Turning traditional into contemporary
Murakami’s work merges traditional Japanese art forms such as Ukiyo-e and Nihonga with elements of anime and pop culture. This rich blend unites his vibrant cultural heritage within the aesthetics of popular culture, creating flat, two-dimensional pieces reminiscent of traditional Japanese art while embracing bold colours, graphic design and commercial imagery.
Takashi Murakami, Panda Family and Me, 2013
These two-dimensional forms gave rise to a new movement called ‘Superflat’, which glorifies the interaction between art and commerce. Rooted in Murakami’s mechanically cheerful aesthetic, the movement refers to compositions that lack traditional perspective and instead present flattened, character-rich visuals with deeper commentary on identity, commodification, and cultural trauma.
Takashi Murakami, One Plate, from We Are The Square Jocular Clan, 2018
Takashi Murakami, One Plate, from We Are The Jocular Clan, 2018
As a hybrid of fine art and popular media, Murakami’s work breaks down boundaries between high and low culture. His influence extends into fashion, music, and global branding. The ‘Superflat’ aesthetic continues to honour Japanese artistic heritage while challenging what constitutes contemporary art today.
