered and dated from the edition of 200, produced by Counter Studio, Margate, 76 x 60 cm (29.9 x 23.6 in). View Page
Artworks
Jack Milroy, The Librarian's Butterfly Collection, 2020
Cut book page construction in an acrylic case, 2020, 67 x 60 cm. (26½ x 23½ in.) View Page
Artworks
Tunji ADENIYI-JONES, Pattern Makers, 2020
Tunji ADENIYI-JONES Pattern Makers, 2020 Signed in pencil, numbered from the edition of 30 Screenprint in colours, on Coventry Rag paper, published by Fort Makers, New York 19 7/8 x 15 7/8 in 50.5 x 4... View Page
Artworks
Jack Milroy, Not Knots, 2020
Cut book construction in an acrylic case, 2020, 38 x 33 cm. (15 x 13 in.) View Page
Artworks
Jack Milroy, Gardening in the Library, 2020
Cut book construction in an acrylic case, 2020, 93 x 115 cm. (36½ x 45¼ in.) View Page
Artworks
Jack Milroy, Cabinet of Natural History, 2020
Cut book construction in 16 acrylic cases, 2020, 203 x 203 cm. (80 x 80 in.) View Page
Artworks
Jack Milroy, Piccanti Piccanti, 2021
Cut sardine can in an acrylic case, 2021, 19 x 18 cm. (7½ x 7 in.) View Page
Artworks
Jack Milroy, Six Short Stories in Search of an Author, 2022
Jack Milroy Six Short Stories in Search of an Author, 2022 Cut postcards in an acrylic case 100 x 84 x 13 cm. (39¼ x 33 x 5 in.) View Page
Artworks
Jack Milroy, The Librarian's Aviary IV, 2023
Cut postcards in an acrylic case, 2023, 21 x 104.5 cm. (8¼ x 41¼ in.) View Page
Artworks
Jack Milroy, The Japanese Librarian's Secret Garden, 2023
Five cut Japanese books (orihons) in five acrylic cases, 2023, each case: 23 x 183 cm. (9 x 72 in.) View Page
Artworks
Jack Milroy, Orihon IV, 2023
Cut Japanese book (orihon) in an acrylic case, 2023-4, 21 x 104.5 cm. (8¼ x 41¼ in.) View Page
Artworks
Jack Milroy, Orihon I, 2023
Cut Japanese book (orihon) in an acrylic case, 2023, 21 x 104.5 cm. (8¼ x 41¼ in.) View Page
Artworks
Rory Hutton, March, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, January, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, February, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Jack Milroy, DIV(in)E, 2023
Cut book in an acrylic case, 2023, 214 x 35 cm. (84¼ x 13¾ in.) View Page
Artworks
Rory Hutton, April, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Donald Sultan, Yellow Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Artworks
Donald Sultan, White Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Artworks
Donald Sultan, Red Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Artworks
Jack Milroy, Monkey, 2024
Cut and crumpled book page construction in an acrylic case, 2024, 50 x 165 cm. (19¾ x 65 in.) View Page
Artworks
Jack Milroy, Dialogue, 2024
Jack Milroy Dialogue, 2024 Cut and constructed postcards in an acrylic case, 85 x 65 cm. (33½ x 25½ in.) 85 x 65 x 13.5 cm (33½ x 25½ x 5 ¼ in. ) View Page
Artworks
Donald Sultan, Blue Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Artworks
Donald Sultan, Black Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Artworks
Jack Milroy, A Trashcan World, 2024
Cut and crumpled book page construction in an acrylic case, 2024, 50 x 165 cm. (19¾ x 65 in.) View Page
Artworks
Rory Hutton, Wallpaper (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artworks
Jack Milroy, The Golden Toad, 2025
Collage on pegs on wood and acrylic paint in an acrylic case, 2025, 122 x 95 cm. (48 by 37½ in.) View Page
Artworks
Rory Hutton, Sussex Chair (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artworks
Rory Hutton, Sunflowers (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artworks
Jack Milroy, Species, 2025
Jack Milroy Species, 2025 Cut postcards in an acrylic case 87 x 142 x 144 cm. (34¼ x 56 x 5½ in.) View Page
Artworks
Jack Milroy, Plantes Grimpante au Coucher du Soleil, 2025
Cut book construction with acrylic paint on wood and peg supports in an acrylic case, 2025, 152 x 112 cm. (59¾ x 44 in.) View Page
Artworks
Alex Katz, Olivia 1, 2025
Screenprint in colours, 2025, on Saunders 425 gsm paper, signed by the artist and numbered from the edition of 50, published by Lococo Fine Art, St. Louis, 150 x 102 cm. (59 x 40 in.) View Page
Artworks
Rory Hutton, My Blue China (Two Porcelain Plates in Presentation Box), 2025
Two porcelain plates in presentation box, 2025, hand decorated in Stoke-on-Trent, England, a limited edition of 50 sets, 21 x 21 cm. View Page
Artworks
Rory Hutton, My Blue China (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artworks
Rory Hutton, Lily and Peacock (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artworks
Jack Milroy, Humans, 2025
Cut book construction in an acrylic case, 2025, 158 x 132 cm. (62¼ x 52 in.) View Page
Artworks
Rory Hutton, Giant Lily (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artworks
Jack Milroy, Climbing Plants, 2025
Jack Milroy Climbing Plants, 2025 Cut book construction with acrylic paint on wood and peg supports in an acrylic case 155 x 174 x 24 cm. (61 x 68½ x 9½ in.) View Page
Artworks
Rory Hutton, Chrysanthemums Fan Leaf (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30.5 x 40 cm. (12 x 1... View Page
Artworks
Rory Hutton, Chrysanthemum Bouquet Fan Leaf (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30.5 x 40 cm. (12 x 1... View Page
Artworks
Rory Hutton, A Flower Blooms (Giclée), 2025
Rory Hutton A Flower Blooms (Giclée), 2025 Signed, numbered and dated in pencil, from the edition of 20 Giclée printed in colours on wove paper, unframed 30 x 30 cm View Page
Artworks
Jack Milroy, The Monkey and the Nest , 2026
Jack Milroy The Monkey and the Nest , 2026 Cut book construction and collage on board with pegs and acrylic paint in an acrylic case 85 x 153 x 11 cm. (33½ x 60¼ x 4¼ in.) View Page
Artworks
Jack Milroy, The Librarian's Flowerbed, 2026
Cut book construction in an acrylic case, 2026, 74 x 100 cm. (29¼ x 39¼ in.) View Page
Artworks
Jack Milroy, The Librarian's Cottage Garden, 2026
Cut book construction in an acrylic case, 2026, 129 x 170 cm. (50¾ x 67 in.) View Page
Artworks
Jack Milroy, The Critics, 2026
Cut book construction in an acrylic case, 2026, 106 x 68 cm. (41¾ x 26¾ in.) View Page
Artworks
Jack Milroy, School's Out, 2026
Cut sardine cans in an acrylic case, 2026, overall: 36 x 54 x 11 cm. (14¼ x 21¼ x 4¼ in.) View Page
Artworks
Jack Milroy, Piccanti Piccanti III, 2026
Cut sardine can in an acrylic case, 2026, 36 x 20 x 16 cm. (14¼ x 7¾ x 6¼ in.) View Page
Artworks
Jack Milroy, Piccanti Blue, 2026
Cut sardine can in an acrylic case, 2026, 36 x 20 x 16 cm. (14¼ x 7¾ in.) View Page
Artworks
Jack Milroy, Perch IV, 2026
Cut and constructed books in an acrylic case, 2026, 53 x 68 cm. (20¾ x 26¾ in.) View Page
Artworks
Jack Milroy, Kiss III, 2026
Cut sardine cans and acrylic painted backing-board in an acrylic case, 2026, 36 x 21 x 15.5 cm. (14¼ x 8¼ in). View Page
Artworks
Jack Milroy, Goldfish Bowl, 2026
Crumpled pages in a goldfish bowl, 1982, 22 x 22 cm. (8¾ x 8¾ in.) View Page
Artworks
Jack Milroy, Fish and Flowers, 2026
Jack Milroy Fish and Flowers, 2026 Cut book construction in an acrylic case 109 x 106 x 15 cm. (43 x 41¾ x 6 in.) View Page
Artists
Benjamin Senior, Ball Games, 2019
Colours Lithograph, 2019, on Somerset Velvet Warm White 400gsm, signed, numbered and dated from the edition of 200, produced by Counter Studio, Margate, 76 x 60 cm (29.9 x 23.6 in). View Page
Artists
Peter Sedgley, Video Discs, 1969
Complete set of six kinetic screenprints, 1969, on aluminium, signed, titled, dated ‘1970’ and numbered from the edition of 100 incised verso, published by Editions Alecto, London, each disc 75 cm. (2... View Page
Artists
Lord Christopher Thynne, The Beatles, George Harrison signing a book in the walled garden of the Ambassadeurs Club, Mayfair. , 1964/2021
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artists
Lord Christopher Thynne, The Beatles in the walled garden of Les Ambassadeurs Club, Mayfair II, 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artists
Lord Christopher Thynne, The Beatles, George Harrison and Claire Chivers dancing in the Garrison Room at les Ambassadeurs Club, Mayfair., 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artists
Lord Christopher Thynne, The Beatles, Ringo Starr on a train at Marylebone Station., 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artists
Lord Christopher Thynne, The Beatles, John Lennon sitting on an advertising hoarding at Marylebone Station I., 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artists
Lord Christopher Thynne, The Beatles, Paul McCartney on a train at Marylebone Station., 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Artists
Lord Christopher Thynne, The Beatles, John Lennon sitting on an advertising hoarding at Marylebone Station II. , 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Blog
Icons of Pop Art
This week, we explore the revolutionary artworks of four icons of American Pop Art whose ground-breaking pieces continue to shape... View Page
Artists
Henri Matisse, La Silence Habité des Maisons, 1947
Aquatint printed in colours, circa 1947, on Arches paper, signed and dedicated to Celia Bertin in pencil, aside from the edition of 200, printed by Lacouriere, Paris, with full margins, sheet 537 x 43... View Page
Blog
New Acquisitions July 2025
Discover the next addition to your collection – explore the latest artworks on view now as part of the Summer... View Page
Artists
Jack Milroy, Piccanti Blue, 2026
Cut sardine can in an acrylic case, 2026, 36 x 20 x 16 cm. (14¼ x 7¾ in.) View Page
Artists
Jack Milroy, Piccanti Piccanti III, 2026
Cut sardine can in an acrylic case, 2026, 36 x 20 x 16 cm. (14¼ x 7¾ x 6¼ in.) View Page
Artists
Jack Milroy, Kiss III, 2026
Cut sardine cans and acrylic painted backing-board in an acrylic case, 2026, 36 x 21 x 15.5 cm. (14¼ x 8¼ in). View Page
Artists
Jack Milroy, Climbing Plants, 2025
Jack Milroy Climbing Plants, 2025 Cut book construction with acrylic paint on wood and peg supports in an acrylic case 155 x 174 x 24 cm. (61 x 68½ x 9½ in.) View Page
Artists
Jack Milroy, Plantes Grimpante au Coucher du Soleil, 2025
Cut book construction with acrylic paint on wood and peg supports in an acrylic case, 2025, 152 x 112 cm. (59¾ x 44 in.) View Page
Artists
Jack Milroy, Humans, 2025
Cut book construction in an acrylic case, 2025, 158 x 132 cm. (62¼ x 52 in.) View Page
Artists
Jack Milroy, Species, 2025
Jack Milroy Species, 2025 Cut postcards in an acrylic case 87 x 142 x 144 cm. (34¼ x 56 x 5½ in.) View Page
Artists
Jack Milroy, The Golden Toad, 2025
Collage on pegs on wood and acrylic paint in an acrylic case, 2025, 122 x 95 cm. (48 by 37½ in.) View Page
Artists
Jack Milroy, Monkey, 2024
Cut and crumpled book page construction in an acrylic case, 2024, 50 x 165 cm. (19¾ x 65 in.) View Page
Artists
Jack Milroy, A Trashcan World, 2024
Cut and crumpled book page construction in an acrylic case, 2024, 50 x 165 cm. (19¾ x 65 in.) View Page
Artists
Jack Milroy, Dialogue, 2024
Jack Milroy Dialogue, 2024 Cut and constructed postcards in an acrylic case, 85 x 65 cm. (33½ x 25½ in.) 85 x 65 x 13.5 cm (33½ x 25½ x 5 ¼ in. ) View Page
Artists
Jack Milroy, The Japanese Librarian's Secret Garden, 2023
Five cut Japanese books (orihons) in five acrylic cases, 2023, each case: 23 x 183 cm. (9 x 72 in.) View Page
Artists
Jack Milroy, DIV(in)E, 2023
Cut book in an acrylic case, 2023, 214 x 35 cm. (84¼ x 13¾ in.) View Page
Artists
Jack Milroy, Orihon IV, 2023
Cut Japanese book (orihon) in an acrylic case, 2023-4, 21 x 104.5 cm. (8¼ x 41¼ in.) View Page
Artists
Jack Milroy, The Librarian's Aviary IV, 2023
Cut postcards in an acrylic case, 2023, 21 x 104.5 cm. (8¼ x 41¼ in.) View Page
Artists
Jack Milroy, Six Short Stories in Search of an Author, 2022
Jack Milroy Six Short Stories in Search of an Author, 2022 Cut postcards in an acrylic case 100 x 84 x 13 cm. (39¼ x 33 x 5 in.) View Page
Artists
Jack Milroy, Cabinet of Natural History, 2020
Cut book construction in 16 acrylic cases, 2020, 203 x 203 cm. (80 x 80 in.) View Page
Artists
Jack Milroy, Not Knots, 2020
Cut book construction in an acrylic case, 2020, 38 x 33 cm. (15 x 13 in.) View Page
Artists
Jack Milroy, Lucky Star, 2018
Cut sardine can in an acrylic case, 2018, 19 x 16.5 x 8.5 cm. (7½ by 6½ in) View Page
Artists
Jack Milroy, Mountain Flowers II, 2016
Cut book construction in an acrylic case, 2016, 20 x 24 cm. (7¾ x 9½ in.) View Page
Artists
Jack Milroy, Cats, 2016
Cut book construction in an acrylic case, 2016, 19 x 15 cm. (7½ x 6 in.) View Page
Artists
Jack Milroy, Incy Wincy, 2016
Cut book construction in an acrylic case, 2016, 19 x 15 cm. (7½ x 6 in.) View Page
Artists
Jack Milroy, Grey Skies, 2015
Cut book construction in an acrylic case, 2015, 201.5 x 121 cm. (79¼ x 47¾ in.) View Page
Artists
Jack Milroy, Territorial Ambitions, 2014
Cut book page construction in an acrylic case, 2014, 149 x 118 cm. (58¾ x 46½ in.) View Page
Artists
Jack Milroy, Plantes de Rocaille, 2011-2026
Cut and crumpled book pages construction in an acrylic case, 2020, 31 x 101 cm. (12¼ x 39¾ in.) View Page
Blog
Jack Milroy: In Detail
Meticulously working with a scalpel to carve out his cut-paper constructions, contemporary British artist Jack Milroy fashions breath-taking new worlds out of printed material. View Page
Exhibitions
Claes Oldenburg, Tea Bag, from the portfolio 4 on Plexiglas, 1966
Screenprint in colours on laminated vacuum formed vinyl, with felt, Plexiglas, and rayon cord, 1966, signed and numbered in pencil on the verso, from the edition of 125, published by Multiples Inc., N... View Page
Exhibitions
Claes Oldenburg, Notebook Torn in Half (State I), 1997
Lithograph on St. Armand Special Etching paper, 1997, signed and numbered in pencil, an artist’s proof aside from the edition of 97, published by Brooke Alexander Editions, New York, sheet: 641 x 552 ... View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg, Centennial Print, Judson Memorial Church, 1990
Screenprint in colours on BFK Rives paper, 1990, signed and numbered in pencil, from the edition of 100 (there are also 10 artist’ proofs), printed by Maurel Studios, New York, published by Brooke Ale... View Page
Exhibitions
Claes Oldenburg, M. Mouse (with) 1 Ear (equals) Tea Bag Blackboard Version (1965), from the New York Collection for Stockholm portfolio, 1973
Screenprint and lithograph in colours on BFK Rives paper, 1973, signed and numbered ‘17/30 A.C.’ in white pencil, a proof aside from the edition of 300, printed by Styria Studio, Inc., published by Ex... View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg, Orpheum Sign, from the International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, volume 5, 1964 portfolio, 1962
Aquatint on BFK Rives paper, 1962, signed and numbered ‘ea’ from the edition of 60, printed by Atelier Goerges Leblanc, Paris, published by Galleria Schwarz, Milan, sheet: 254 x 190 mm (10 x 7½ in.) ... View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Exhibitions
Claes Oldenburg: Multiples | 8 May - 7 July 2025
Shapero Modern is pleased to announce the opening of an exhibition of Claes Oldenburg's Multiples - one of the most complete exhibitions of his famous sculptural works of everyday objects. View Page
Blog
NOW OPEN | Claes Oldenburg: Multiples
'Becasue my work is naturally non-meaningful, the meaning found in it will remain doubtful and inconsistent - which is the... View Page
Blog
ARTIST SPOTLIGHT | Claes Oldenburg
Claes Oldenburg (1929–2022) was a leading figure in the Pop Art movement of the early 1960s. Over his 60-year career,... View Page
Blog
ARTIST SPOTLIGHT | Claes Oldenburg
Claes Oldenburg (1929–2022) was a leading figure in the Pop Art movement of the early 1960s. Over his 60-year career,... View Page
Blog
Making the Mundane into the Monumental
Claes Oldenburg, Sculpture in the Form of a Trowel Stuck in the Ground (Model) , 1969 Otterlo kunstwerk Trowel (Wikimedia... View Page
Blog
Making the Mundane into the Monumental
Claes Oldenburg, Sculpture in the Form of a Trowel Stuck in the Ground (Model) , 1969 Otterlo kunstwerk Trowel (Wikimedia... View Page
Exhibitions
Summer Exhibition 2025 | 10 July - 31 August 2025
This summer, Shapero Modern is presenting a stunning group exhibition featuring blue-chip artists whose bold, colourful prints have come to define the Pop Art movement and its evolution into the prese... View Page
Exhibitions
Claes Oldenburg, Tilting Neon Cocktail, 1983
Stainless steel, cast aluminium, acrylic paint and Plexiglas, 1983, signed, dated, and numbered by incision on the base, from the edition of 50, published by Brooke Alexander for the New York Museum o... View Page
Exhibitions
Victor Vasarely, Tsillag, 1990
After the ground-breaking relief wall-sculptures of the late 1960’s, Vasarely moved away for a time from three-dimensional surfaces to the flat surfaces of canvas and paper. In the late 1980’s he retu... View Page
Exhibitions
Summer Exhibition 2025 | 10 July - 31 August 2025
This summer, Shapero Modern is presenting a stunning group exhibition featuring blue-chip artists whose bold, colourful prints have come to define the Pop Art movement and its evolution into the prese... View Page
Exhibitions
David Shrigley, Web, 2005
Woodcut, 2005, on wove paper, signed with initials, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, 59.7 x 39.7 cm. (23.5 x 15.6 in.) View Page
Exhibitions
David Shrigley, Poison, 2005
Woodcut, 2005, on wove paper, signed with initials, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, 59.7 x 39.7 cm. (23½ x 15¾ in.) View Page
Exhibitions
Julian Schnabel, Otoño Floral, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Exhibitions
Julian Schnabel, Mujer Primaveral, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Exhibitions
Julian Schnabel, Invierno Primaveral, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Exhibitions
Roy Lichtenstein, Entablature III, from Entablature Series, 1976
Screenprint in colours with embossing and collage of mat and gloss gold metallic foil, 1976, on Rives BFK paper, signed, dated and numbered from the edition of 16 in pencil (there were also 9 artist's... View Page
Exhibitions
Rory Hutton, Temple of Flora, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Rewilding, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Orangery, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Manor Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
David Hockney, Untitled (Tennis Centre), 1976
David Hockney Untitled (Tennis Centre), 1976 Signed with the artist's initials 'DH' and numbered from the edition of 25, Chromogenic print 7 7/8 x 9 7/8 in 20 x 25 cm View Page
Exhibitions
David Hockney, Untitled (Sprinklers), 1976
David Hockney Untitled (Sprinklers), 1976 Signed with the artist's initials 'DH' and numbered from the edition of 25 Chromogenic print 7 7/8 x 9 7/8 in 20 x 25 cm View Page
Exhibitions
Summer Exhibition 2025 | 10 July - 31 August 2025
This summer, Shapero Modern is presenting a stunning group exhibition featuring blue-chip artists whose bold, colourful prints have come to define the Pop Art movement and its evolution into the prese... View Page
Exhibitions
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Exhibitions
Summer Exhibition 2025 | 10 July - 31 August 2025
This summer, Shapero Modern is presenting a stunning group exhibition featuring blue-chip artists whose bold, colourful prints have come to define the Pop Art movement and its evolution into the prese... View Page
Exhibitions
Gary Hume, One Plate, from The Sister Troop portfolio, 2009
Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), published by Paragon Pre... View Page
Exhibitions
Summer Exhibition 2025 | 10 July - 31 August 2025
This summer, Shapero Modern is presenting a stunning group exhibition featuring blue-chip artists whose bold, colourful prints have come to define the Pop Art movement and its evolution into the prese... View Page
Exhibitions
Robert Indiana, Tulip, from A Garden of Love, 1982
Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Domberger KG, Filder... View Page
Artists
Julian Schnabel, La Blusa Rosa I, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artists
Julian Schnabel, Mujer Primaveral, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artists
Julian Schnabel, Invierno Primaveral, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artists
Julian Schnabel, Inviernosexoprimaveral, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artists
Julian Schnabel, Otoño Floral, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artists
Julian Schnabel, La Blusa Rosa II, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artists
Peter Blake, F is for Football, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, G is for Girl, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, K is for King, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, J is for James Dean, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, B is for Boxer, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, M is for Marilyn, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, P is for Pachyderm, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, N is for Nude, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, E is for Everly Brothers, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, D is for Dwarfs and Midgets, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, C is for Clown, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, Z is for Zebra, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, X is for Xylophonist, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, W is for Wrestler, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, U is for Unusual People, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Peter Blake, L is for Love, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
David Shrigley, Untitled (Fire), 2019
Screenprint in colours, 2019, on Somerset Tub paper, signed, dated and numbered from the edition of 125 in pencil, published by Stephen Friedman Gallery, London, 76 x 56cm. (30 x 22 in). 'I'm actually... View Page
Artists
David Shrigley, Vibes, 2018
Screenprint in colours, 2018, on wove paper, from the edition of 125, numbered, dated and signed by the artist verso, published by Counter Editions, 76 x 56cm. View Page
Artists
David Shrigley, Really Good, 2016
A mini replica statuette in polystone, numbered on the base, from the edition of 3000, 29 x 7.5 x 12.5 cm. Turner Prize-nominated artist David Shrigley unveiled ‘Really Good’ on 29th September, 2016 i... View Page
Artists
David Shrigley, David Shrigley, Paper, Woodcut, 2005, 2005
Woodcut, 2005, on wove paper, signed, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, sheet: 59.7 x 39.7cm. View Page
Artists
David Shrigley, Web, 2005
Woodcut, 2005, on wove paper, signed with initials, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, 59.7 x 39.7 cm. (23.5 x 15.6 in.) View Page
Artists
David Shrigley, Poison, 2005
Woodcut, 2005, on wove paper, signed with initials, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, 59.7 x 39.7 cm. (23½ x 15¾ in.) View Page
Artists
Alexander Calder, Circle with Eyes, from Our Unfinished Revolution, 1976
Alexander Calder Circle with Eyes, from Our Unfinished Revolution, 1976 Signed and numbered in pencil, inscribed ‘E.A’, one of 25 artist’s proof Lithograph in colours on Arches paper 55.88 x 76.2 cm ... View Page
Artists
Alexander Calder, Frontispiece, from Our Unfinished Revolution, 1976
Lithograph in colours, 1976, on Arches paper, signed and numbered in pencil, inscribed ‘E.A’, an artist’s proof, aside from the standard edition of 175, printed by Mourlot, Paris, published by Alba Ed... View Page
Artists
Alexander Calder, Octopus, from Our Unfinished Revolution, 1976
Lithograph in colours, 1976, on Arches paper, signed and numbered in pencil, inscribed ‘E.A’, one of 25 artist’s proof, aside from the standard edition of 175, printed by Mourlot, Paris, published by ... View Page
Artists
Alexander Calder, Animals, from Our Unfinished Revolution, 1976
Lithograph in colours, 1976, on Arches paper, signed and numbered in pencil, inscribed ‘E.A’, one of 25 artist’s proof, aside from the standard edition of 175, printed by Mourlot, Paris, published by ... View Page
Artists
Alexander Calder, Composition aux Cercles, 1975
Lithograph in colours, 1975, on wove paper, signed in pencil, numbered from the edition of 95, sheet: 74.6 x 109.9 cm (29¼ x 43¼ in.) View Page
Artists
Alexander Calder, Sun And Planets, 1970
Lithograph in colours, c. 1970, on wove paper, signed in pencil, numbered 44/50 from the edition of 50, sheet: 57.7 x 67.9 cm. (22¾ x 26¾ in.) View Page
Artists
Alexander Calder, Le Bateau Lavoir, 1969
Lithograph in colors, 1969, on wove paper, signed in pencil, numbered from the edition of 75, published by Maeght, Paris, sheet: 55.2 x 75.2 cm. View Page
Artists
Alexander Calder, Pennants, 1965
Lithograph in colours, 1965, on wove paper, signed in pencil and numbered from the edition of 110, sheet: 58.4 x 78.4 cm (23 x 30¾ in). View Page
Artists
Alexander Calder, Untitled, 1964
Lithograph in colors, 1964, on BFK Rives paper, signed in felt-tip pen and numbered from the edition of 100 in pencil, sheet: edition of 100 50.3 x 65 cm. (19¾ x 25½ in.) View Page
Artists
Alexander Calder, L'Etoile Rouge
Lithograph in colours, 1976, on Arches paper, signed in pencil, numbered from the edition of 75, published by George J. Goodstadt, Inc., Connecticut, sheet: 74.9 x 105.4 cm. (29½ x 41½ in.) View Page
Blog
10 Prints Under £10k
Explore our favourite ten artworks under £10,000. This curated selection features modern masters such as Pablo Picasso , Salvador Dalí... View Page
Blog
From A to Blake
What do a Clown, an Elephant, a Rainbow and the Everly Brothers all have in common? Well not much apart from the fact that they all find themselves in Peter Blake’s Alphabet Series. View Page
Exhibitions
Summer Show 2026 | 4 June - 13 September 2026
This summer, Shapero Modern is presenting an exquisite group exhibition featuring post-war and contemporary artists whose bold, colourful prints evoke the joy of sunny days. View Page
Exhibitions
Peter Blake, P is for Pachyderm, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Exhibitions
(After) Pablo Picasso, Les Portraits Imaginaires: One Plate (12.3.69 II), 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the American edition of 250 marked 'A’, printed by Marcel Salinas, New York, with his blindstam... View Page
Exhibitions
Roy Lichtenstein, Entablature III, from Entablature Series, 1976
Screenprint in colours with embossing and collage of mat and gloss gold metallic foil, 1976, on Rives BFK paper, signed, dated and numbered from the edition of 16 in pencil (there were also 9 artist's... View Page
Exhibitions
Frank Stella, Sinjerli Variation Ia, from Sinjerli Variations, 1977
Lithograph and screenprint in colours, 1977, on Arches Cover paper, signed in pencil, dated and numbered from the edition of 100, there were also 20 artist's proofs, published by Petersburg Press, she... View Page
Exhibitions
Frank Stella, Sinjerli Variation IIa, from Sinjerli Variations, 1977
Lithograph and screenprint in colours, 1977, on Arches Cover paper, signed in pencil, dated and numbered from the edition of 100, there were also 20 artist's proofs, published by Petersburg Press, she... View Page
Exhibitions
Pablo Picasso, Nature morte à la pastèque, 1962
Linocut in colours, 1962, on Arches paper, signed in pencil and numbered from the edition of 160 (there were also approximately twenty artist's proofs), published by Galerie Louise Leiris, Paris, shee... View Page
Exhibitions
(After) Pablo Picasso, Les Portraits Imaginaires: One Plate (30.1.69), 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the American edition of 250 marked 'A’, Printed by Marcel Salinas, New York, with his blindstam... View Page
Exhibitions
Jonas Wood, Untitled, 2009
Lithograph, screenprint and woodcut printed in colours, 2009, on Coventry wove paper, signed in white pencil, dated and numbered, with the blindstamp of the publisher, Cirrus Editions, and with their ... View Page
Exhibitions
Peter Blake, L is for Love, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Exhibitions
Jonas Wood, Untitled, 2009
Lithograph, screenprint and woodcut in colours, 2009, on Coventry wove paper, signed and dated in pencil, numbered from the edition of 50, published by Cirrus Editions with their blindstamp and inksta... View Page
Exhibitions
Summer Show 2026 | 4 June - 13 September 2026
This summer, Shapero Modern is presenting an exquisite group exhibition featuring post-war and contemporary artists whose bold, colourful prints evoke the joy of sunny days. View Page
Exhibitions
Summer Show 2026 | 4 June - 13 September 2026
This summer, Shapero Modern is presenting an exquisite group exhibition featuring post-war and contemporary artists whose bold, colourful prints evoke the joy of sunny days. View Page
Exhibitions
Summer Show 2026 | 4 June - 13 September 2026
This summer, Shapero Modern is presenting an exquisite group exhibition featuring post-war and contemporary artists whose bold, colourful prints evoke the joy of sunny days. View Page
Exhibitions
Jack Milroy, The Monkey and the Nest , 2026
Jack Milroy The Monkey and the Nest , 2026 Cut book construction and collage on board with pegs and acrylic paint in an acrylic case 85 x 153 x 11 cm. (33½ x 60¼ x 4¼ in.) View Page
Exhibitions
Henri Matisse, La Silence Habité des Maisons, 1947
Aquatint printed in colours, circa 1947, on Arches paper, signed and dedicated to Celia Bertin in pencil, aside from the edition of 200, printed by Lacouriere, Paris, with full margins, sheet 537 x 43... View Page
Exhibitions
Alex Katz, Goldenrod, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 88 x 119 cm. (34¾ x 46¾ in.) View Page
Exhibitions
Robert Indiana, The Decade Portfolio, 1971
The complete portfolio, comprising ten screenprints in colours, 1971, on Schoellers Parole paper, each signed in pencil, dated and numbered from the edition of 200 (there were also 25 artist's proofs)... View Page
Exhibitions
David Hockney, Coloured Flowers Made of Paper and Ink, 1971
Lithograph in colours, 1971, on Hodgkinson paper, signed, titled, dated and inscribed from the edition of 50, printed by Ernst Donagh, Cook Hammond and Kell, London, published by Petersburg Press, Lon... View Page
Exhibitions
Damien Hirst, The Souls on Jacob's Ladder Take Their Flight, 2007
Aquatint and photogravures in colours, 2007, on Arches paper, signed in pencil on the front and numbered from the edition of 72 on the reverse (there were also eighteen artist's proof sets), published... View Page
Exhibitions
Helen Frankenthaler, Flotilla, 2006
Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 in.) ‘Flotilla’ tak... View Page
Exhibitions
Summer Show 2026 | 4 June - 13 September 2026
This summer, Shapero Modern is presenting an exquisite group exhibition featuring post-war and contemporary artists whose bold, colourful prints evoke the joy of sunny days. View Page
Exhibitions
Alexander Calder, Le Bateau Lavoir, 1969
Lithograph in colors, 1969, on wove paper, signed in pencil, numbered from the edition of 75, published by Maeght, Paris, sheet: 55.2 x 75.2 cm. View Page
Blog
From A to Blake
What do a Clown, an Elephant, a Rainbow and the Everly Brothers all have in common? Well not much apart from the fact that they all find themselves in Peter Blake’s Alphabet Series. View Page
Exhibitions
Pablo Picasso, Tête de Femme, 1925
Lithograph, 1925, on Japanese Imperial paper, signed lower right, an artist’s proof gifted directly to Genevieve Laporte from Picasso’s private collection, aside from the edition of one hundred, print... View Page
Exhibitions
Michelangelo Pistoletto, Cartella A, 1983
Set of 4 color screenprints, 1983, on polished aluminum foil, signed and numbered from the edition of 500, published by Fratelli Alinari Stamperia d'Arte, Florence, sheet size 42x33 cm (16 3/4x13 in )... View Page
Exhibitions
Richard Hamilton, Dedicated Follower of Fashion, 1980
Etching and aquatint, 1980, on Rives BFK, signed and numbered from the edition of 100, printed at Studio Crommelynck, Paris, published by Waddington Graphics, London, sheet 58.4 × 38.1 cm. The title i... View Page
Exhibitions
Grayson Perry, Reclining Artist, 2017
'This is me, both as artist and model in my studio. I wanted to make something in the tradition of the reclining nude. I'm hoping it will be popular with educated middle-class people who might enjoy s... View Page
Exhibitions
Nam June Paik, Robot, 1990
Paik was fascinated by the figure of the robot, and created his first radio-controlled robot in 1964. This later piece came towards the end of his career, shortly before the 1993 Bakelite Robot that w... View Page
Artists
Nam June Paik, Robot, 1990
Paik was fascinated by the figure of the robot, and created his first radio-controlled robot in 1964. This later piece came towards the end of his career, shortly before the 1993 Bakelite Robot that w... View Page
Artists
Grayson Perry, Reclining Artist, 2017
'This is me, both as artist and model in my studio. I wanted to make something in the tradition of the reclining nude. I'm hoping it will be popular with educated middle-class people who might enjoy s... View Page
Artists
Shapero Modern artists: Peter Blake, Gary Hume, Barbara Kruger, James Rosenquist View Page
Blog
The Modern Muse | CURRENT EXHIBITION
Current Exhibition | Shapero Modern open until 24th November The concept of the muse has always held a special place... View Page
Exhibitions
Christopher Wool, 2008, 2008
'As Wool has gradually pulled away from language, he has moved ever closer to paintings that slip further and further into the void. There is a real menace that comes with the fog and the rot and the ... View Page
Exhibitions
Grayson Perry, Reclining Artist, 2017
'This is me, both as artist and model in my studio. I wanted to make something in the tradition of the reclining nude. I'm hoping it will be popular with educated middle-class people who might enjoy s... View Page
Exhibitions
Simon Patterson, The Great Bear, 1992
Lithograph in colours, 1992, signed, dated and numbered from the edition of 50 in pencil (there were also fifteen artist's proofs), printed by London Underground printers, published by the artist and ... View Page
Exhibitions
Joan Miró, Plate X, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in black ink, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numer... View Page
Exhibitions
Joan Miró, Plate XIX, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Exhibitions
Joan Miró, Plate VI, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Exhibitions
Joan Miró, One Plate, from Ubu au Baléares, 1971
Lithograph in colours, 1971, on Japon nacré paper, signed in pencil, from the edition of 120, printed by Mourlot, published by Tériade, Paris, 50.4 x 66.2 cm. (19¾ x 26 in.) View Page
Exhibitions
Alex Katz, Purple Tulips 1, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 80 x 119 cm. (31½ x 46¾ in.) View Page
Exhibitions
David Hockney, Untitled (Tennis Centre), 1976
David Hockney Untitled (Tennis Centre), 1976 Signed with the artist's initials 'DH' and numbered from the edition of 25, Chromogenic print 7 7/8 x 9 7/8 in 20 x 25 cm View Page
Exhibitions
David Hockney, Untitled (Sprinklers), 1976
David Hockney Untitled (Sprinklers), 1976 Signed with the artist's initials 'DH' and numbered from the edition of 25 Chromogenic print 7 7/8 x 9 7/8 in 20 x 25 cm View Page
Exhibitions
David Hockney, Celia with Green Hat, from the Moving Focus Series, 1984
Lithograph in colours, 1984, on wove paper, signed and dated in pencil, numbered from the edition of 98, printed and published by Tyler Graphics, Ltd., Bedford, New York, 74.9 x 55.8 cm. (29 1/2 x 22 ... View Page
Exhibitions
Barbara Hepworth, Rangatira II, 1969-1970, 1969-1970
A lesser known side of Barbara Hepworth’s artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her ‘Opposing Form’s’ series, that the drawings were ‘sculp... View Page
Exhibitions
Barbara Hepworth, Forms in a Flurry, 1969-70, 1979
screenprint in colours, 1969-70, each signed in pencil and numbered from the edition of 60 (total edition includes ten artist's proofs) published by Marlborough AG Schellenberg, FL, 77.7 x 58cm ... View Page
Exhibitions
Richard Hamilton, Dedicated Follower of Fashion, 1980
Etching and aquatint, 1980, on Rives BFK, signed and numbered from the edition of 100, printed at Studio Crommelynck, Paris, published by Waddington Graphics, London, sheet 58.4 × 38.1 cm. The title i... View Page
Exhibitions
Peter Doig, Pinto, 2000
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London View Page
Exhibitions
Peter Doig, Haus der Bilder, from 100 Years Ago series, 2000
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, 90.2 x 109.5 cm. (35½ x ... View Page
Exhibitions
Peter Blake, T is for The Beatles, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Exhibitions
Tunji ADENIYI-JONES, Pattern Makers, 2020
Tunji ADENIYI-JONES Pattern Makers, 2020 Signed in pencil, numbered from the edition of 30 Screenprint in colours, on Coventry Rag paper, published by Fort Makers, New York 19 7/8 x 15 7/8 in 50.5 x 4... View Page
Exhibitions
Nina Chanel Abney, Temporary Friends, 2019
Suite of five relief prints, 2019, signed and numbered from the edition of 35, published by PACE NY, 100 x 75 cm (39 ¼ x 29 ½ in). View Page
Exhibitions
Simon Patterson, The Great Bear, 1992
Lithograph in colours, 1992, signed, dated and numbered from the edition of 50 in pencil (there were also fifteen artist's proofs), printed by London Underground printers, published by the artist and ... View Page
Exhibitions
Joan Miró, Plate X, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in black ink, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numer... View Page
Exhibitions
Joan Miró, Plate XIX, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Exhibitions
Joan Miró, Plate VI, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Exhibitions
David Hockney, Celia with Green Hat, from the Moving Focus Series, 1984
Lithograph in colours, 1984, on wove paper, signed and dated in pencil, numbered from the edition of 98, printed and published by Tyler Graphics, Ltd., Bedford, New York, 74.9 x 55.8 cm. (29 1/2 x 22 ... View Page
Exhibitions
Peter Blake, T is for The Beatles, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artists
Nina Chanel Abney, Temporary Friends, 2019
Suite of five relief prints, 2019, signed and numbered from the edition of 35, published by PACE NY, 100 x 75 cm (39 ¼ x 29 ½ in). View Page
Events
Event: Frieze Masters 2021
Shapero Rare Books and Shapero Modern are delighted to be taking part in the 2021 edition of Frieze Masters, which will be taking place in London’s Regents Park from 13th until 17th October. As well a... View Page
Events
Event: Masterpiece London 2022
Masterpiece London is one of the leading international art & antique fairs, with exhibitors from around the world showcasing a wide variety of fine art, antiques, design and collectables ranging from ... View Page
Events
Event: Art Miami 2022
Shapero Modern will be returning for a third time to Miami for America’s foremost contemporary and modern art fair. The Fair is the original and longest-running contemporary art fair in Miami and cont... View Page
Events
Event: TEFAF Maastricht
Widely considered the preeminent fine art & antiques fair, TEFAF Maastricht continues to develop apace, drawing in thousands of collectors, interior designers and the simply curious from Europe and ar... View Page
Events
Event: Hamptons Art Fair 2023
Shapero Modern are delighted to announce their participation at this summer’s Hamptons Fine Art Fair 2023 which takes place at the Southampton Fairgrounds from 13 -16 July 2023. The fair’s Executive D... View Page
Publications
Publication: Hamptons Fine Art Fair - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Events
Event: Art Miami 2023
Shapero Modern will be returning for a fourth time to Miami for America’s foremost contemporary and modern art fair. The Fair is the original and longest-running contemporary art fair in Miami and con... View Page
Artworks
Art Miami 2023
Southern Exposure, 2005 , Mary, Mary, 1990 , Broome Street at Night, 1987 , Flotilla, 2006 , Reflections II, 1995 , Tribal Sign, 1987 , Orient Express #6, 1977 , Ludo, 1985 , Growing #3, 1988 , Apocal... View Page
Artworks
Manolo Valdés, Profil (Marc Chagall), 2008
Etching, aquatint, drypoint and collage in colours, 2008, on handmade paper, signed in pencil, numbered from the edition of eight, 122.7 x 92.5 cm. (48¼ x 36½ in.) Contemporary Spanish painter Manolo ... View Page
Artworks
Manolo Valdés, Profil (Frank Stella), 2008
Etching, aquatint, drypoint and collage in colours, 2008, on handmade paper, signed in pencil, numbered from the edition of eight, 122.7 x 92.5 cm. (48¼ x 36½ in.) View Page
Artworks
Wayne Thiebaud, Untitled, 1962
Etching on paper, 1962/64, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. View Page
Artworks
Frank Stella, Rakow, 1972
Acrylic, fabric and felt collage, in colours, 1972, on paperboard laid down on panel, signed, titled and dated ''RAKOW (SKETCH)' F Stella 72., 70.5 x 75.5 cm (27 ¾ x 29 ¾ in), framed 81 x 86 cm. View Page
Artworks
Frank Stella, Orofena, from Imaginary Places III, 1998
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's... View Page
Artworks
Frank Stella, Iffish, from Imaginary Places III, 1998
Lithograph, screenprint and etching printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstam... View Page
Artworks
Frank Stella, Shards II, 1982
Lithograph and screenprint in colours, 1982, on Arches paper, signed and dated in pencil, numbered from the edition of 100 (there were also 20 artist’s proofs), published by Petersburg Press, New York... View Page
Artworks
Frank Stella, Riallaro, 1995
Etching, aquatint, collagraph, lithograph and screenprint in colours, 1995, from Frank Stella's series Imaginary Places. Titled after an imaginary archipelago in John Macmillan Brown's novel. Printed ... View Page
Artworks
Frank Stella, Lunna Wola (V), 1975
Unique cotton-pulp relief with hand-colouring and collage, 1975, on coloured HMP handmade paper, signed, dated and annotated 'T.P' in black ink on the reverse, one of 14 unique colorway trial proofs, ... View Page
Artworks
Julian Schnabel, La Blusa Rosa I, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Artworks
Pablo Picasso, Fumeur à la Cigarette Blanche, 1964
Printing is a collaborative process and throughout Picasso’s life he worked with, and took instruction from several Master Printmakers. With each printing medium he learnt, he adapted and built his ow... View Page
Artworks
Pablo Picasso, Flûtiste et Jeune Fille au Tambourin (Flutist and Young Girl with Tambourine) , 1934
A rare etching, extensively hand-coloured in red ink by the artist, 1934, on wide margin Montval laid paper, signed, inscribed ‘For Lacourière’ and numbered 16/15 in the same red ink, 46 x 35.2 cm. (1... View Page
Artworks
Pablo Picasso, Bouquet dans un Vase, 1959
Linocut in colours, 1959, on watermarked Arches paper, signed in pencil, inscribed 'epreuve d'artiste’, an artist’s proof aside from the edition of 50, printed by Imprimerie Arnéra, published by Galer... View Page
Artworks
Pablo Picasso, Les Portraits Imaginaries: One Plate, 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, inscribed ‘Hors Commerce’, aside from the French ‘F’ edition of 250 (there was also an American edition of 25... View Page
Artworks
Pablo Picasso, Les Portraits Imaginaries: One Plate, 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an American edition of 250 m... View Page
Artworks
Pablo Picasso, Les Portraits Imaginaries: One Plate, 1969
Pablo Picasso Les Portraits Imaginaries: One Plate, 1969 With the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’ (there was also an American ed... View Page
Artworks
Pablo Picasso, Les Portraits Imaginaries: One Plate, 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an American edition of 250 m... View Page
Artworks
Pablo Picasso, Bacchanale, 1955
Aquatint in colours, circa 1955, on Rives BFK wove paper, signed in pencil and numbered from the edition of 300, published by Atelier Crommelynck, Paris, with their blindstamp, 56 x 76.5 cm. (22 x 30 ... View Page
Artworks
Joan Miró, Plate XVI, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Artworks
Joan Miró, Plate XIV, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Artworks
Joan Miró, Plate IV, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Artworks
Joan Miró, Plate III, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Artworks
Joan Miró, Stars and Dancers (Astres et Danseurs), 1938
A rare and unique etching with hand-colouring, 1938, on vellum, signed in red ink, numbered ‘2/4’, one of four numbered impressions on velum, aside from the standard edition of 30, with the printer’s ... View Page
Artworks
Roy Lichtenstein, Entablature III, from Entablature Series, 1976
Screenprint in colours with embossing and collage of mat and gloss gold metallic foil, 1976, on Rives BFK paper, signed, dated and numbered from the edition of 16 in pencil (there were also 9 artist's... View Page
Artworks
Roy Lichtenstein, Bull I, from the Bull Profile Series, 1973
‘Bull I’ marks the beginning of Lichtenstein’s ‘Bull Profile’ series, which is an investigation into the abstraction and simplification of an image. The series begins with a figurative, well defined i... View Page
Artworks
Roy Lichtenstein, Imperfect Print for B.A.M., 1987
Challenging the traditional edge of the canvas, Lichtenstein here starts with a line, follows it along the canvas and then brings it back to the start. Of this print, Lichtenstein said: 'the line goes... View Page
Artworks
Alex Katz, Goldenrod, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 88 x 119 cm. (34¾ x 46¾ in.) View Page
Artworks
Alex Katz, Azaleas on Yellow, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 119 x 86 cm. (46¾ x 33¾ in.) View Page
Artworks
Robert Indiana, Tulip, from A Garden of Love, 1982
Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Domberger KG, Filder... View Page
Artworks
Philip Guston, Pile Up, 1980
Lithograph, 1980, on Barcham Green Crisbrook paper, with the artist's estate stamp as issued, numbered from the edition of 50 (there were also eleven artist's proofs), published by Gemini G.E.L., Los ... View Page
Artworks
Sam Francis, Untitled (SFE-085), ca. 1992
Aquatint in colours, 1992, on wove paper, signed and annotated ‘trial proof’ in pencil, a trial proof aside from the standard edition of 28, printed and published by The Litho Shop, Inc., Santa Monica... View Page
Artworks
Sam Francis, Untitled (SFE-081), 1991
Aquatint in colours, 1991, on wove paper, signed in pencil, numbered from the edition of 27, 61.6 x 44.5 cm. View Page
Artworks
Keith Haring, Growing #2, 1988
Screenprint in colours, 1988, on Lenox Museum Board, signed and dated in pencil, numbered from the edition of 100, published by Martin Lawrence Limited Editions, New York, with their blindstamp, 75.9 ... View Page
Artworks
Keith Haring, Apocalypse Suite, 1988
The complete set of 10 screenprints in colours, 1988, on Museum Board, with accompanying text by William Burroughs screenprinted on acetate, each sheet signed, dated and numbered from the edition of 9... View Page
Artworks
Keith Haring, Growing #3, 1988
Screenprint in colours, 1988, on Lenox Museum Board, signed and dated in pencil, numbered from the edition of 100, published by Martin Lawrence Limited Editions, New York, with their blindstamp, 75.9 ... View Page
Artworks
Keith Haring, Ludo, 1985
‘My drawings don’t try to imitate life; they try to create life’. This five-part series, ‘Ludo’, with its mix of body parts and monsters rendered in an aboriginal inspired style, is both abstract and ... View Page
Artworks
Helen Frankenthaler, Orient Express #6, 1977
A unique work, 1977, acrylic on paper, signed and dated 'Frankenthaler '77' in pencil, 61 x 99 cm. Helen Frankenthaler came of age in the midst of the avant-garde art scene in New York in the 1950s. F... View Page
Artworks
Helen Frankenthaler, Tribal Sign, 1987
Lithograph in colours, 1987, on TGL handmade paper, signed, dated and numbered in pencil, a printer’s proof aside from the edition of 47, published by Tyler Graphics Ltd., Mt. Kisco, NY, with their bl... View Page
Artworks
Helen Frankenthaler, Reflections II, 1995
Lithograph in colours, 1995, on BFK Rives paper, signed and dated by the artist, a printer’s proof, aside from the standard edition of 30, published by Tyler Graphics Ltd., Bedford, with their blindst... View Page
Artworks
Helen Frankenthaler, Flotilla, 2006
Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 in.) ‘Flotilla’ tak... View Page
Artworks
Helen Frankenthaler, Broome Street at Night, 1987
Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, inscribed ‘AP’, an artist's proof aside from the edition of 68, printed by Vigna Antoniniana Stamperia d'... View Page
Artworks
Helen Frankenthaler, Mary, Mary, 1990
Screenprint and offset lithograph in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 72 (there were also 9 Artist’s Proofs), published by Lincoln Centre, New York, 106.7 x... View Page
Artworks
Helen Frankenthaler, Southern Exposure, 2005
Screenprint in colours, 2005, on Somerset wove paper, signed and dated in pencil, numbered from edition of 128, printed by Brand X Editions, Ltd., New York, published by Lincoln Center for the Perform... View Page
Artworks
Manolo Valdés, Profil (Frank Stella), 2008
Etching, aquatint, drypoint and collage in colours, 2008, on handmade paper, signed in pencil, numbered from the edition of eight, 122.7 x 92.5 cm. (48¼ x 36½ in.) View Page
Artworks
Frank Stella, Rakow, 1972
Acrylic, fabric and felt collage, in colours, 1972, on paperboard laid down on panel, signed, titled and dated ''RAKOW (SKETCH)' F Stella 72., 70.5 x 75.5 cm (27 ¾ x 29 ¾ in), framed 81 x 86 cm. View Page
Artworks
Frank Stella, Iffish, from Imaginary Places III, 1998
Lithograph, screenprint and etching printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstam... View Page
Artworks
Frank Stella, Shards II, 1982
Lithograph and screenprint in colours, 1982, on Arches paper, signed and dated in pencil, numbered from the edition of 100 (there were also 20 artist’s proofs), published by Petersburg Press, New York... View Page
Artworks
Frank Stella, Riallaro, 1995
Etching, aquatint, collagraph, lithograph and screenprint in colours, 1995, from Frank Stella's series Imaginary Places. Titled after an imaginary archipelago in John Macmillan Brown's novel. Printed ... View Page
Artworks
Pablo Picasso, Fumeur à la Cigarette Blanche, 1964
Printing is a collaborative process and throughout Picasso’s life he worked with, and took instruction from several Master Printmakers. With each printing medium he learnt, he adapted and built his ow... View Page
Artworks
Pablo Picasso, Flûtiste et Jeune Fille au Tambourin (Flutist and Young Girl with Tambourine) , 1934
A rare etching, extensively hand-coloured in red ink by the artist, 1934, on wide margin Montval laid paper, signed, inscribed ‘For Lacourière’ and numbered 16/15 in the same red ink, 46 x 35.2 cm. (1... View Page
Artworks
Pablo Picasso, Bouquet dans un Vase, 1959
Linocut in colours, 1959, on watermarked Arches paper, signed in pencil, inscribed 'epreuve d'artiste’, an artist’s proof aside from the edition of 50, printed by Imprimerie Arnéra, published by Galer... View Page
Artworks
Pablo Picasso, Les Portraits Imaginaries: One Plate, 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, inscribed ‘Hors Commerce’, aside from the French ‘F’ edition of 250 (there was also an American edition of 25... View Page
Artworks
Pablo Picasso, Les Portraits Imaginaries: One Plate, 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an American edition of 250 m... View Page
Artworks
Pablo Picasso, Les Portraits Imaginaries: One Plate, 1969
Pablo Picasso Les Portraits Imaginaries: One Plate, 1969 With the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’ (there was also an American ed... View Page
Artworks
Pablo Picasso, Les Portraits Imaginaries: One Plate, 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an American edition of 250 m... View Page
Artworks
Joan Miró, Plate XVI, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Artworks
Joan Miró, Plate XIV, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Artworks
Joan Miró, Plate IV, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Artworks
Joan Miró, Plate III, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Artworks
Roy Lichtenstein, Imperfect Print for B.A.M., 1987
Challenging the traditional edge of the canvas, Lichtenstein here starts with a line, follows it along the canvas and then brings it back to the start. Of this print, Lichtenstein said: 'the line goes... View Page
Artworks
Keith Haring, Growing #2, 1988
Screenprint in colours, 1988, on Lenox Museum Board, signed and dated in pencil, numbered from the edition of 100, published by Martin Lawrence Limited Editions, New York, with their blindstamp, 75.9 ... View Page
Artworks
Keith Haring, Apocalypse Suite, 1988
The complete set of 10 screenprints in colours, 1988, on Museum Board, with accompanying text by William Burroughs screenprinted on acetate, each sheet signed, dated and numbered from the edition of 9... View Page
Artworks
Keith Haring, Growing #3, 1988
Screenprint in colours, 1988, on Lenox Museum Board, signed and dated in pencil, numbered from the edition of 100, published by Martin Lawrence Limited Editions, New York, with their blindstamp, 75.9 ... View Page
Artworks
Helen Frankenthaler, Orient Express #6, 1977
A unique work, 1977, acrylic on paper, signed and dated 'Frankenthaler '77' in pencil, 61 x 99 cm. Helen Frankenthaler came of age in the midst of the avant-garde art scene in New York in the 1950s. F... View Page
Artworks
Helen Frankenthaler, Tribal Sign, 1987
Lithograph in colours, 1987, on TGL handmade paper, signed, dated and numbered in pencil, a printer’s proof aside from the edition of 47, published by Tyler Graphics Ltd., Mt. Kisco, NY, with their bl... View Page
Artworks
Helen Frankenthaler, Reflections II, 1995
Lithograph in colours, 1995, on BFK Rives paper, signed and dated by the artist, a printer’s proof, aside from the standard edition of 30, published by Tyler Graphics Ltd., Bedford, with their blindst... View Page
Artworks
Helen Frankenthaler, Mary, Mary, 1990
Screenprint and offset lithograph in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 72 (there were also 9 Artist’s Proofs), published by Lincoln Centre, New York, 106.7 x... View Page
Artworks
Helen Frankenthaler, Southern Exposure, 2005
Screenprint in colours, 2005, on Somerset wove paper, signed and dated in pencil, numbered from edition of 128, printed by Brand X Editions, Ltd., New York, published by Lincoln Center for the Perform... View Page
Events
Event: TEFAF Maastricht 2024
As supporters of TEFAF Maastricht from the very beginning, we are always delighted to have the opportunity to exhibit again at this premier fine art fair, and will be exhibiting some of the finest rar... View Page
Exhibitions
Frank Stella, Swan Engraving Circle I, State V, 1983
Etching, relief and engraving in colours, 1983, on light mauve TGL handmade paper with their blindstamp lower centre, signed and dated in pencil, numbered from the edition of 5, published by Tyler Gra... View Page
Exhibitions
American Visions: Prints from the 20th Century | 16 September - 20 October 2024
A striking selection of 20th century prints by renowned American artists Frank Stella , Roy Lichtenstein , Helen Frankenthaler , Keith Haring , Robert Indiana , and Sam Francis . Spanning movements fr... View Page
Exhibitions
Julian Schnabel, La Blusa Rosa I, from Sexual Spring-Like Winter, 1995
Screenprint with poured resin, 1995, on Rising 2-Ply museum board, signed and numbered verso in pencil, one of three printer's proofs aside from the numbered edition of 80, published by Lococo-Mulder,... View Page
Exhibitions
Roy Lichtenstein, Still Life, from The Geldzahler Portfolio, 1997
Serigraph in colours, 1997, on 300 gram Somerset textured paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Noblet Serigraphie, Inc., ... View Page
Exhibitions
Roy Lichtenstein, Entablature III, from Entablature Series, 1976
Screenprint in colours with embossing and collage of mat and gloss gold metallic foil, 1976, on Rives BFK paper, signed, dated and numbered from the edition of 16 in pencil (there were also 9 artist's... View Page
Exhibitions
Roy Lichtenstein, Entablature II, from Entablature Series, 1976
Screenprint in colours with embossing and collage of gloss copper and mat pink metallic foil, 1976, on Rives BFK paper, signed and dated in pencil, numbered from edition of 30 (there were also 9 artis... View Page
Exhibitions
Robert Indiana, Tulip, from A Garden of Love, 1982
Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Domberger KG, Filder... View Page
Exhibitions
American Visions: Prints from the 20th Century | 16 September - 20 October 2024
A striking selection of 20th century prints by renowned American artists Frank Stella , Roy Lichtenstein , Helen Frankenthaler , Keith Haring , Robert Indiana , and Sam Francis . Spanning movements fr... View Page
Exhibitions
American Visions: Prints from the 20th Century | 16 September - 20 October 2024
A striking selection of 20th century prints by renowned American artists Frank Stella , Roy Lichtenstein , Helen Frankenthaler , Keith Haring , Robert Indiana , and Sam Francis . Spanning movements fr... View Page
Exhibitions
American Visions: Prints from the 20th Century | 16 September - 20 October 2024
A striking selection of 20th century prints by renowned American artists Frank Stella , Roy Lichtenstein , Helen Frankenthaler , Keith Haring , Robert Indiana , and Sam Francis . Spanning movements fr... View Page
Exhibitions
American Visions: Prints from the 20th Century | 16 September - 20 October 2024
A striking selection of 20th century prints by renowned American artists Frank Stella , Roy Lichtenstein , Helen Frankenthaler , Keith Haring , Robert Indiana , and Sam Francis . Spanning movements fr... View Page
Exhibitions
Helen Frankenthaler, Flotilla, 2006
Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 in.) ‘Flotilla’ tak... View Page
Exhibitions
Sam Francis, Trietto 4 (SFE-077 RC), 1991
Aquatint in colours, 1991, on Fabriano paper, signed in pencil, one of 14 Artist’s Proofs in Roman Numerals, aside from the standard edition of 66, printed by Valter & Eleonora Rossi at Vigna Antonini... View Page
Events
Event: TEFAF Maastricht 2025
Experience the Finest Rare Books and Works on Paper at TEFAF Maastricht 2025 . As longstanding supporters of TEFAF Maastricht, we are thrilled to return to this prestigious fine art fair once again. T... View Page
Exhibitions
Sam Francis, Trietto 4 (SFE-077 RC), 1991
Aquatint in colours, 1991, on Fabriano paper, signed in pencil, one of 14 Artist’s Proofs in Roman Numerals, aside from the standard edition of 66, printed by Valter & Eleonora Rossi at Vigna Antonini... View Page
Exhibitions
Sam Francis, Trietto 3 (SFE-076 RC), 1991
In 1970, American Abstract artist Sam Francis established his own printing studio, The Litho Shop, in Santa Monica, California. Francis employed a full time staff of Master Printers in his studio, a n... View Page
Exhibitions
Sam Francis, Seal Sail (SF-92) , 1969
Lithograph in colours, 1969, on BFK Rives paper, signed and annotated ‘AP’ in pencil, an artist’s proof aside from the standard edition of 20, printed and published by Tamarind Lithography Workshop, L... View Page
Exhibitions
Sam Francis, For the Blue Sons of the Air, 1990
Screenprint in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 150, published by American Indian Heritage Foundation, Falls Church, Virginia, 135.6 x 81.3 cm. View Page
Exhibitions
The Prints of Sam Francis | 26 September - 5 November 2022
Sam Francis (1923-1994) is one of America’s most celebrated abstract printmakers and this exhibition celebrates the brilliance of his explorations with visual space and colour from the late 60s all th... View Page
Artists
Sam Francis, Trietto 4 (SFE-077 RC), 1991
Aquatint in colours, 1991, on Fabriano paper, signed in pencil, one of 14 Artist’s Proofs in Roman Numerals, aside from the standard edition of 66, printed by Valter & Eleonora Rossi at Vigna Antonini... View Page
Artists
Sam Francis, Trietto 3 (SFE-076 RC), 1991
In 1970, American Abstract artist Sam Francis established his own printing studio, The Litho Shop, in Santa Monica, California. Francis employed a full time staff of Master Printers in his studio, a n... View Page
Artists
Sam Francis, Untitled (SFE-081), 1991
Aquatint in colours, 1991, on wove paper, signed in pencil, numbered from the edition of 27, 61.6 x 44.5 cm. View Page
Artists
Sam Francis, For the Blue Sons of the Air, 1990
Screenprint in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 150, published by American Indian Heritage Foundation, Falls Church, Virginia, 135.6 x 81.3 cm. View Page
Artists
Sam Francis, Untitled, 1982
The work of Sam Francis has not followed a straight line of progression. He generated new forms, colours and formats with every piece, constantly adding to his large visual vocabulary. This unique mon... View Page
Events
Event: London Treasure House Fair 2025
Shapero Modern & Shapero Rare Books is delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 26 June to 1 July 2025. ... View Page
Events
Works | Treasure House Fair 2026
Shapero Modern & Shapero Rare Books are delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 24-30 June 2026. Contin... View Page
Events
Works | Treasure House Fair 2026
Shapero Modern & Shapero Rare Books are delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 24-30 June 2026. Contin... View Page
Events
Works | Treasure House Fair 2026
Shapero Modern & Shapero Rare Books are delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 24-30 June 2026. Contin... View Page
Events
Works | Treasure House Fair 2026
Shapero Modern & Shapero Rare Books are delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 24-30 June 2026. Contin... View Page
Events
David Hockney, Coloured Flowers Made of Paper and Ink, 1971
Lithograph in colours, 1971, on Hodgkinson paper, signed, titled, dated and inscribed from the edition of 50, printed by Ernst Donagh, Cook Hammond and Kell, London, published by Petersburg Press, Lon... View Page
Publications
Publication: TEFAF 2020 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Art Miami 2020 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: London Original Print Fair 2021 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Frieze Masters 2021 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Warhol in Focus - Exhibition Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: London Original Print Fair 2022 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Frieze Masters 2022 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Art Miami 2022 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Publications
Publication: Art Miami 2024 - Fair Catalogue
Browse the catalogues of our art exhibitions and the art fairs in which we participate, including TEFAF Maastricht, Art Miami, Frieze Masters, and many more. View Page
Art fairs
Works | Treasure House Fair 2026
Shapero Modern & Shapero Rare Books are delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 24-30 June 2026. Contin... View Page
Art fairs
Works | Treasure House Fair 2026
Shapero Modern & Shapero Rare Books are delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 24-30 June 2026. Contin... View Page
Art fairs
Works | Treasure House Fair 2026
Shapero Modern & Shapero Rare Books are delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 24-30 June 2026. Contin... View Page
Art fairs
Works | Treasure House Fair 2026
Shapero Modern & Shapero Rare Books are delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 24-30 June 2026. Contin... View Page
Art fairs
David Hockney, Coloured Flowers Made of Paper and Ink, 1971
Lithograph in colours, 1971, on Hodgkinson paper, signed, titled, dated and inscribed from the edition of 50, printed by Ernst Donagh, Cook Hammond and Kell, London, published by Petersburg Press, Lon... View Page
Blog
From Engineer to Artist | Alexander Calder
As we mark the 128th birthday of artist Alexander Calder, explore how a mechanical engineer became a master of modern art. View Page
Blog
The Last Taste Of Summer
With the arrival of September and with the evenings drawing in, it’s apparent that summer is drawing to a close. Although the arrival of a new season is always exciting, for those of us holding onto t... View Page
Exhibitions
Still Life
Still life, the art of representing inanimate objects like fruit, flowers, tableware, and everyday objects, is among the oldest genres in Western Art. View Page
Exhibitions
Pablo Picasso, Nature morte à la pastèque, 1962
Linocut in colours, 1962, on Arches paper, signed in pencil and numbered from the edition of 160 (there were also approximately twenty artist's proofs), published by Galerie Louise Leiris, Paris, shee... View Page
Exhibitions
Roy Lichtenstein, Still Life, from The Geldzahler Portfolio, 1997
Serigraph in colours, 1997, on 300 gram Somerset textured paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Noblet Serigraphie, Inc., ... View Page
Exhibitions
Jonas Wood, Untitled, 2009
Lithograph, screenprint and woodcut printed in colours, 2009, on Coventry wove paper, signed in white pencil, dated and numbered, with the blindstamp of the publisher, Cirrus Editions, and with their ... View Page
Exhibitions
Jonas Wood, Untitled, 2009
Lithograph, screenprint and woodcut in colours, 2009, on Coventry wove paper, signed and dated in pencil, numbered from the edition of 50, published by Cirrus Editions with their blindstamp and inksta... View Page
Exhibitions
Alex Katz, Purple Tulips 1, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 80 x 119 cm. (31½ x 46¾ in.) View Page
Exhibitions
Alex Katz, Azaleas on Yellow, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 119 x 86 cm. (46¾ x 33¾ in.) View Page
Exhibitions
Alex Katz, Goldenrod, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 88 x 119 cm. (34¾ x 46¾ in.) View Page
Exhibitions
David Hockney, Coloured Flowers Made of Paper and Ink, 1971
Lithograph in colours, 1971, on Hodgkinson paper, signed, titled, dated and inscribed from the edition of 50, printed by Ernst Donagh, Cook Hammond and Kell, London, published by Petersburg Press, Lon... View Page
Exhibitions
Pablo Picasso, Nature morte à la pastèque, 1962
Linocut in colours, 1962, on Arches paper, signed in pencil and numbered from the edition of 160 (there were also approximately twenty artist's proofs), published by Galerie Louise Leiris, Paris, shee... View Page
Exhibitions
Roy Lichtenstein, Still Life, from The Geldzahler Portfolio, 1997
Serigraph in colours, 1997, on 300 gram Somerset textured paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Noblet Serigraphie, Inc., ... View Page
Artists
Pablo Picasso, Nature morte à la pastèque, 1962
Linocut in colours, 1962, on Arches paper, signed in pencil and numbered from the edition of 160 (there were also approximately twenty artist's proofs), published by Galerie Louise Leiris, Paris, shee... View Page
Artists
Pablo Picasso, Raphael et la Fornaria III, from Series 347, 1968
Etching, 1968, on Rives wove paper, signed in pencil and numbered 22/50 from the edition of 50, (there were also 17 artist's proofs), printed by Aldo and Piero Crommelynck, published in 1969 by Galeri... View Page
Artists
Pablo Picasso, Plate 8, from: Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Artists
Pablo Picasso, Plate 4, from: Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Artists
Pablo Picasso, Plate 2, from Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Artists
Pablo Picasso, Françoise, 1946
Françoise Gilot was both Picasso’s lover and artistic muse during their ten year relationship (1943-1953). She was just 21 years old when they met in Paris and despite their 40 year age gap, Picasso w... View Page
Artists
Pablo Picasso, Françoise, 1946
Lithograph, 1946, on wove paper, signed in pencil by the artist, numbered from the edition of 50, 64 x 49.5 cm. View Page
Artists
Pablo Picasso, La Colombe (Bloch 583; Mourlot 141), 1949
'The composition is one of the most beautiful lithos ever produced; the mellowness obtained in the plumage...is absolutely remarkable. This plate gets the maximum of what can be obtained with litho in... View Page
Artists
Pablo Picasso, Le Crapaud, 1951
Lithograph, 1951, on Velin Arches paper, inscribed, dated and signed in red chalk lower left: ‘Si tard le soir, le soleil brille’ ‘ Pour geneviève’ ‘Picasso’ ‘4 Juillet 1951’, a proof aside from the s... View Page
Artists
Pablo Picasso, Bacchanale, 1955
Aquatint in colours, circa 1955, on Rives BFK wove paper, signed in pencil and numbered from the edition of 300, published by Atelier Crommelynck, Paris, with their blindstamp, 56 x 76.5 cm. (22 x 30 ... View Page
Artists
Pablo Picasso, Jacqueline au Bandeau de Face, 1962
Linocut in colours, 1962, on watermarked Arches paper, signed in pencil, inscribed 'epreuve d'artiste', an artist’s proof aside from the edition of 50, printed by Imprimerie Arnéra and published by Ga... View Page
Artists
Pablo Picasso, Plate 10, from: Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Artists
Pablo Picasso, David et Bethsabée (d’après Cranach), 1949
Lithograph, 1949, on Velin Arches paper, inscribed, dated and signed lower left in red chalk ‘Pour Geneviève Laporte (épreuve unique) 26.5.51 Picasso’, a rare unique print, dedicated to Geneviève Lapo... View Page
Artists
Pablo Picasso, Portrait de Marie-Thérèse de face (Portrait of Marie-Thérèse from the Front), 1934
Drypoint and etching with aquatint, 1934, on Richard de Bas laid paper, stamp-signed in black ink and numbered from the edition of 50 in pencil (there were also 16 artist's proofs in Roman numerals), ... View Page
Artists
Pablo Picasso, Tête de Femme, 1925
Lithograph, 1925, on Japanese Imperial paper, signed lower right, an artist’s proof gifted directly to Genevieve Laporte from Picasso’s private collection, aside from the edition of one hundred, print... View Page
Artists
Pablo Picasso, La Suite des Saltimbanques, 1904-05
The rare, complete suite of 15 etchings and drypoints on Van Gelder wove paper, executed in 1904-05, this set is from the edition of 250 (there is also an edition of 27 or 29 on Japan paper), printed ... View Page
Blog
Robert Indiana's Garden's of Love
To celebrate what would have been Robert Indiana's 97th birthday we are having a look at the artist’s signature, a word which appeared across paintings, prints, sculptures and posters in bold typograp... View Page
Blog
Alexander Calder's Printmaking
CALDER'S PRINTMAKING Two fine examples of Calder’s printmaking are available at this year’s Art Miami fair . The works are... View Page
Blog
Alexander Calder's Circus
Hermann Landshoff, Der Bildhauer Alexander Calder und sein 'Zirkus', 1951. Credit: Creative Commons Attribution-Share Alike 3.0 Unported license. In celebration... View Page
Blog
Alexander Calder's Circus
Hermann Landshoff, Der Bildhauer Alexander Calder und sein 'Zirkus', 1951. Credit: Creative Commons Attribution-Share Alike 3.0 Unported license. In celebration... View Page
Blog
From Engineer to Artist | Alexander Calder
As we mark the 128th birthday of artist Alexander Calder, explore how a mechanical engineer became a master of modern art. View Page
Blog
Keith Haring’s ‘Chocolate Buddha’ Series
Keith Haring’s ‘Chocolate Buddha’ Series New York artist, Keith Haring (1958-1990) is one of the most influential names in Post-War... View Page
Artists
Helen Frankenthaler, Soho Dreams, 1987
Helen Frankenthaler was born and raised on Park Avenue in New York City. A true New Yorker, she never strayed far from her beloved Manhattan. Upon returning to the city in 1949, following her studies,... View Page
Blog
The Spaces of Helen Frankenthaler
Helen Frankenthaler's art offers an abstraction of place, a seized impression of streets, buildings and skies that moves beyond concrete... View Page
Exhibitions
Chagall: Love, Visions and Dreams | 2 May - 15 June 2024
Modernist pioneer Marc Chagall was in his nineties when publisher Aimé Maeght suggested he produce a set of lithographs, leaving him complete freedom over theme and size. He thus went on to produce fo... View Page
Exhibitions
Marc Chagall, Vue de Notre Dame, 1980
Although the title of this artwork suggests that Paris’s most famous cathedral, Notre Dame, is to be the focus of the image, in fact it acts as a mere backdrop to the dream-like, romantic scene unfold... View Page
Exhibitions
Chagall: Love, Visions and Dreams | 2 May - 15 June 2024
Modernist pioneer Marc Chagall was in his nineties when publisher Aimé Maeght suggested he produce a set of lithographs, leaving him complete freedom over theme and size. He thus went on to produce fo... View Page
Exhibitions
Chagall: Love, Visions and Dreams | 2 May - 15 June 2024
Modernist pioneer Marc Chagall was in his nineties when publisher Aimé Maeght suggested he produce a set of lithographs, leaving him complete freedom over theme and size. He thus went on to produce fo... View Page
Exhibitions
Chagall: Love, Visions and Dreams | 2 May - 15 June 2024
Modernist pioneer Marc Chagall was in his nineties when publisher Aimé Maeght suggested he produce a set of lithographs, leaving him complete freedom over theme and size. He thus went on to produce fo... View Page
Exhibitions
Marc Chagall, Les Amoureux à l'Isba, 1980
Marc Chagall Les Amoureux à l'Isba, 1980 Signed in pencil, numbered from the edition of 50. Lithograph in colours 45 5/8 x 29 5/8 in 115.9 x 75.3 cm View Page
Exhibitions
Chagall: Love, Visions and Dreams | 2 May - 15 June 2024
Modernist pioneer Marc Chagall was in his nineties when publisher Aimé Maeght suggested he produce a set of lithographs, leaving him complete freedom over theme and size. He thus went on to produce fo... View Page
Exhibitions
Chagall: Love, Visions and Dreams | 2 May - 15 June 2024
Modernist pioneer Marc Chagall was in his nineties when publisher Aimé Maeght suggested he produce a set of lithographs, leaving him complete freedom over theme and size. He thus went on to produce fo... View Page
Exhibitions
Marc Chagall, La Parade, 1980
Marc Chagall La Parade, 1980 Signed in pencil, numbered from the edition of 39/50. Lithograph in colours 45 1/2 x 29 3/4 in 115.6 x 75.6 cm View Page
Exhibitions
Marc Chagall, L'Envolée Magique, 1980
Marc Chagall L'Envolée Magique, 1980 Signed in pencil, numbered from the edition of 50. Lithograph in colours 116.8 x 75.3 cm (46 x 29 5/8 in) View Page
Exhibitions
Chagall: Love, Visions and Dreams | 2 May - 15 June 2024
Modernist pioneer Marc Chagall was in his nineties when publisher Aimé Maeght suggested he produce a set of lithographs, leaving him complete freedom over theme and size. He thus went on to produce fo... View Page
Exhibitions
Marc Chagall, Dans le Ciel de l’Opera, 1980
‘Dans le Ciel de l’Opera’ depicts multiple figures floating mid-air above the Palais Garnier, Paris’s historic opera house situated at the heart of Place de l’Opera. Having spent the formative and cen... View Page
Exhibitions
Chagall: Love, Visions and Dreams | 2 May - 15 June 2024
Modernist pioneer Marc Chagall was in his nineties when publisher Aimé Maeght suggested he produce a set of lithographs, leaving him complete freedom over theme and size. He thus went on to produce fo... View Page
Exhibitions
Marc Chagall, La Joie, 1980
Marc Chagall La Joie, 1980 Signed in pencil, numbered from the edition of 50. Lithograph in colours 45 5/8 x 29 5/8 in 115.9 x 75.3 cm View Page
Art fairs
Art fair: Art Miami 2024
Shapero Modern is set to make its fifth appearance at Miami’s premier contemporary and modern art fair ART MIAMI 2024 (3-8 December). As the longest-established and most prestigious event of its kind ... View Page
Blog
A Year at Shapero Modern
Looking Back On 2024 As the year draws to a close, we are taking a moment to reflect on the... View Page
Artists
Marc Chagall, L'Envolée Magique, 1980
Marc Chagall L'Envolée Magique, 1980 Signed in pencil, numbered from the edition of 50. Lithograph in colours 116.8 x 75.3 cm (46 x 29 5/8 in) View Page
Artists
Marc Chagall, La Parade, 1980
Marc Chagall La Parade, 1980 Signed in pencil, numbered from the edition of 39/50. Lithograph in colours 45 1/2 x 29 3/4 in 115.6 x 75.6 cm View Page
Artists
Marc Chagall, La Joie, 1980
Marc Chagall La Joie, 1980 Signed in pencil, numbered from the edition of 50. Lithograph in colours 45 5/8 x 29 5/8 in 115.9 x 75.3 cm View Page
Artists
Marc Chagall, Vue de Notre Dame, 1980
Although the title of this artwork suggests that Paris’s most famous cathedral, Notre Dame, is to be the focus of the image, in fact it acts as a mere backdrop to the dream-like, romantic scene unfold... View Page
Artists
Marc Chagall, Dans le Ciel de l’Opera, 1980
‘Dans le Ciel de l’Opera’ depicts multiple figures floating mid-air above the Palais Garnier, Paris’s historic opera house situated at the heart of Place de l’Opera. Having spent the formative and cen... View Page
Artists
Marc Chagall, Les Amoureux à l'Isba, 1980
Marc Chagall Les Amoureux à l'Isba, 1980 Signed in pencil, numbered from the edition of 50. Lithograph in colours 45 5/8 x 29 5/8 in 115.9 x 75.3 cm View Page
Blog
Olympic Posters: The 1972 Collection
As the 2024 Olympic Games opens in Paris, we are celebrating this momentous occasion with an exhibition of a rare,... View Page
Blog
Olympic Posters: Dive into the Olympics
The Olympic Games commenced last Friday with a spectacular ceremony and to celebrate Team GB’s recent success, we’re diving straight... View Page
Blog
Olympic Posters: Dive into the Olympics
The Olympic Games commenced last Friday with a spectacular ceremony and to celebrate Team GB’s recent success, we’re diving straight... View Page
Blog
Olympic Posters: the Final Push to the Podium
As the final events of the Paris Olympic Games unfold, the world watches in awe to see which athletes will... View Page
Blog
Olympic Posters: the Final Push to the Podium
As the final events of the Paris Olympic Games unfold, the world watches in awe to see which athletes will... View Page
Blog
Olympic Posters: Miss the Games?
The medal table is complete; congratulations to Léon Marchand for coming top and a huge round of applause to TEAM... View Page
Blog
Olympic Posters: Miss the Games?
The medal table is complete; congratulations to Léon Marchand for coming top and a huge round of applause to TEAM... View Page
Blog
Olympic Posters: a Masterpiece of Post-War Artistic Expression
The 1972 Munich Olympics became a cultural milestone that reflected post-war optimism through innovative art and design. The Organising Committee... View Page
Blog
Olympic Posters: a Masterpiece of Post-War Artistic Expression
The 1972 Munich Olympics became a cultural milestone that reflected post-war optimism through innovative art and design. The Organising Committee... View Page
Blog
Happy birthday to David Hockney
A Celebration in Three Works As David Hockney approaches his 88th birthday on 9th July, Shapero Modern celebrates the artistic... View Page
Artists
David Hockney, Untitled (Sprinklers), 1976
David Hockney Untitled (Sprinklers), 1976 Signed with the artist's initials 'DH' and numbered from the edition of 25 Chromogenic print 7 7/8 x 9 7/8 in 20 x 25 cm View Page
Blog
Happy birthday to David Hockney
A Celebration in Three Works As David Hockney approaches his 88th birthday on 9th July, Shapero Modern celebrates the artistic... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Cy Twombly, Five Greek Poets and a Philosopher, 1978
Complete set of seven lithographs with embossment, 1978, on Richard de Bas mould-made paper, initialled and numbered in pencil from the edition of 40 verso, printed by Matthieu Studio, Zurich-Deilsdor... View Page
Exhibitions
Joe Tilson, Joe Tilson, Study for Decal 3, pencil and Indian ink, 1967, signed , 1967
Joe Tilson has been a lifelong and dedicated print-maker, gaining a reputation as one of Britain's foremost artists producing prints, multiples, constructions, paintings and reliefs. This is Tilson’s ... View Page
Exhibitions
Antoni Tàpies, Antoni Tapies, Suite Catalana, plate 4, 1972, 1972
Aquatint in colours, 1972, on Guarro paper with watermark La Cometa, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona. Paper 75.7 x 100.5cm. ... View Page
Exhibitions
Frank Stella, Yellow Journal, 1982
Lithograph, 1982, on white Arches Cover, mould-made paper, signed and dated an AP aside the edition of 50, published by Tyler Graphics Ltd., Bedford Village, NY., 133.5 x 97.8 cm (52 1/2 x 38 1/2 in),... View Page
Exhibitions
Frank Stella, River of Ponds I , 1971
Lithograph in colours, 1971, on special Arjomari paper, signed, dated and numbered an AP aside from the edition of 78, published by Gemini G.E.L., Los Angeles., 38 x 38cm (96.5 x 96.5 in), framed 109 ... View Page
Exhibitions
Frank Stella, Libertinia, from Imaginary Places, 1995
Relief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were also 14 artist's proof... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
David Shrigley, David Shrigley, Paper, Woodcut, 2005, 2005
Woodcut, 2005, on wove paper, signed, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, sheet: 59.7 x 39.7cm. View Page
Exhibitions
Rory Hutton, Spring, 2023
A collage of whimsical and decorative motifs, these largescale prints draw on Rory’s extensive archive of linocuts, designed originally to be used on silk scarves this is the first time they have bee... View Page
Exhibitions
Rory Hutton, Gertrude's Garden, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Exhibitions
David Hockney, Panama Hat with a Bow Tie on a Chair, from The Geldzahler Portfolio, 1998
Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice Payne, published by Dav... View Page
Exhibitions
Philip Guston, Pile Up, 1980
Lithograph, 1980, on Barcham Green Crisbrook paper, with the artist's estate stamp as issued, numbered from the edition of 50 (there were also eleven artist's proofs), published by Gemini G.E.L., Los ... View Page
Exhibitions
Beata Heuman's Show | 12 February - 2 March 2025
Shapero Modern & Mylands In collaboration with Interior Designer Beata Heuman 'It has been my dream to do my own paint collection. I am very specific about colour, and I think about it a lot, so I hav... View Page
Exhibitions
Peter Doig, Country Rock, 2000
Etching in colours, 2000-01, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, 93.5 x 121.5 cm. (36¾ x 47... View Page
Artists
Philip Guston, Pile Up, 1980
Lithograph, 1980, on Barcham Green Crisbrook paper, with the artist's estate stamp as issued, numbered from the edition of 50 (there were also eleven artist's proofs), published by Gemini G.E.L., Los ... View Page
Exhibitions
Kenneth NOLAND, Untitled, from The New York Collection for Stockholm portfolio, 1973
Screenprint in colours, 1973, on wove paper, stamp signed, from the edition of 300, printed by Styria Studio, Inc., New York, published by Experiments in Art and Technology, New York, 23 x 30 cm. (9 x... View Page
Exhibitions
Robert MOTHERWELL, Red Sea I, 1976
Lift-ground etching and aquatint in colours, 1976, on Arches Cover paper, signed by the artist in pencil, including the artist’s chop mark on lower right, numbered from the edition of 100 (there were ... View Page
Exhibitions
Robert MOTHERWELL, On the Wing, 1984
Lithograph, embossing and collage, 1984, on white Arches Cover mould-made paper and black German Etching paper, signed by the artist in pencil, numbered from the edition of 70 (there were also 20 arti... View Page
Exhibitions
Robert MOTHERWELL, Elegy Study, 1979
Lithograph, 1979, on Twinrocker handmade paper, signed with the artist’s initials in pencil, numbered from the edition of 98 (there were also 12 artist’s proofs), printed by Maurice Sanchez, Derriere ... View Page
Exhibitions
Robert MOTHERWELL, Three Forms, 1988
Another impression of this subject is held in the collection of the Walker Art Gallery, Minneapolis. Etching and aquatint in colours, 1988, on wove paper, signed in pencil by the artist with his monog... View Page
Exhibitions
Robert MOTHERWELL, Untitled, from: 12th Anniversary Galeria Joan Prats 1976-88, 1986
This work was included in the portfolio “Carpeta Commemorativa 12e Aniversari” (Commemorative 12th Anniversary Portfolio), consisting of 20 lithographs and etchings by numerous artists. ... View Page
Exhibitions
Philip Guston, Pile Up, 1980
Lithograph, 1980, on Barcham Green Crisbrook paper, with the artist's estate stamp as issued, numbered from the edition of 50 (there were also eleven artist's proofs), published by Gemini G.E.L., Los ... View Page
Exhibitions
Sam Francis, Untitled (SFE-085), ca. 1992
Aquatint in colours, 1992, on wove paper, signed and annotated ‘trial proof’ in pencil, a trial proof aside from the standard edition of 28, printed and published by The Litho Shop, Inc., Santa Monica... View Page
Exhibitions
Sam Francis, Trietto 3 (SFE-076 RC), 1991
In 1970, American Abstract artist Sam Francis established his own printing studio, The Litho Shop, in Santa Monica, California. Francis employed a full time staff of Master Printers in his studio, a n... View Page
Exhibitions
Sam Francis, Trietto 4 (SFE-077 RC), 1991
Aquatint in colours, 1991, on Fabriano paper, signed in pencil, one of 14 Artist’s Proofs in Roman Numerals, aside from the standard edition of 66, printed by Valter & Eleonora Rossi at Vigna Antonini... View Page
Exhibitions
Sam Francis, Untitled (SFE-081), 1991
Aquatint in colours, 1991, on wove paper, signed in pencil, numbered from the edition of 27, 61.6 x 44.5 cm. View Page
Exhibitions
Sam Francis, For the Blue Sons of the Air, 1990
Screenprint in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 150, published by American Indian Heritage Foundation, Falls Church, Virginia, 135.6 x 81.3 cm. View Page
Exhibitions
Sam Francis, Untitled (SF-272), 1984
Offset lithograph in colours, 1984, on BFK Rives paper, signed in pencil and numbered from the edition of 250, printed by the Litho Shop, Inc., Santa Monica, California, published by Museum of Contemp... View Page
Exhibitions
Sam Francis, Untitled, 1982
The work of Sam Francis has not followed a straight line of progression. He generated new forms, colours and formats with every piece, constantly adding to his large visual vocabulary. This unique mon... View Page
Exhibitions
Sam Francis, Untitled SF87-071 (Acrylic), 1987
This work is identified with the interim identification number of SF87-071 in consideration for the forthcoming Sam Francis catalogue raisonné of unique works on paper. Acrylic painting, 1987, on hand... View Page
Exhibitions
Sam Francis, Untitled SF79-011 (Acrylic Collage), 1979
This work is identified with the interim identification numbers of SF79-011 in consideration for the forthcoming Sam Francis catalogue raisonné of unique works on paper. Acrylic painting and collage 1... View Page
Exhibitions
Sam Francis, Untitled (SF65-121), 1965
Acrylic painting, 1965, on paper, 55 x 33 cm. (21 3/4 x 13 in.) View Page
Exhibitions
Sam Francis, Seal Sail (SF-92) , 1969
Lithograph in colours, 1969, on BFK Rives paper, signed and annotated ‘AP’ in pencil, an artist’s proof aside from the standard edition of 20, printed and published by Tamarind Lithography Workshop, L... View Page
Exhibitions
Helen Frankenthaler, Reflections II, 1995
Lithograph in colours, 1995, on BFK Rives paper, signed and dated by the artist, a printer’s proof, aside from the standard edition of 30, published by Tyler Graphics Ltd., Bedford, with their blindst... View Page
Exhibitions
Helen Frankenthaler, Soho Dreams, 1987
Helen Frankenthaler was born and raised on Park Avenue in New York City. A true New Yorker, she never strayed far from her beloved Manhattan. Upon returning to the city in 1949, following her studies,... View Page
Exhibitions
Helen Frankenthaler, Orient Express #6, 1977
A unique work, 1977, acrylic on paper, signed and dated 'Frankenthaler '77' in pencil, 61 x 99 cm. Helen Frankenthaler came of age in the midst of the avant-garde art scene in New York in the 1950s. F... View Page
Exhibitions
Helen Frankenthaler, Flotilla, 2006
Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 in.) ‘Flotilla’ tak... View Page
Exhibitions
Helen Frankenthaler, Contentment Island, 2004
Screenprint in colours, 2004, on Rives BFK paper, signed and dated in pencil, numbered from edition of 118, printed by Brand X Editions, New York, published by The Dalton School, New York, 95.3 x 76.8... View Page
Exhibitions
Helen Frankenthaler, Ramblas, 1987
Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed by the artist in pencil, numbered from the edition of 75, 87 x 68 cm. (34¼ x 26¾ in.) View Page
Exhibitions
Helen Frankenthaler, Mary, Mary, 1990
Screenprint and offset lithograph in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 72 (there were also 9 Artist’s Proofs), published by Lincoln Centre, New York, 106.7 x... View Page
Exhibitions
Helen Frankenthaler, Southern Exposure, 2005
Screenprint in colours, 2005, on Somerset wove paper, signed and dated in pencil, numbered from edition of 128, printed by Brand X Editions, Ltd., New York, published by Lincoln Center for the Perform... View Page
Exhibitions
Willem DE KOONING, Landscape at Stanton Street , 1971
Lithograph, 1971, on paper, signed and dated in pencil, numbered from the edition of 60, published by Hollanders Workshop and Fourcade, New York, 75.7 x 56 cm. (30 x 2 2in.) View Page
Exhibitions
Willem DE KOONING, Quatre Lithographies, 1986
The complete set of four lithographs in colours, 1986, on Arches wove paper, each signed and dated in pencil, numbered from the edition of 100 (there were also 50 numbered with Roman numerals), in the... View Page
Exhibitions
Robert MOTHERWELL, Red Sea I, 1976
Lift-ground etching and aquatint in colours, 1976, on Arches Cover paper, signed by the artist in pencil, including the artist’s chop mark on lower right, numbered from the edition of 100 (there were ... View Page
Exhibitions
Robert MOTHERWELL, On the Wing, 1984
Lithograph, embossing and collage, 1984, on white Arches Cover mould-made paper and black German Etching paper, signed by the artist in pencil, numbered from the edition of 70 (there were also 20 arti... View Page
Exhibitions
Robert MOTHERWELL, Elegy Study, 1979
Lithograph, 1979, on Twinrocker handmade paper, signed with the artist’s initials in pencil, numbered from the edition of 98 (there were also 12 artist’s proofs), printed by Maurice Sanchez, Derriere ... View Page
Exhibitions
Robert MOTHERWELL, Three Forms, 1988
Another impression of this subject is held in the collection of the Walker Art Gallery, Minneapolis. Etching and aquatint in colours, 1988, on wove paper, signed in pencil by the artist with his monog... View Page
Exhibitions
Robert MOTHERWELL, Untitled, from: 12th Anniversary Galeria Joan Prats 1976-88, 1986
This work was included in the portfolio “Carpeta Commemorativa 12e Aniversari” (Commemorative 12th Anniversary Portfolio), consisting of 20 lithographs and etchings by numerous artists. ... View Page
Exhibitions
Sam Francis, Untitled SF87-071 (Acrylic), 1987
This work is identified with the interim identification number of SF87-071 in consideration for the forthcoming Sam Francis catalogue raisonné of unique works on paper. Acrylic painting, 1987, on hand... View Page
Exhibitions
Sam Francis, Untitled SF79-011 (Acrylic Collage), 1979
This work is identified with the interim identification numbers of SF79-011 in consideration for the forthcoming Sam Francis catalogue raisonné of unique works on paper. Acrylic painting and collage 1... View Page
Exhibitions
Sam Francis, Untitled (SF65-121), 1965
Acrylic painting, 1965, on paper, 55 x 33 cm. (21 3/4 x 13 in.) View Page
Exhibitions
Helen Frankenthaler, Reflections II, 1995
Lithograph in colours, 1995, on BFK Rives paper, signed and dated by the artist, a printer’s proof, aside from the standard edition of 30, published by Tyler Graphics Ltd., Bedford, with their blindst... View Page
Exhibitions
Helen Frankenthaler, Orient Express #6, 1977
A unique work, 1977, acrylic on paper, signed and dated 'Frankenthaler '77' in pencil, 61 x 99 cm. Helen Frankenthaler came of age in the midst of the avant-garde art scene in New York in the 1950s. F... View Page
Exhibitions
Helen Frankenthaler, Contentment Island, 2004
Screenprint in colours, 2004, on Rives BFK paper, signed and dated in pencil, numbered from edition of 118, printed by Brand X Editions, New York, published by The Dalton School, New York, 95.3 x 76.8... View Page
Exhibitions
Helen Frankenthaler, Mary, Mary, 1990
Screenprint and offset lithograph in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 72 (there were also 9 Artist’s Proofs), published by Lincoln Centre, New York, 106.7 x... View Page
Exhibitions
Helen Frankenthaler, Southern Exposure, 2005
Screenprint in colours, 2005, on Somerset wove paper, signed and dated in pencil, numbered from edition of 128, printed by Brand X Editions, Ltd., New York, published by Lincoln Center for the Perform... View Page
Exhibitions
Willem DE KOONING, Landscape at Stanton Street , 1971
Lithograph, 1971, on paper, signed and dated in pencil, numbered from the edition of 60, published by Hollanders Workshop and Fourcade, New York, 75.7 x 56 cm. (30 x 2 2in.) View Page
Exhibitions
Willem DE KOONING, Quatre Lithographies, 1986
The complete set of four lithographs in colours, 1986, on Arches wove paper, each signed and dated in pencil, numbered from the edition of 100 (there were also 50 numbered with Roman numerals), in the... View Page
Artists
Kenneth NOLAND, Untitled, from The New York Collection for Stockholm portfolio, 1973
Screenprint in colours, 1973, on wove paper, stamp signed, from the edition of 300, printed by Styria Studio, Inc., New York, published by Experiments in Art and Technology, New York, 23 x 30 cm. (9 x... View Page
Artists
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Artists
Takashi Murakami, One Plate, from We Are The Square Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.5 x 47.5 cm. (18 3/4 x 18 3/4 in.) View Page
Artists
Takashi Murakami, One Plate, from We Are The Jocular Clan (SM. 116891), 2018
Offset lithograph in colours, 2018, on wove paper, signed in black ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, diameter: 476 mm (18¾ in.) View Page
Artists
Takashi Murakami, One Plate, from We Are The Jocular Clan (SM.116887), 2018
Offset lithograph in colours, 2018, on wove paper, signed in black ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, diameter: 476 mm (18¾ in.) View Page
Artists
Takashi Murakami, One Plate, from We Are The Jocular Clan (SM. 116883), 2018
Offset lithograph in colours, 2018, on wove paper, signed in black ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, diameter: 476 mm (18¾ in.) View Page
Artists
Takashi Murakami, One Plate, from We Are The Jocular Clan (SM.116881), 2018
Offset lithograph in colours, 2018, on wove paper, signed in silver ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, diameter: 476 mm (18¾ in.) View Page
Artists
Takashi Murakami, One Plate, from We Are The Jocular Clan (SM. 116879), 2018
Offset lithograph in colours, 2018, on wove paper, signed in silver ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, diameter: 476 mm (18¾ in.) View Page
Artists
Takashi Murakami, Panda Family and Me, 2013
Offset lithograph in colours, 2013, on wove paper, signed in silver ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, sheet: 500 x 500 mm (19¾ x 19¾ in.) View Page
Blog
Spotlight on: Takashi Murakami
This week we are highlighting one of the world’s most celebrated contemporary printmakers, Takashi Murakami . His contemporary artworks integrate... View Page
Exhibitions
David Shrigley, David Shrigley, Paper, Woodcut, 2005, 2005
Woodcut, 2005, on wove paper, signed, dated and numbered from the edition of 20 in pencil, published by Galleri Nicolai Wallner, Copenhagen, sheet: 59.7 x 39.7cm. View Page
Exhibitions
Pablo Picasso, Plate 4, from: Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Exhibitions
Present Perfect | 28 November 2024 - 15 January 2025
This festive season, Shapero Modern invites you to explore a specially curated selection of works, perfect for any art lover. Present Perfect showcases an array of exquisite pieces that celebrate the ... View Page
Exhibitions
Present Perfect | 28 November 2024 - 15 January 2025
This festive season, Shapero Modern invites you to explore a specially curated selection of works, perfect for any art lover. Present Perfect showcases an array of exquisite pieces that celebrate the ... View Page
Exhibitions
Pablo Picasso, Plate 10, from: Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Exhibitions
Rory Hutton, Vita's Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Spring, 2023
A collage of whimsical and decorative motifs, these largescale prints draw on Rory’s extensive archive of linocuts, designed originally to be used on silk scarves this is the first time they have bee... View Page
Exhibitions
Rory Hutton, September, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, September, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, Orangery, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, October, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, November, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, November, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, Months of the Year, Pink, 2023
Set within ornate Italian-style borders, these flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th century and still prized by collector... View Page
Exhibitions
Rory Hutton, Months of the Year, Green, 2023
Set within ornate Italian-style borders, these flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th century and still prized by collector... View Page
Exhibitions
Rory Hutton, May, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, May, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, March, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, March, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, June, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, June, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, July, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, July, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, January, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, January, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, Gertrude's Garden, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Exhibitions
Rory Hutton, Gardeners, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, February, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, February, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, December, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, August, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, August, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, April, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, April, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Present Perfect | 28 November 2024 - 15 January 2025
This festive season, Shapero Modern invites you to explore a specially curated selection of works, perfect for any art lover. Present Perfect showcases an array of exquisite pieces that celebrate the ... View Page
Exhibitions
Pablo Picasso, Tête de Femme, 1925
Lithograph, 1925, on Japanese Imperial paper, signed lower right, an artist’s proof gifted directly to Genevieve Laporte from Picasso’s private collection, aside from the edition of one hundred, print... View Page
Exhibitions
Present Perfect | 28 November 2024 - 15 January 2025
This festive season, Shapero Modern invites you to explore a specially curated selection of works, perfect for any art lover. Present Perfect showcases an array of exquisite pieces that celebrate the ... View Page
Exhibitions
Takashi Murakami, One Plate, from We Are The Square Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.5 x 47.5 cm. (18 3/4 x 18 3/4 in.) View Page
Exhibitions
Takashi Murakami, One Plate, from We Are The Square Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.5 x 47.5 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Exhibitions
Takashi Murakami, One Plate, from We Are The Square Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.5 x 47.5 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Exhibitions
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Exhibitions
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Takashi Murakami One Plate, from We are the Jocular Clan, 2018 Lithograph 47.6 x 47.6 cm View Page
Exhibitions
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Exhibitions
Barbara Kruger, Surveillance Is Your Busywork, 1980
Original subway poster, c. 1980, on wove paper, unsigned as issued, 28 x 71.3 cm. 'Surveillance Is Your Busywork' is an unused subway lithograph placard, produced in the early 80s by Kruger for New Yo... View Page
Exhibitions
Rory Hutton, Winter, 2023
A collage of whimsical and decorative motifs, these largescale prints draw on Rory’s extensive archive of linocuts, designed originally to be used on silk scarves this is the first time they have bee... View Page
Exhibitions
Rory Hutton, December, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Peter Blake, G is for Girl, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Exhibitions
Peter Blake, J is for James Dean, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Exhibitions
Peter Blake, K is for King, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Exhibitions
Peter Blake, M is for Marilyn, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Exhibitions
Peter Blake, P is for Pachyderm, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Exhibitions
Rory Hutton, Compton Verney, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Artists
Barbara Kruger, Surveillance Is Your Busywork, 1980
Original subway poster, c. 1980, on wove paper, unsigned as issued, 28 x 71.3 cm. 'Surveillance Is Your Busywork' is an unused subway lithograph placard, produced in the early 80s by Kruger for New Yo... View Page
Blog
In Monochrome
This week at Shapero Modern, we are exploring how three iconic works by Barbara Kruger, Tracey Emin, and David Shrigley... View Page
Artworks
Helen Frankenthaler, Southern Exposure, 2005
Screenprint in colours, 2005, on Somerset wove paper, signed and dated in pencil, numbered from edition of 128, printed by Brand X Editions, Ltd., New York, published by Lincoln Center for the Perform... View Page
Artworks
Helen Frankenthaler, Mary, Mary, 1990
Screenprint and offset lithograph in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 72 (there were also 9 Artist’s Proofs), published by Lincoln Centre, New York, 106.7 x... View Page
Artworks
Helen Frankenthaler, Ramblas, 1987
Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed by the artist in pencil, numbered from the edition of 75, 87 x 68 cm. (34¼ x 26¾ in.) View Page
Artworks
Helen Frankenthaler, Contentment Island, 2004
Screenprint in colours, 2004, on Rives BFK paper, signed and dated in pencil, numbered from edition of 118, printed by Brand X Editions, New York, published by The Dalton School, New York, 95.3 x 76.8... View Page
Artworks
Helen Frankenthaler, Flotilla, 2006
Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 in.) ‘Flotilla’ tak... View Page
Artworks
Helen Frankenthaler, Orient Express #6, 1977
A unique work, 1977, acrylic on paper, signed and dated 'Frankenthaler '77' in pencil, 61 x 99 cm. Helen Frankenthaler came of age in the midst of the avant-garde art scene in New York in the 1950s. F... View Page
Artworks
Helen Frankenthaler, Soho Dreams, 1987
Helen Frankenthaler was born and raised on Park Avenue in New York City. A true New Yorker, she never strayed far from her beloved Manhattan. Upon returning to the city in 1949, following her studies,... View Page
Artworks
Helen Frankenthaler, Reflections II, 1995
Lithograph in colours, 1995, on BFK Rives paper, signed and dated by the artist, a printer’s proof, aside from the standard edition of 30, published by Tyler Graphics Ltd., Bedford, with their blindst... View Page
Artworks
Sam Francis, Seal Sail (SF-92) , 1969
Lithograph in colours, 1969, on BFK Rives paper, signed and annotated ‘AP’ in pencil, an artist’s proof aside from the standard edition of 20, printed and published by Tamarind Lithography Workshop, L... View Page
Artworks
Sam Francis, Untitled (SF65-121), 1965
Acrylic painting, 1965, on paper, 55 x 33 cm. (21 3/4 x 13 in.) View Page
Artworks
Sam Francis, Untitled SF79-011 (Acrylic Collage), 1979
This work is identified with the interim identification numbers of SF79-011 in consideration for the forthcoming Sam Francis catalogue raisonné of unique works on paper. Acrylic painting and collage 1... View Page
Artworks
Sam Francis, Untitled SF87-071 (Acrylic), 1987
This work is identified with the interim identification number of SF87-071 in consideration for the forthcoming Sam Francis catalogue raisonné of unique works on paper. Acrylic painting, 1987, on hand... View Page
Artworks
Sam Francis, Untitled, 1982
The work of Sam Francis has not followed a straight line of progression. He generated new forms, colours and formats with every piece, constantly adding to his large visual vocabulary. This unique mon... View Page
Artworks
Sam Francis, Untitled (SF-272), 1984
Offset lithograph in colours, 1984, on BFK Rives paper, signed in pencil and numbered from the edition of 250, printed by the Litho Shop, Inc., Santa Monica, California, published by Museum of Contemp... View Page
Artworks
Sam Francis, For the Blue Sons of the Air, 1990
Screenprint in colours, 1990, on wove paper, signed in pencil, numbered from the edition of 150, published by American Indian Heritage Foundation, Falls Church, Virginia, 135.6 x 81.3 cm. View Page
Artworks
Sam Francis, Untitled (SFE-081), 1991
Aquatint in colours, 1991, on wove paper, signed in pencil, numbered from the edition of 27, 61.6 x 44.5 cm. View Page
Artworks
Sam Francis, Trietto 4 (SFE-077 RC), 1991
Aquatint in colours, 1991, on Fabriano paper, signed in pencil, one of 14 Artist’s Proofs in Roman Numerals, aside from the standard edition of 66, printed by Valter & Eleonora Rossi at Vigna Antonini... View Page
Artworks
Sam Francis, Trietto 3 (SFE-076 RC), 1991
In 1970, American Abstract artist Sam Francis established his own printing studio, The Litho Shop, in Santa Monica, California. Francis employed a full time staff of Master Printers in his studio, a n... View Page
Artworks
Sam Francis, Untitled (SFE-085), ca. 1992
Aquatint in colours, 1992, on wove paper, signed and annotated ‘trial proof’ in pencil, a trial proof aside from the standard edition of 28, printed and published by The Litho Shop, Inc., Santa Monica... View Page
Artworks
Philip Guston, Pile Up, 1980
Lithograph, 1980, on Barcham Green Crisbrook paper, with the artist's estate stamp as issued, numbered from the edition of 50 (there were also eleven artist's proofs), published by Gemini G.E.L., Los ... View Page
Artworks
Robert MOTHERWELL, Untitled, from: 12th Anniversary Galeria Joan Prats 1976-88, 1986
This work was included in the portfolio “Carpeta Commemorativa 12e Aniversari” (Commemorative 12th Anniversary Portfolio), consisting of 20 lithographs and etchings by numerous artists. ... View Page
Artworks
Robert MOTHERWELL, Three Forms, 1988
Another impression of this subject is held in the collection of the Walker Art Gallery, Minneapolis. Etching and aquatint in colours, 1988, on wove paper, signed in pencil by the artist with his monog... View Page
Artworks
Robert MOTHERWELL, Elegy Study, 1979
Lithograph, 1979, on Twinrocker handmade paper, signed with the artist’s initials in pencil, numbered from the edition of 98 (there were also 12 artist’s proofs), printed by Maurice Sanchez, Derriere ... View Page
Artworks
Robert MOTHERWELL, On the Wing, 1984
Lithograph, embossing and collage, 1984, on white Arches Cover mould-made paper and black German Etching paper, signed by the artist in pencil, numbered from the edition of 70 (there were also 20 arti... View Page
Artworks
Robert MOTHERWELL, Red Sea I, 1976
Lift-ground etching and aquatint in colours, 1976, on Arches Cover paper, signed by the artist in pencil, including the artist’s chop mark on lower right, numbered from the edition of 100 (there were ... View Page
Artworks
Kenneth NOLAND, Untitled, from The New York Collection for Stockholm portfolio, 1973
Screenprint in colours, 1973, on wove paper, stamp signed, from the edition of 300, printed by Styria Studio, Inc., New York, published by Experiments in Art and Technology, New York, 23 x 30 cm. (9 x... View Page
Artworks
Helen Frankenthaler, Southern Exposure, 2005
Screenprint in colours, 2005, on Somerset wove paper, signed and dated in pencil, numbered from edition of 128, printed by Brand X Editions, Ltd., New York, published by Lincoln Center for the Perform... View Page
Artworks
Willem DE KOONING, Landscape at Stanton Street , 1971
Lithograph, 1971, on paper, signed and dated in pencil, numbered from the edition of 60, published by Hollanders Workshop and Fourcade, New York, 75.7 x 56 cm. (30 x 2 2in.) View Page
Artworks
Willem DE KOONING, Quatre Lithographies, 1986
The complete set of four lithographs in colours, 1986, on Arches wove paper, each signed and dated in pencil, numbered from the edition of 100 (there were also 50 numbered with Roman numerals), in the... View Page
Artworks
Alex Katz, Purple Tulips 1, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 80 x 119 cm. (31½ x 46¾ in.) View Page
Artworks
Joan Miró, One Plate, from Ubu au Baléares, 1971
Lithograph in colours, 1971, on Japon nacré paper, signed in pencil, from the edition of 120, printed by Mourlot, published by Tériade, Paris, 50.4 x 66.2 cm. (19¾ x 26 in.) View Page
Artworks
Joan Miró, Plate VI, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Artworks
Joan Miró, Plate XIX, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numerals... View Page
Artworks
Joan Miró, Plate X, from Album 19, 1961
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in black ink, numbered from the edition of 75 (the total edition included 15 impressions numbered in Roman numer... View Page
Artworks
Simon Patterson, The Great Bear, 1992
Lithograph in colours, 1992, signed, dated and numbered from the edition of 50 in pencil (there were also fifteen artist's proofs), printed by London Underground printers, published by the artist and ... View Page
Artworks
Grayson Perry, Reclining Artist, 2017
'This is me, both as artist and model in my studio. I wanted to make something in the tradition of the reclining nude. I'm hoping it will be popular with educated middle-class people who might enjoy s... View Page
Artworks
Christopher Wool, 2008, 2008
'As Wool has gradually pulled away from language, he has moved ever closer to paintings that slip further and further into the void. There is a real menace that comes with the fog and the rot and the ... View Page
Artworks
David Hockney, Untitled (Tennis Centre), 1976
David Hockney Untitled (Tennis Centre), 1976 Signed with the artist's initials 'DH' and numbered from the edition of 25, Chromogenic print 7 7/8 x 9 7/8 in 20 x 25 cm View Page
Artworks
David Hockney, Untitled (Sprinklers), 1976
David Hockney Untitled (Sprinklers), 1976 Signed with the artist's initials 'DH' and numbered from the edition of 25 Chromogenic print 7 7/8 x 9 7/8 in 20 x 25 cm View Page
Artworks
David Hockney, Celia with Green Hat, from the Moving Focus Series, 1984
Lithograph in colours, 1984, on wove paper, signed and dated in pencil, numbered from the edition of 98, printed and published by Tyler Graphics, Ltd., Bedford, New York, 74.9 x 55.8 cm. (29 1/2 x 22 ... View Page
Artworks
Barbara Hepworth, Rangatira II, 1969-1970, 1969-1970
A lesser known side of Barbara Hepworth’s artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her ‘Opposing Form’s’ series, that the drawings were ‘sculp... View Page
Artworks
Barbara Hepworth, Forms in a Flurry, 1969-70, 1979
screenprint in colours, 1969-70, each signed in pencil and numbered from the edition of 60 (total edition includes ten artist's proofs) published by Marlborough AG Schellenberg, FL, 77.7 x 58cm ... View Page
Artworks
Richard Hamilton, Dedicated Follower of Fashion, 1980
Etching and aquatint, 1980, on Rives BFK, signed and numbered from the edition of 100, printed at Studio Crommelynck, Paris, published by Waddington Graphics, London, sheet 58.4 × 38.1 cm. The title i... View Page
Artworks
Peter Doig, Pinto, 2000
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London View Page
Artworks
Peter Doig, Haus der Bilder, from 100 Years Ago series, 2000
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, 90.2 x 109.5 cm. (35½ x ... View Page
Artworks
Peter Blake, T is for The Beatles, from Alphabet Series, 1991
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm. View Page
Artworks
Tunji ADENIYI-JONES, Pattern Makers, 2020
Tunji ADENIYI-JONES Pattern Makers, 2020 Signed in pencil, numbered from the edition of 30 Screenprint in colours, on Coventry Rag paper, published by Fort Makers, New York 19 7/8 x 15 7/8 in 50.5 x 4... View Page
Artworks
Nina Chanel Abney, Temporary Friends, 2019
Suite of five relief prints, 2019, signed and numbered from the edition of 35, published by PACE NY, 100 x 75 cm (39 ¼ x 29 ½ in). View Page
Blog
Happy Birthday to Alex Katz
Thursday, July 24th marks the 98th birthday of the acclaimed American contemporary artist, Alex Katz . Looking back on his... View Page
Artists
Alex Katz, Goldenrod, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 88 x 119 cm. (34¾ x 46¾ in.) View Page
Artists
Alex Katz, Purple Tulips 1, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 80 x 119 cm. (31½ x 46¾ in.) View Page
Blog
Happy Birthday to Alex Katz
Thursday, July 24th marks the 98th birthday of the acclaimed American contemporary artist, Alex Katz . Looking back on his... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Pablo Picasso, Jacqueline au Bandeau de Face, 1962
Linocut in colours, 1962, on watermarked Arches paper, signed in pencil, inscribed 'epreuve d'artiste', an artist’s proof aside from the edition of 50, printed by Imprimerie Arnéra and published by Ga... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Pablo Picasso, Françoise, 1946
Lithograph, 1946, on wove paper, signed in pencil by the artist, numbered from the edition of 50, 64 x 49.5 cm. View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Exhibitions
Modern Masters: Picasso & Miro | 20 April - 1 June 2023
Our new exhibition explores the lifelong friendship between Pablo Picasso and Joan Miró, ‘Modern Masters: Picasso & Miró’. These two Catalan artists, although very different in their approach to print... View Page
Blog
Picasso: The Places That Defined Him (Part 1)
Born in Malaga in 1881, Picasso began his artistic career in the port city of A Coruña in Northern Spain... View Page
Blog
Summer show 2022 | Pablo Picasso
This portrait of Jacqueline Roque, Picasso's second wife and muse, belongs to a series of six lithographic portraits made between... View Page
Search
View Page
Events
Event: Art Miami 2024
Shapero Modern is set to make its fifth appearance at Miami’s premier contemporary and modern art fair ART MIAMI 2024 (3-8 December). As the longest-established and most prestigious event of its kind ... View Page
Exhibitions
Past exhibitions
Immerse yourself in modern art at Shapero Modern, showcasing exhibitions by Warhol, Picasso, and other 20th-century and contemporary masters. View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Lord Christopher Thynne, The Beatles, John Lennon sitting on an advertising hoarding at Marylebone Station II. , 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Exhibitions
Lord Christopher Thynne, The Beatles, John Lennon sitting on an advertising hoarding at Marylebone Station I., 1964
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s blindstamp lower l... View Page
Exhibitions
Lost Photographs of The Beatles | 9 December 2021 - 16 January 2022
Thursday 9th December 2021– Sunday 16th January 2022 Incredibly rare and never before seen, new photographs of the internationally renowned rock band The Beatles will be on show in Mayfairʼs Shapero M... View Page
Exhibitions
Larry Poons - Paintings from the 1970s to the 2000s | 2 - 3 August 2021
LARRY POONS – PAINTINGS FROM THE 1970S TO THE 2000S Born in Tokyo in 1937, Larry Poons first trained at the New England Conservatory of Music, before attending the School of the Museum of Fine Arts in... View Page
Exhibitions
Larry Poons - Paintings from the 1970s to the 2000s | 2 - 3 August 2021
LARRY POONS – PAINTINGS FROM THE 1970S TO THE 2000S Born in Tokyo in 1937, Larry Poons first trained at the New England Conservatory of Music, before attending the School of the Museum of Fine Arts in... View Page
Exhibitions
Larry Poons - Paintings from the 1970s to the 2000s | 2 - 3 August 2021
LARRY POONS – PAINTINGS FROM THE 1970S TO THE 2000S Born in Tokyo in 1937, Larry Poons first trained at the New England Conservatory of Music, before attending the School of the Museum of Fine Arts in... View Page
Exhibitions
Larry Poons - Paintings from the 1970s to the 2000s | 2 - 3 August 2021
LARRY POONS – PAINTINGS FROM THE 1970S TO THE 2000S Born in Tokyo in 1937, Larry Poons first trained at the New England Conservatory of Music, before attending the School of the Museum of Fine Arts in... View Page
Exhibitions
Larry Poons - Paintings from the 1970s to the 2000s | 2 - 3 August 2021
LARRY POONS – PAINTINGS FROM THE 1970S TO THE 2000S Born in Tokyo in 1937, Larry Poons first trained at the New England Conservatory of Music, before attending the School of the Museum of Fine Arts in... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella, Yellow Journal, 1982
Lithograph, 1982, on white Arches Cover, mould-made paper, signed and dated an AP aside the edition of 50, published by Tyler Graphics Ltd., Bedford Village, NY., 133.5 x 97.8 cm (52 1/2 x 38 1/2 in),... View Page
Exhibitions
Frank Stella: What You See Is What You See | 29 September - 17 October 2021
FRANK STELLA WHAT YOU SEE IS WHAT YOU SEE 29TH SEPTEMBER - 17TH OCTOBER 2021 EXPLORE THE ARTWORKS The exhibition will take place at 41-43 Maddox StreetW1S 2PD and will continue at Shapero Rare Books, ... View Page
Exhibitions
Frank Stella, The Waves: Squid, 1989
Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, published by Waddington Gr... View Page
Exhibitions
Passing Through by Jan Hendrix | 27 October - 4 December 2021
PASSING THROUGH BY JAN HENDRIX 27th October – 4th December 2021 ARTWORKS Hendrix explores the fragility of the natural world and the transformation of landscape through man’s intervention. This exhibi... View Page
Exhibitions
Passing Through by Jan Hendrix | 27 October - 4 December 2021
PASSING THROUGH BY JAN HENDRIX 27th October – 4th December 2021 ARTWORKS Hendrix explores the fragility of the natural world and the transformation of landscape through man’s intervention. This exhibi... View Page
Exhibitions
Passing Through by Jan Hendrix | 27 October - 4 December 2021
PASSING THROUGH BY JAN HENDRIX 27th October – 4th December 2021 ARTWORKS Hendrix explores the fragility of the natural world and the transformation of landscape through man’s intervention. This exhibi... View Page
Exhibitions
Passing Through by Jan Hendrix | 27 October - 4 December 2021
PASSING THROUGH BY JAN HENDRIX 27th October – 4th December 2021 ARTWORKS Hendrix explores the fragility of the natural world and the transformation of landscape through man’s intervention. This exhibi... View Page
Exhibitions
Passing Through by Jan Hendrix | 27 October - 4 December 2021
PASSING THROUGH BY JAN HENDRIX 27th October – 4th December 2021 ARTWORKS Hendrix explores the fragility of the natural world and the transformation of landscape through man’s intervention. This exhibi... View Page
Exhibitions
Passing Through by Jan Hendrix | 27 October - 4 December 2021
PASSING THROUGH BY JAN HENDRIX 27th October – 4th December 2021 ARTWORKS Hendrix explores the fragility of the natural world and the transformation of landscape through man’s intervention. This exhibi... View Page
Exhibitions
Passing Through by Jan Hendrix | 27 October - 4 December 2021
PASSING THROUGH BY JAN HENDRIX 27th October – 4th December 2021 ARTWORKS Hendrix explores the fragility of the natural world and the transformation of landscape through man’s intervention. This exhibi... View Page
Exhibitions
Past exhibitions
Immerse yourself in modern art at Shapero Modern, showcasing exhibitions by Warhol, Picasso, and other 20th-century and contemporary masters. View Page
Exhibitions
Maximalism: More is More | 22 June - 26 August 2023
‘More is More’ spotlights the aesthetics of Maximalism’s key figures and their desire to fracture the traditions of Minimalism. Maximalism shares its roots with Neo-Expressionism, another movement whi... View Page
Exhibitions
Frank Stella, The Waves: Squid, 1989
Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, published by Waddington Gr... View Page
Exhibitions
Maximalism: More is More | 22 June - 26 August 2023
‘More is More’ spotlights the aesthetics of Maximalism’s key figures and their desire to fracture the traditions of Minimalism. Maximalism shares its roots with Neo-Expressionism, another movement whi... View Page
Exhibitions
Robert Indiana, The Decade Portfolio, 1971
The complete portfolio, comprising ten screenprints in colours, 1971, on Schoellers Parole paper, each signed in pencil, dated and numbered from the edition of 200 (there were also 25 artist's proofs)... View Page
Exhibitions
Robert Indiana | 21 September - 18 November 2023
On Thursday, 21st September 2023, Shapero Modern is opening an exhibition solely focused on works by Robert Indiana (1928-2018) just a few days after what would have been his 95th birthday. It will be... View Page
Exhibitions
Robert Indiana, Tulip, from A Garden of Love, 1982
Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Domberger KG, Filder... View Page
Exhibitions
Robert Indiana | 21 September - 18 November 2023
On Thursday, 21st September 2023, Shapero Modern is opening an exhibition solely focused on works by Robert Indiana (1928-2018) just a few days after what would have been his 95th birthday. It will be... View Page
Exhibitions
Robert Indiana | 21 September - 18 November 2023
On Thursday, 21st September 2023, Shapero Modern is opening an exhibition solely focused on works by Robert Indiana (1928-2018) just a few days after what would have been his 95th birthday. It will be... View Page
Exhibitions
Robert Indiana | 21 September - 18 November 2023
On Thursday, 21st September 2023, Shapero Modern is opening an exhibition solely focused on works by Robert Indiana (1928-2018) just a few days after what would have been his 95th birthday. It will be... View Page
Exhibitions
Rory Hutton, December, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, November, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, October, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, September, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, August, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, July, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, June, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, May, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, April, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, March, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, February, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, January, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, December, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, November, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, October, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, September, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, August, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, July, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, June, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, May, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, April, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, March, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, February, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, January, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, Rose Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Rewilding, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Gardeners, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Compton Verney, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Temple of Flora, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Temple of Flora, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Exhibitions
Rory Hutton, Orangery, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Orangery Garden
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Exhibitions
Rory Hutton, Vita's Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Vita's White Garden, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Exhibitions
Rory Hutton, Manor Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Manor Garden, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Exhibitions
Rory Hutton, Gertrude's Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Gertrude's Garden, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Exhibitions
Rory Hutton, Bunny's Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Exhibitions
Rory Hutton, Bunny's Garden, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Exhibitions
Rory Hutton, Potting Shed II (Pink/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Exhibitions
Rory Hutton, Potting Shed II (Orange/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Exhibitions
Rory Hutton, Potting Shed II (Green/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Exhibitions
Rory Hutton, Potting Shed I (Pink/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Exhibitions
Rory Hutton, Potting Shed I (Orange/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Exhibitions
Rory Hutton, Potting Shed I (Green/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Exhibitions
Rory Hutton, Winter, 2023
A collage of whimsical and decorative motifs, these largescale prints draw on Rory’s extensive archive of linocuts, designed originally to be used on silk scarves this is the first time they have bee... View Page
Exhibitions
Rory Hutton, Autumn, 2023
A collage of whimsical and decorative motifs, these largescale prints draw on Rory’s extensive archive of linocuts, designed originally to be used on silk scarves this is the first time they have bee... View Page
Exhibitions
Rory Hutton, Summer, 2023
A collage of whimsical and decorative motifs, these largescale prints draw on Rory’s extensive archive of linocuts, designed originally to be used on silk scarves this is the first time they have bee... View Page
Exhibitions
Rory Hutton, Spring, 2023
A collage of whimsical and decorative motifs, these largescale prints draw on Rory’s extensive archive of linocuts, designed originally to be used on silk scarves this is the first time they have bee... View Page
Exhibitions
Rory Hutton, Months of the Year, Pink, 2023
Set within ornate Italian-style borders, these flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th century and still prized by collector... View Page
Exhibitions
Rory Hutton, Months of the Year, Green, 2023
Set within ornate Italian-style borders, these flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th century and still prized by collector... View Page
Exhibitions
Past exhibitions
Immerse yourself in modern art at Shapero Modern, showcasing exhibitions by Warhol, Picasso, and other 20th-century and contemporary masters. View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró, La Femme Toupie, 1974
Etching and aquatint in colours, 1974, on Arches wove paper, signed in pencil and numbered 49 from the edition of 50, printed by Morsang, Paris, published by Maeght, Paris, sheet: 1392 x 960 mm. (54 ⅞... View Page
Exhibitions
Joan Miró, Le Bagnard et sa Compagne, 1975
Etching and aquatint in colours, 1975, on Arches paper, signed in white pencil and numbered from the edition of 50, printed by Morsang, Paris, published by Maeght, Paris, sheet: 1210 x 1600 mm. (47 5/... View Page
Exhibitions
Joan Miró, Le Beluga, 1975
Etching and aquatint with carborundum in colours, 1975, on Arches paper, with the Maeght watermark, signed in pencil and numbered from the edition of 50, printed by Morsang, Paris, published by Maeght... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró, Pantagruel, 1978
Etching and aquatint with carborundum and knife scrapes in colours, 1978, on Arches wove paper, with the Maeght watermark, signed in pencil and numbered 5 from the edition of 50, printed by Morsang, P... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró, La Contre-Balancée, 1975
Etching and aquatint in colours, 1975, on Arches paper, with the Maeght watermark, signed in pencil and numbered 40 from the edition of 50, printed by Morsang, Paris, published by Maeght, Paris, with ... View Page
Exhibitions
Joan Miró, L'Aigrette Rouge, 1976
Etching and aquatint with carborundum in colours, 1976, on Arches paper, signed in pencil and numbered 40 from the edition of 50 (there were also 12 Artist's Proofs), printed by Morsang, Paris, publis... View Page
Exhibitions
Joan Miró, Galathée, 1976
Etching and aquatint with embossing, 1976, on Arches paper, signed in pencil and numbered 49 from the edition of 50 (there are also 12 Artist’s Proofs), printed by Morsang, Paris, published by Maeght,... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró: Monumental Printmaking | 6 March - 4 May 2025
Shapero Modern is pleased to announce the opening of a selling exhibition of rare prints by Catalan Spanish painter, sculptor and ceramicist Joan Miró (1893-1983) on Monday the 6th of March at its 94 ... View Page
Exhibitions
Joan Miró, Le Bagnard et sa Compagne, 1975
Etching and aquatint in colours, 1975, on Arches paper, signed in white pencil and numbered from the edition of 50, printed by Morsang, Paris, published by Maeght, Paris, sheet: 1210 x 1600 mm. (47 5/... View Page
Exhibitions
Modern Masters: Joan Miró, Pablo Picasso & Marc Chagall | 15 - 19 October 2025
This Autumn, Shapero Modern will exhibit a collection of rare fine art editions from renowned Modern Masters: Joan Miro, Pablo Picasso and Marc Chagall. View Page
Exhibitions
Pablo Picasso, Portrait de Marie-Thérèse de face (Portrait of Marie-Thérèse from the Front), 1934
Drypoint and etching with aquatint, 1934, on Richard de Bas laid paper, stamp-signed in black ink and numbered from the edition of 50 in pencil (there were also 16 artist's proofs in Roman numerals), ... View Page
Exhibitions
Pablo Picasso, David et Bethsabée (d’après Cranach), 1949
Lithograph, 1949, on Velin Arches paper, inscribed, dated and signed lower left in red chalk ‘Pour Geneviève Laporte (épreuve unique) 26.5.51 Picasso’, a rare unique print, dedicated to Geneviève Lapo... View Page
Exhibitions
Joan Miró, Stars and Dancers (Astres et Danseurs), 1938
A rare and unique etching with hand-colouring, 1938, on vellum, signed in red ink, numbered ‘2/4’, one of four numbered impressions on velum, aside from the standard edition of 30, with the printer’s ... View Page
Exhibitions
Pablo Picasso, Bacchanale, 1955
Aquatint in colours, circa 1955, on Rives BFK wove paper, signed in pencil and numbered from the edition of 300, published by Atelier Crommelynck, Paris, with their blindstamp, 56 x 76.5 cm. (22 x 30 ... View Page
Exhibitions
Modern Masters: Joan Miró, Pablo Picasso & Marc Chagall | 15 - 19 October 2025
This Autumn, Shapero Modern will exhibit a collection of rare fine art editions from renowned Modern Masters: Joan Miro, Pablo Picasso and Marc Chagall. View Page
Exhibitions
Pablo Picasso, Plate 2, from Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Exhibitions
Pablo Picasso, Plate 4, from: Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Exhibitions
Pablo Picasso, Plate 10, from: Le Cocu Magnifique, 1968
Etching and aquatint, 1968, on Auvergne Richard-de-Bas wove paper, signed in pencil, numbered from the edition of 30, printed and published by Atelier Crommelynck, Paris, 37 x 47.8 cm. (14½ x 18¾ in.)... View Page
Exhibitions
Joan Miró, One Plate, from Ubu au Baléares, 1971
Lithograph in colours, 1971, on Japon nacré paper, signed in pencil, from the edition of 120, printed by Mourlot, published by Tériade, Paris, 50.4 x 66.2 cm. (19¾ x 26 in.) View Page
Exhibitions
Joan Miró, One Plate, from Ubu au Baléares, 1971
Lithograph in colours, 1971, on Japon nacré paper, signed in pencil, from the edition of 120, printed by Mourlot, published by Tériade, Paris, 50.4 x 66.2 cm. (19¾ x 26 in.) View Page
Exhibitions
Modern Masters: Joan Miró, Pablo Picasso & Marc Chagall | 15 - 19 October 2025
This Autumn, Shapero Modern will exhibit a collection of rare fine art editions from renowned Modern Masters: Joan Miro, Pablo Picasso and Marc Chagall. View Page
Exhibitions
Modern Masters: Joan Miró, Pablo Picasso & Marc Chagall | 15 - 19 October 2025
This Autumn, Shapero Modern will exhibit a collection of rare fine art editions from renowned Modern Masters: Joan Miro, Pablo Picasso and Marc Chagall. View Page
Blog
Summer Show 2022 | Frank Stella
Our new Summer Show is now open, running to the end of August 2022 at our gallery on Maddox Street... View Page
Blog
Summer Show 2022 | Frank Stella
Our new Summer Show is now open, running to the end of August 2022 at our gallery on Maddox Street... View Page
Blog
Summer Show 2022 | Tunji Adeniyi-Jones
TUNJI ADENIYI-JONES Our 2022 Summer Show features several significant new acquisitions. One acquisition not to be missed is Pattern Makers... View Page
Blog
Summer show 2022 | Pablo Picasso
This portrait of Jacqueline Roque, Picasso's second wife and muse, belongs to a series of six lithographic portraits made between... View Page
Events
Event: TEFAF Maastricht 2025
Experience the Finest Rare Books and Works on Paper at TEFAF Maastricht 2025 . As longstanding supporters of TEFAF Maastricht, we are thrilled to return to this prestigious fine art fair once again. T... View Page
Events
Event: London Original Print Fair 2021
Shapero Modern is excited to be taking part in London Print Week, this year’s edition of the London Original Print Fair, which will take place from Saturday 1st to Saturday 8th May in our gallery at 4... View Page
Events
Event: Frieze Masters 2021
Shapero Rare Books and Shapero Modern are delighted to be taking part in the 2021 edition of Frieze Masters, which will be taking place in London’s Regents Park from 13th until 17th October. As well a... View Page
Events
Event: London Original Print Fair 2022
We are delighted once more to be taking part in the LOPF. Founded in 1985 at the Royal Academy of Arts, this year the LOPF moves to Somerset House for its 37th edition. Reserve your complimentary tick... View Page
Events
Event: Masterpiece London 2022
Masterpiece London is one of the leading international art & antique fairs, with exhibitors from around the world showcasing a wide variety of fine art, antiques, design and collectables ranging from ... View Page
Events
Event: Art Miami 2022
Shapero Modern will be returning for a third time to Miami for America’s foremost contemporary and modern art fair. The Fair is the original and longest-running contemporary art fair in Miami and cont... View Page
Events
Event: TEFAF Maastricht
Widely considered the preeminent fine art & antiques fair, TEFAF Maastricht continues to develop apace, drawing in thousands of collectors, interior designers and the simply curious from Europe and ar... View Page
Events
Event: Hamptons Art Fair 2023
Shapero Modern are delighted to announce their participation at this summer’s Hamptons Fine Art Fair 2023 which takes place at the Southampton Fairgrounds from 13 -16 July 2023. The fair’s Executive D... View Page
Events
Event: Art Miami 2023
Shapero Modern will be returning for a fourth time to Miami for America’s foremost contemporary and modern art fair. The Fair is the original and longest-running contemporary art fair in Miami and con... View Page
Events
Event: IFPDA Print Fair 2024
Shapero Modern is excited to return to New York for the IFPDA at Park Avenue Armory this 15th -18th February. Established in 1987, the IFPDA is the preeminent organization for fine art print galleries... View Page
Events
Event: TEFAF Maastricht 2024
As supporters of TEFAF Maastricht from the very beginning, we are always delighted to have the opportunity to exhibit again at this premier fine art fair, and will be exhibiting some of the finest rar... View Page
Events
Event: London Treasure House Fair 2025
Shapero Modern & Shapero Rare Books is delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 26 June to 1 July 2025. ... View Page
Events
Works | Treasure House Fair 2026
Shapero Modern & Shapero Rare Books are delighted to announce our participation in the third edition of The Treasure House Fair, taking place at the Royal Hospital Chelsea from 24-30 June 2026. Contin... View Page
Events
Works | Frieze Masters 2026
Shapero Modern & Shapero Rare Books are delighted to be returning to The Regent's Park, London for the 2026 edition of FRIEZE MASTERS . Join us at Stand A07 to explore a a prestigious selection of 20t... View Page
Blog
Henry Moore: Shaping an Artist
Henry Moore is revered as one of the most prominent sculptors of the 20th century, although his mastery stems far... View Page
Blog
Summer Show | Roy Lichtenstein
A leading figure in the American Pop Art movement, Roy Lichtenstein grounded his innovative career in imitation and parody. His... View Page
Blog
Summer Show 2022 | Joan Miró
As leading specialists in Modern & Contemporary prints, multiples and works on paper, we have chosen to showcase in Shapero... View Page
Blog
Frank Stella: The Waves
‘…an around-the-world adventure story…’ As a gallery focusing on the original prints and works on paper of American 20th-century artists,... View Page
Blog
Spotlight | The Flowers Series
Made in 1974, the ‘Flowers’ series is a sudden diversion away from Warhol ’s typical stylistic way of working at... View Page
Blog
Spotlight | Shot Blue Sage Marilyn
Do you know why Warhol named his piece the Shot Blue Sage Marilyn? Take a look at this exhibition poster... View Page
Blog
Visitor breaks iconic balloon dog sculpture in Miami
Have you heard the news? A visitor at a Miami museum recently broke an iconic Balloon Dog sculpture by Jeff... View Page
Blog
Picasso: The Places That Defined Him (Part 2)
Picasso ’s first visit to Paris in 1900 had a major impact on the artist’s life, helping him to discover... View Page
Blog
Intaglio Printmaking
I ntaglio… is the word used to describe the collection of printmaking techniques that create a print by incising an... View Page
Artists
Antoni Tàpies, Antoni Tapies, Suite Catalana, plate 3, 1972, 1972
Aquatint in colours, 1972, on Guarro paper with watermark La Cometa, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona. Paper 75.7 x 100.5cm. ... View Page
Artists
Antoni Tàpies, Antoni Tapies, Suite Catalana, plate 1, 1972, 1972
Aquatint in colours, 1972, on Guarro paper with watermark La Cometa, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona. Paper 75.7 x 100.5cm. ... View Page
Artists
Antoni Tàpies, Antoni Tapies, Suite Catalana, plate 4, 1972, 1972
Aquatint in colours, 1972, on Guarro paper with watermark La Cometa, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona. Paper 75.7 x 100.5cm. ... View Page
Blog
Frank Stella's 'V Series'
Exploring Frank Stella’s Geometric Chevron Designs This week we explore Frank Stella ’s use of chevron designs during the 1960s... View Page
Blog
Power of Colours | Mylands X Shapero Modern
Shapero Modern is delighted to present a stunning exhibition co-curated with renowned interior designer Beata Heuman, who is celebrating the... View Page
Blog
Joan Miró: Monumental Printmaking
Monumental Printmaking Currently on view at our Bond Street gallery is Joan Miró : Monumental Printmaking , an exhibition exploring... View Page
Artists
Joan Miró, La Femme Toupie, 1974
Etching and aquatint in colours, 1974, on Arches wove paper, signed in pencil and numbered 49 from the edition of 50, printed by Morsang, Paris, published by Maeght, Paris, sheet: 1392 x 960 mm. (54 ⅞... View Page
Blog
Modern Spanish Printmakers
Modern Spanish Printmakers This week, we explore the works of Spain’s most iconic modern masters, whose innovative approaches to traditional... View Page
Blog
Summer Exhibition 2025
This Summer, Shapero Modern will be presenting a stunning group exhibition featuring blue-chip artists whose bold, colourful prints have come... View Page
Blog
The Art of Frank Stella: Minimal, but make it Nautical!
Frank Stella, Quathlamba II, from V Series, 1968 | Shapero Modern You wouldn’t usually expect to find the words ‘nautical’... View Page
Blog
Rory Hutton – The House Beautiful
Shapero Modern will mark the 125th anniversary of Oscar Wilde’s death (30 November 1900) with a special selling exhibition by... View Page
Blog
Picasso's 'Les Portraits Imaginaires'
This week at Shapero Modern we are highlighting our collection of available prints from the highly sought after series 'Les... View Page
Artists
(After) Pablo Picasso, Les Portraits Imaginaires: One Plate (6.4.69 I), 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the American edition of 250 marked 'A’, Printed by Marcel Salinas, New York, with his blindstam... View Page
Artists
(After) Pablo Picasso, Les Portraits Imaginaires: One Plate (30.3.69 II), 1969
Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the American edition of 250 marked 'A’, Printed by Marcel Salinas, New York, with his blindstam... View Page
Blog
Spotlight on Marc Quinn
As part of our vibrant exhibition with LITO Editions, we are spotlighting British artist Marc Quinn and his latest edition,... View Page
Blog
More than Muses: Françoise Gilot and Geneviève Laporte
This week we are introducing two important women related to popular works by Pablo Picasso from our Summer Show 2026: Françoise Gilot and Geneviève Laporte. View Page
Blog
Stella(r) Works
This week we shine the spotlight on Frank Stella (1936-2024), a groundbreaking and highly influential American artist whose work is wide-ranging in both style and media. View Page
Blog
Who Ever Heard of a Pop Art Parrot?
This week we take a closer look at Robert Indiana's 'The Decade' Portfolio, which is currently on exhibition at our flagship gallery on New Bond Street, as part of our Summer Exhibition. View Page
Artists
Robert Indiana, The Decade Portfolio, 1971
The complete portfolio, comprising ten screenprints in colours, 1971, on Schoellers Parole paper, each signed in pencil, dated and numbered from the edition of 200 (there were also 25 artist's proofs)... View Page
Artists
Robert Indiana, Zinnia, from A Garden of Love, 1982
Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Domberger KG, Filder... View Page
Artists
Robert Indiana, Tulip, from A Garden of Love, 1982
Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Domberger KG, Filder... View Page
Artists
Robert Indiana, Love, from The Book of Love, 1996
Screenprint in colours, 1996, on A.N.W. Crestwood Museum paper, signed in pencil and numbered from the edition of 200, published by American Image Editions, New York, 66 × 50.8 cm. (26 x 20 in.) Editi... View Page
Artists
Robert Indiana, The Book of Love: A Portfolio of 12 Original Poems & 12 Original Prints, 1997
The complete portfolio of 12 screen prints and 12 original poems by the artist in colours, on A.N.W Crestwood Museum Edition paper, with text pages as issued, title page on parchment, signed by the pu... View Page
Art fairs
Art fair: Masterpiece London 2022
Masterpiece London is one of the leading international art & antique fairs, with exhibitors from around the world showcasing a wide variety of fine art, antiques, design and collectables ranging from ... View Page
Art fairs
Works | Frieze Masters 2026
Shapero Modern & Shapero Rare Books are delighted to be returning to The Regent's Park, London for the 2026 edition of FRIEZE MASTERS . Join us at Stand A07 to explore a a prestigious selection of 20t... View Page
Art fairs
Louise Bourgeois, 'Plate 9' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Art fairs
Louise Bourgeois, 'Plate 8' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Art fairs
Louise Bourgeois, 'Plate 7' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Art fairs
Louise Bourgeois, 'Plate 6' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Art fairs
Louise Bourgeois, 'Plate 5' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Art fairs
Louise Bourgeois, 'Plate 4' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Art fairs
Louise Bourgeois, 'Plate 3' from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, 30 x 30 cm. (11¾... View Page
Art fairs
Louise Bourgeois, ‘Plate 1’ from Ode à ma Mère, 1995
Drypoint and etching, 1995, on wove paper, initialled in pencil and numbered from the edition of 90, printed by Editions du Solstice, Paris, published by Harland and Weaver, New York, sheet: 30 x 30 c... View Page
Art fairs
Works | Frieze Masters 2026
Shapero Modern & Shapero Rare Books are delighted to be returning to The Regent's Park, London for the 2026 edition of FRIEZE MASTERS . Join us at Stand A07 to explore a a prestigious selection of 20t... View Page
Art fairs
David Hockney, Coloured Flowers Made of Paper and Ink, 1971
Lithograph in colours, 1971, on Hodgkinson paper, signed, titled, dated and inscribed from the edition of 50, printed by Ernst Donagh, Cook Hammond and Kell, London, published by Petersburg Press, Lon... View Page
Art fairs
Sam Francis, Untitled, 1982
The work of Sam Francis has not followed a straight line of progression. He generated new forms, colours and formats with every piece, constantly adding to his large visual vocabulary. This unique mon... View Page
Art fairs
Art fair: TEFAF Maastricht 2025
Experience the Finest Rare Books and Works on Paper at TEFAF Maastricht 2025 . As longstanding supporters of TEFAF Maastricht, we are thrilled to return to this prestigious fine art fair once again. T... View Page
Art fairs
Art fair: TEFAF Maastricht 2024
As supporters of TEFAF Maastricht from the very beginning, we are always delighted to have the opportunity to exhibit again at this premier fine art fair, and will be exhibiting some of the finest rar... View Page
Art fairs
Art fair: IFPDA Print Fair 2024
Shapero Modern is excited to return to New York for the IFPDA at Park Avenue Armory this 15th -18th February. Established in 1987, the IFPDA is the preeminent organization for fine art print galleries... View Page
Art fairs
Art fair: Art Miami 2023
Shapero Modern will be returning for a fourth time to Miami for America’s foremost contemporary and modern art fair. The Fair is the original and longest-running contemporary art fair in Miami and con... View Page
Art fairs
Art fair: Hamptons Art Fair 2023
Shapero Modern are delighted to announce their participation at this summer’s Hamptons Fine Art Fair 2023 which takes place at the Southampton Fairgrounds from 13 -16 July 2023. The fair’s Executive D... View Page
Art fairs
Art fair: London Original Print Fair 2021
Shapero Modern is excited to be taking part in London Print Week, this year’s edition of the London Original Print Fair, which will take place from Saturday 1st to Saturday 8th May in our gallery at 4... View Page
Art fairs
Art fair: TEFAF Maastricht
Widely considered the preeminent fine art & antiques fair, TEFAF Maastricht continues to develop apace, drawing in thousands of collectors, interior designers and the simply curious from Europe and ar... View Page
Art fairs
Art fair: TEFAF Maastricht
Widely considered the preeminent fine art & antiques fair, TEFAF Maastricht continues to develop apace, drawing in thousands of collectors, interior designers and the simply curious from Europe and ar... View Page
Art fairs
Art fair: Art Miami 2022
Shapero Modern will be returning for a third time to Miami for America’s foremost contemporary and modern art fair. The Fair is the original and longest-running contemporary art fair in Miami and cont... View Page
Art fairs
Art fair: London Original Print Fair 2022
We are delighted once more to be taking part in the LOPF. Founded in 1985 at the Royal Academy of Arts, this year the LOPF moves to Somerset House for its 37th edition. Reserve your complimentary tick... View Page
Art fairs
Art fair: Frieze Masters 2021
Shapero Rare Books and Shapero Modern are delighted to be taking part in the 2021 edition of Frieze Masters, which will be taking place in London’s Regents Park from 13th until 17th October. As well a... View Page
Blog
Picasso's 'Les Portraits Imaginaires'
This week at Shapero Modern we are highlighting our collection of available prints from the highly sought after series 'Les... View Page
Blog
More than Muses: Françoise Gilot and Geneviève Laporte
This week we are introducing two important women related to popular works by Pablo Picasso from our Summer Show 2026: Françoise Gilot and Geneviève Laporte. View Page
Blog
The Last Taste Of Summer
With the arrival of September and with the evenings drawing in, it’s apparent that summer is drawing to a close. Although the arrival of a new season is always exciting, for those of us holding onto t... View Page
Blog
Summer Show 2022 | Joan Miró
As leading specialists in Modern & Contemporary prints, multiples and works on paper, we have chosen to showcase in Shapero... View Page
Blog
Joan Miró: Monumental Printmaking
Monumental Printmaking Currently on view at our Bond Street gallery is Joan Miró : Monumental Printmaking , an exhibition exploring... View Page
Artists
Manolo Valdés, Profil (Marc Chagall), 2008
Etching, aquatint, drypoint and collage in colours, 2008, on handmade paper, signed in pencil, numbered from the edition of eight, 122.7 x 92.5 cm. (48¼ x 36½ in.) Contemporary Spanish painter Manolo ... View Page
Blog
The Art of Frank Stella: Minimal, but make it Nautical!
Frank Stella, Quathlamba II, from V Series, 1968 | Shapero Modern You wouldn’t usually expect to find the words ‘nautical’... View Page
Blog
Stella(r) Works
This week we shine the spotlight on Frank Stella (1936-2024), a groundbreaking and highly influential American artist whose work is wide-ranging in both style and media. View Page
Artists
Jonas Wood, Untitled, 2009
Lithograph, screenprint and woodcut in colours, 2009, on Coventry wove paper, signed and dated in pencil, numbered from the edition of 50, published by Cirrus Editions with their blindstamp and inksta... View Page
Artists
Jonas Wood, Untitled, 2009
Lithograph, screenprint and woodcut printed in colours, 2009, on Coventry wove paper, signed in white pencil, dated and numbered, with the blindstamp of the publisher, Cirrus Editions, and with their ... View Page
Exhibitions
Joe Tilson, Joe Tilson, Study for Decal 3, pencil and Indian ink, 1967, signed , 1967
Joe Tilson has been a lifelong and dedicated print-maker, gaining a reputation as one of Britain's foremost artists producing prints, multiples, constructions, paintings and reliefs. This is Tilson’s ... View Page
Exhibitions
Joe Tilson, Joe Tilson, New York Decals 3 and 4, two screenprints in colours, 1967, 1967
This set of two screenprints from 1967, is firmly rooted in the Pop Art movement of which Tilson was one of the founding figures of British Pop and shows the artists lifelong interest in collage (a st... View Page
Exhibitions
Frank Stella, The Waves: Squid, 1989
Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, published by Waddington Gr... View Page
Exhibitions
Frank Stella, Aiolio, from Imaginary Places III, 1998
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 51 (there were also twelve artist's proofs), with the publish... View Page
Artists
Joe Tilson, Joe Tilson, Study for Decal 3, pencil and Indian ink, 1967, signed , 1967
Joe Tilson has been a lifelong and dedicated print-maker, gaining a reputation as one of Britain's foremost artists producing prints, multiples, constructions, paintings and reliefs. This is Tilson’s ... View Page
Artists
Joe Tilson, Joe Tilson, New York Decals 3 and 4, two screenprints in colours, 1967, 1967
This set of two screenprints from 1967, is firmly rooted in the Pop Art movement of which Tilson was one of the founding figures of British Pop and shows the artists lifelong interest in collage (a st... View Page
Artists
Rory Hutton, Chrysanthemums Fan Leaf (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30.5 x 40 cm. (12 x 1... View Page
Artists
Rory Hutton, Wallpaper (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artists
Rory Hutton, My Blue China (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artists
Rory Hutton, Lily and Peacock (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artists
Rory Hutton, Sunflowers (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artists
Rory Hutton, A Flower Blooms (Giclée), 2025
Rory Hutton A Flower Blooms (Giclée), 2025 Signed, numbered and dated in pencil, from the edition of 20 Giclée printed in colours on wove paper, unframed 30 x 30 cm View Page
Artists
Rory Hutton, Giant Lily (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artists
Rory Hutton, Chrysanthemum Bouquet Fan Leaf (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30.5 x 40 cm. (12 x 1... View Page
Artists
Rory Hutton, Sussex Chair (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Artists
Rory Hutton, My Blue China (Two Porcelain Plates in Presentation Box), 2025
Two porcelain plates in presentation box, 2025, hand decorated in Stoke-on-Trent, England, a limited edition of 50 sets, 21 x 21 cm. View Page
Artists
Rory Hutton, April, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artists
Rory Hutton, March, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artists
Rory Hutton, February, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artists
Rory Hutton, January, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Exhibitions
Rory Hutton, Chrysanthemums Fan Leaf (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30.5 x 40 cm. (12 x 1... View Page
Exhibitions
Rory Hutton, Wallpaper (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Exhibitions
Rory Hutton, My Blue China (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Exhibitions
Rory Hutton, Lily and Peacock (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Exhibitions
Rory Hutton, Sunflowers (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Exhibitions
Rory Hutton, A Flower Blooms (Giclée), 2025
Rory Hutton A Flower Blooms (Giclée), 2025 Signed, numbered and dated in pencil, from the edition of 20 Giclée printed in colours on wove paper, unframed 30 x 30 cm View Page
Exhibitions
Rory Hutton, Chrysanthemum Bouquet Fan Leaf (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30.5 x 40 cm. (12 x 1... View Page
Exhibitions
Rory Hutton, Sussex Chair (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Exhibitions
Rory Hutton, My Blue China (Two Porcelain Plates in Presentation Box), 2025
Two porcelain plates in presentation box, 2025, hand decorated in Stoke-on-Trent, England, a limited edition of 50 sets, 21 x 21 cm. View Page
Exhibitions
Rory Hutton, Giant Lily (Giclée), 2025
Giclée printed in colours, on wove paper, 2025, signed, numbered and dated in pencil, from the edition of 20, printed by King & McGaw, Sussex, published by the artist, sheet size 30 x 30 cm. (11¾ x 11... View Page
Exhibitions
Abstract Art | 27 February - 8 March 2026
View works by Andreas Bruenig, Thomas Wachholz and Jan-Ole Schiemann at Shapero Modern, New Bond Street. On view until 8 March. View Page
Exhibitions
Jan-Ole Schiemann, I Left My Shoes in Düsseldorf, 2013
Ink and acrylic on canvas, 2013, signed, titled and dated ‘Jan-Ole Schiemann / 2013 / “I left my shoes in Düsseldorf”’ (on the reverse), 180 x 155 cm. (70¾ x 61 in.) View Page
Exhibitions
Jan-Ole Schiemann, Antennahair, 2015
Ink and acrylic on canvas, 2015, signed, titled, and dated ‘Jan-Ole Schiemann / “Antennahair” / 2015’ (on the reverse), 200 x 180 cm. (78¾ x 70¾ in.) View Page
Exhibitions
Thomas Wachholz, The Parker, 2019
Red phosphorous and acrylic on canvas, 2019, label from studio Thomas Wachholz (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Exhibitions
Thomas Wachholz, Star Palace, 2019
Red phosphorous and acrylic on canvas, 2019, label from studio Thomas Wachholz (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Exhibitions
Thomas Wachholz, Piccoli, 2019
Red phosphorous and acrylic on canvas, 2019, signed, titled, and dated ‘Piccoli Thomas Wachholz 2019’ (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Exhibitions
Thomas Wachholz, Capri, 2019
Red phosphorous and acrylic on canvas, 2019, label from studio Thomas Wachholz (on the reverse), 95 x 75 cm. (37½ x 29½ in.) View Page
Exhibitions
Andreas Breunig, S-Works: Specialized No. 36, 2017
Oil, graphite, and charcoal on canvas, 2017, signed and dated twice ‘A. Breunig 2017’ (on the reverse), 210 x 170 cm. (82¾ x 67 in.) View Page
Exhibitions
Donald Sultan, Yellow Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Exhibitions
Donald Sultan, White Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Exhibitions
Donald Sultan, Red Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Exhibitions
Donald Sultan, Blue Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Exhibitions
Donald Sultan, Black Poppies in Cement, 2024
Acrylic and concrete high-rendered print on aluminium, 2024, signed and numbered by the artist on the verso, from the edition of 20, published by LITO Editions, 100 x 100 x 6 cm (39¼ x 39¼ x 2¼ in.) View Page
Blog
Spotlight | The Flowers Series
Made in 1974, the ‘Flowers’ series is a sudden diversion away from Warhol ’s typical stylistic way of working at... View Page
Blog
#WarholWednesday - Electric Chair
Electric Chair is part of Warhol ’s substantial Death and Disaster series which he started in 1962, early examples of... View Page
Blog
#WarholWednesday - Kiku
Warhol once remarked, ‘I always notice flowers.' Kiku is a fascinating series that focuses on the chrysanthemum flower, Kiku in... View Page
Blog
Who Ever Heard of a Pop Art Parrot?
This week we take a closer look at Robert Indiana's 'The Decade' Portfolio, which is currently on exhibition at our flagship gallery on New Bond Street, as part of our Summer Exhibition. View Page
Blog
Robert Indiana's Garden's of Love
To celebrate what would have been Robert Indiana's 97th birthday we are having a look at the artist’s signature, a word which appeared across paintings, prints, sculptures and posters in bold typograp... View Page
Artworks
Rory Hutton, April, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, November, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Art fairs
Art fair: Art Miami 2024
Shapero Modern is set to make its fifth appearance at Miami’s premier contemporary and modern art fair ART MIAMI 2024 (3-8 December). As the longest-established and most prestigious event of its kind ... View Page
Artworks
Rory Hutton, Potting Shed I (Green/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Artworks
Rory Hutton, Potting Shed II (Pink/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Artworks
Rory Hutton, Gertrude's Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Artworks
Rory Hutton, Manor Garden, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Artworks
Joan Miró, One Plate, from Ubu au Baléares, 1971
Lithograph in colours, 1971, on Japon nacré paper, signed in pencil, from the edition of 120, printed by Mourlot, published by Tériade, Paris, 50.4 x 66.2 cm. (19¾ x 26 in.) View Page
Artworks
Rory Hutton, December, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Wayne Thiebaud, Untitled, 1962
Etching on paper, 1962/64, signed and numbered E.A. from the edition of 60, printed by Atelier Georges Leblanc, Paris, published by Galleria Schwarz, Milan, 25.2 x 19.2 cm. View Page
Artworks
Rory Hutton, Gardeners, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Artworks
Rory Hutton, September, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Sam Francis, Untitled (SF-272), 1984
Offset lithograph in colours, 1984, on BFK Rives paper, signed in pencil and numbered from the edition of 250, printed by the Litho Shop, Inc., Santa Monica, California, published by Museum of Contemp... View Page
Artworks
Rory Hutton, Rewilding, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Artworks
Rory Hutton, Spring, 2023
A collage of whimsical and decorative motifs, these largescale prints draw on Rory’s extensive archive of linocuts, designed originally to be used on silk scarves this is the first time they have bee... View Page
Artworks
Rory Hutton, Bunny's Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Artworks
David Hockney, Untitled (Sprinklers), 1976
David Hockney Untitled (Sprinklers), 1976 Signed with the artist's initials 'DH' and numbered from the edition of 25 Chromogenic print 7 7/8 x 9 7/8 in 20 x 25 cm View Page
Artworks
Rory Hutton, August, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, Months of the Year, Pink, 2023
Set within ornate Italian-style borders, these flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th century and still prized by collector... View Page
Artworks
Takashi Murakami, One Plate, from We Are The Square Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.5 x 47.5 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Events
Event: TEFAF Maastricht 2025
Experience the Finest Rare Books and Works on Paper at TEFAF Maastricht 2025 . As longstanding supporters of TEFAF Maastricht, we are thrilled to return to this prestigious fine art fair once again. T... View Page
Artworks
Rory Hutton, Gertrude's Garden, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Artworks
Michelangelo Pistoletto, Cartella A, 1983
Set of 4 color screenprints, 1983, on polished aluminum foil, signed and numbered from the edition of 500, published by Fratelli Alinari Stamperia d'Arte, Florence, sheet size 42x33 cm (16 3/4x13 in )... View Page
Artworks
Rory Hutton, May, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, March, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Jack Milroy, Piccanti Sartango, 2026
Cut sardine cans in an acrylic case, 2026, 17 x 25 cm. (6¾ x 9¾ in.) View Page
Artworks
Rory Hutton, Vita's White Garden, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Artworks
Rory Hutton, Bunny's Garden, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Artworks
Rory Hutton, Summer, 2023
A collage of whimsical and decorative motifs, these largescale prints draw on Rory’s extensive archive of linocuts, designed originally to be used on silk scarves this is the first time they have bee... View Page
Artworks
Rory Hutton, Manor Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Artworks
Rory Hutton, June, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, Rose Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Artworks
Rory Hutton, June, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, Orangery Garden
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Artworks
Takashi Murakami, One Plate, from We Are The Square Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.5 x 47.5 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Artworks
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in.) © Takashi Muraka... View Page
Artworks
Rory Hutton, Compton Verney, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Artworks
Alex Katz, Purple Tulips 1, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 80 x 119 cm. (31½ x 46¾ in.) View Page
Artworks
Rory Hutton, September, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, Potting Shed II (Orange/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Artworks
Rory Hutton, February, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Alex Katz, Azaleas on Yellow, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 119 x 86 cm. (46¾ x 33¾ in.) View Page
Artworks
Rory Hutton, Potting Shed I (Orange/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Artworks
Rory Hutton, Potting Shed II (Green/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Artworks
Takashi Murakami, One Plate, from We are the Jocular Clan, 2018
Takashi Murakami One Plate, from We are the Jocular Clan, 2018 Lithograph 47.6 x 47.6 cm View Page
Artworks
Cy Twombly, Five Greek Poets and a Philosopher, 1978
Complete set of seven lithographs with embossment, 1978, on Richard de Bas mould-made paper, initialled and numbered in pencil from the edition of 40 verso, printed by Matthieu Studio, Zurich-Deilsdor... View Page
Artworks
Rory Hutton, Temple of Flora, 2023
Rory began his printmaking career with his colourful linocut silk scarves and to date has designed over 100 scarves in collaboration with British arts and heritageinstitutions including The V&A, The R... View Page
Artworks
Rory Hutton, July, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Sam Francis, Seal Sail (SF-92) , 1969
Lithograph in colours, 1969, on BFK Rives paper, signed and annotated ‘AP’ in pencil, an artist’s proof aside from the standard edition of 20, printed and published by Tamarind Lithography Workshop, L... View Page
Artworks
Rory Hutton, December, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, August, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Alex Katz, Goldenrod, from The Flowers Portfolio, 2021
Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 88 x 119 cm. (34¾ x 46¾ in.) View Page
Artworks
Rory Hutton, Potting Shed I (Pink/Purple Ombré), 2023
Demonstrating Rory’s love of antique garden tools and hardware, these whimsical prints conjure up the nostalgia of the Victorian potting shed. Linocut printed in colours, on wove paper, 2023, signed, ... View Page
Artworks
Rory Hutton, May, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, Vita's Garden, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Artworks
Rory Hutton, October, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Sam Francis, Untitled (SFE-085), ca. 1992
Aquatint in colours, 1992, on wove paper, signed and annotated ‘trial proof’ in pencil, a trial proof aside from the standard edition of 28, printed and published by The Litho Shop, Inc., Santa Monica... View Page
Art fairs
Art fair: TEFAF Maastricht 2025
Experience the Finest Rare Books and Works on Paper at TEFAF Maastricht 2025 . As longstanding supporters of TEFAF Maastricht, we are thrilled to return to this prestigious fine art fair once again. T... View Page
Artworks
Rory Hutton, October, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, Months of the Year, Green, 2023
Set within ornate Italian-style borders, these flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th century and still prized by collector... View Page
Artworks
Rory Hutton, Winter, 2023
A collage of whimsical and decorative motifs, these largescale prints draw on Rory’s extensive archive of linocuts, designed originally to be used on silk scarves this is the first time they have bee... View Page
Artworks
Joan Miró, La Contre-Balancée, 1975
Etching and aquatint in colours, 1975, on Arches paper, with the Maeght watermark, signed in pencil and numbered 40 from the edition of 50, printed by Morsang, Paris, published by Maeght, Paris, with ... View Page
Artworks
Rory Hutton, November, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, Orangery, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Artworks
Rory Hutton, January, from Months of the Year, Pink, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Rory Hutton, Autumn, 2023
A collage of whimsical and decorative motifs, these largescale prints draw on Rory’s extensive archive of linocuts, designed originally to be used on silk scarves this is the first time they have bee... View Page
Artworks
Rory Hutton, Temple of Flora, 2023
Inspired by some of Rory’s most popular Garden themed scarves this set of ten prints draws inspiration from celebrated gardeners and landscapers including Bunny Mellon, Vita Sackville-West and Gertrud... View Page
Artworks
David Hockney, Untitled (Tennis Centre), 1976
David Hockney Untitled (Tennis Centre), 1976 Signed with the artist's initials 'DH' and numbered from the edition of 25, Chromogenic print 7 7/8 x 9 7/8 in 20 x 25 cm View Page
Artworks
Rory Hutton, July, from Months of the Year, Green, 2023
Set within ornate Italian-style borders, Rory’s ‘Months of the Year’ series of flowers represent the 12 calendar months and draw inspiration from the sets of botanical prints popular in the 18th centu... View Page
Artworks
Joan Miró, La Femme Toupie, 1974
Etching and aquatint in colours, 1974, on Arches wove paper, signed in pencil and numbered 49 from the edition of 50, printed by Morsang, Paris, published by Maeght, Paris, sheet: 1392 x 960 mm. (54 ⅞... View Page

Search

Andy Warhol: 20 Under 20 | 9 February - 18 March 2023

Andy Warhol: 20 Under 20 | 9 February - 18 March 2023

Andy Warhol: 20 Under 20 | 9 February - 18 March 2023

Andy Warhol: 20 Under 20 | 9 February - 18 March 2023

Andy Warhol: 20 Under 20 | 9 February - 18 March 2023

Andy Warhol: 20 Under 20 | 9 February - 18 March 2023

Andy Warhol: 20 Under 20 | 9 February - 18 March 2023

Andy Warhol: 20 Under 20 | 9 February - 18 March 2023

Andy Warhol: 20 Under 20 | 9 February - 18 March 2023

Happy Birthday Andy Warhol

Andy Warhol

Andy Warhol, Electric Chair, 1971

Andy Warhol, Mick Jagger, 1975

Andy Warhol, Shoes, 1980

Andy Warhol, Siberian Tiger, From Endangered Species, 1983

Andy Warhol, Rebel Without a Cause (James Dean), from Ads, 1985

Andy Warhol, Henry Geldzahler, from The Geldzahler Portfolio, 1964

Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959

Andy Warhol, Waterzoie, from Wild Raspberries, 1959

Andy Warhol, Untitled, from 25 Cats Name[d] Sam and One Blue Pussy, 1954

Andy Warhol, Siberian Tiger, From Endangered Species, 1983

Andy Warhol, Shoes, 1980

Andy Warhol, Mick Jagger, 1975

Andy Warhol, Electric Chair, 1971

Andy Warhol, Henry Geldzahler, from The Geldzahler Portfolio, 1964

Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959

Andy Warhol, Waterzoie, from Wild Raspberries, 1959

Julia Warhola (Andy Warhol's mother), Holy Cats, 1954

Andy Warhol, Untitled, from 25 Cats Name[d] Sam and One Blue Pussy, 1954

Andy Warhol, Rebel Without a Cause (James Dean), from Ads, 1985

Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959

Andy Warhol, Electric Chair, 1971

Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959

Andy Warhol, Greengages a la Warhol, from Wild Raspberries, 1959

Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959

Andy Warhol, Waterzoie, from Wild Raspberries, 1959

Andy Warhol, Salade de Alf Landon, from Wild Raspberries, 1959

Andy Warhol's Blotted Line Drawing

Happy Birthday Andy Warhol

Andy Warhol, Cheddar Cheese, from Campbell’s Soup II, 1969

Andy Warhol, Flowers: One Plate (F & S II.70), 1970

Andy Warhol, Ladies and Gentlemen, 1975

Andy Warhol, Peaches, from Space Fruits: Still Lifes, 1979

Andy Warhol, Grace Kelly, 1984

Andy Warhol, Queen Ntombi Twala, 1985

Andy Warhol, Marilyn, 1967

Andy Warhol, Cream of Mushroom, from Campbell’s Soup I, 1968

Andy Warhol, Tomato Soup, from Campbell's Soup I, 1968

Andy Warhol, Mao (II 97), 1972

Andy Warhol, Goethe (F. & S. II.270) , 1982

Andy Warhol, Grevy's Zebra, From Endangered Species, 1985

Andy Warhol, Queen Elizabeth II, from Reigning Queens, 1985

Andy Warhol, Northwest Coast Mask, from Cowboys and Indians, 1986

Andy Warhol, Lincoln Center Ticket, 1967, 1967

Andy Warhol, Grace Kelly, 1984

Andy Warhol, Goethe (F. & S. II.270) , 1982

Andy Warhol, Peaches, from Space Fruits: Still Lifes, 1979

Andy Warhol, Ladies and Gentlemen, 1975

Andy Warhol, Mao (II 97), 1972

Andy Warhol, Flowers: One Plate (F & S II.70), 1970

Andy Warhol, Cheddar Cheese, from Campbell’s Soup II, 1969

Andy Warhol, Cream of Mushroom, from Campbell’s Soup I, 1968

Andy Warhol, Tomato Soup, from Campbell's Soup I, 1968

Andy Warhol, Lincoln Center Ticket, 1967, 1967

Andy Warhol, Marilyn, 1967

Andy Warhol, Queen Ntombi Twala, 1985

Andy Warhol, Queen Elizabeth II, from Reigning Queens, 1985

Andy Warhol, Grevy's Zebra, From Endangered Species, 1985

Andy Warhol, Northwest Coast Mask, from Cowboys and Indians, 1986

Manolo Valdés, Profil (Andy Warhol), 2008

Andy Warhol, Grace Kelly, 1984

Andy Warhol, Queen Ntombi Twala, 1985

Andy Warhol, Peaches, from Space Fruits: Still Lifes, 1979

Andy Warhol, Grace Kelly, 1984

Andy Warhol, Queen Ntombi Twala, 1985

Andy Warhol, Ladies and Gentlemen, 1975

Andy Warhol, Queen Ntombi Twala, 1985

Manolo Valdés, Profil (Andy Warhol), 2008

Andy Warhol, Ladies and Gentlemen, 1975