
A Celebration in Three Works

David Hockney, Untitled (Sprinklers), 1976

David Hockney, Panama Hat with a Bow Tie on a Chair, 1998
By 1998, Hockney had returned to printmaking with renewed vigour. Panama Hat with a Bow Tie on a Chair reflects both his deep affection for portraiture and his mastery of etching and aquatint. The careful arrangement of hat and bowtie on an empty chair alludes to the sitter’s presence through absence—a tender symbol of loss and memory. This composition showcases Hockney’s ability to use everyday objects to evoke powerful emotions and layered meanings.

David Hockney, Waiting at York 180, 2010
Hockney’s iPad drawings represent a radical departure from traditional artistic methods. In Waiting at York 180, the artist harnesses the immediacy and spontaneity of digital tools to embrace bold colour, gesture, and stylised form. While contemporary in execution, the scene retains the timeless quality of Hockney’s early work. It is a testament to his fearless engagement with new media, continuing to explore how we see and what we choose to record.
These three works—spanning photography, printmaking, and digital drawing—demonstrate the remarkable arc of David Hockney’s career: one defined not by a singular style, but by an enduring curiosity and willingness to evolve.