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Modern Masters: Joan Miró, Pablo Picasso & Marc Chagall

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Open a larger version of the following image in a popup: Pablo Picasso, David et Bethsabée (d’après Cranach), 1949

Pablo Picasso

David et Bethsabée (d’après Cranach), 1949
Lithograph on Velin Arches paper
Image: 64.5 x 47.7 cm. (25.4 x 18.8 in.), sheet: 70 x 50 cm. (27.5 x 19.7 in.)
Inscribed, dated and signed lower left in red chalk ‘Pour Geneviève Laporte (épreuve unique) 26.5.51 Picasso’
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Lithograph, 1949, on Velin Arches paper, inscribed, dated and signed lower left in red chalk ‘Pour Geneviève Laporte (épreuve unique) 26.5.51 Picasso’, a rare unique print, dedicated to Geneviève Laporte,...
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Lithograph, 1949, on Velin Arches paper, inscribed, dated and signed lower left in red chalk ‘Pour Geneviève Laporte (épreuve unique) 26.5.51 Picasso’, a rare unique print, dedicated to Geneviève Laporte, his lover during the 1950s, aside from the six artist's and printer's proofs, image: 64.5 x 47.7 cm. (25.4 x 18.8 in.), sheet: 70 x 50 cm. (27.5 x 19.7 in.)

In the late 1940s Picasso entered his ‘old master period’, spending the next decade studying and reworking masterpieces of the past to rewrite them in his own visual language. This work is based on a painting by the German Renaissance painter and printmaker, Lucas Cranach the Elder and depicts the biblical King David gazing upon the beautiful Bathsheba as she bathes. Noted for the use of contour and absence of chiaroscuro in his works, Cranach was a highly skilful and much revered printmaker. Picasso greatly admired the master printmakers who had come before him, highlighting the importance of the medium in Picasso’s own work.
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Provenance

The Estate of Genevieve Laporte (gifted by the artist);
Private Collection, London.

Literature

Mourlot 109 (State 10a or 10 bis); Bloch 442; Hatje Cantz 214
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