A collection of Multiples by Claes Oldenburg 1966-1994, including:

Baked Potato, from the portfolio 7 Objects in a Box: Cast resin painted with acrylic, with the original Shenango china dish, 1966, signed in ink on the interior and lettered 'K', from the edition of 75 (with 25 lettered proofs and 2 artist’s proofs), published by Tanglewood Press, New York, overall: 178 x 267 x 114 mm (7 x 10½ x 4 ½ in.)

Tea Bag, from the portfolio 4 on Plexiglas: Screenprint in colours on laminated vacuum formed vinyl, with felt, Plexiglas, and rayon cord, 1966, signed and numbered in pencil on the verso, from the edition of 125, published by Multiples Inc., New York, overall: 991 x 711 x 89 mm (39 x 28 x 3½ in.)

Wedding Souvenir: Cast plaster, 1966, from the edition of approx. 200 (there is also a silver edition of approx. 72), commissioned by James Elliott and Judith Algar, overall: 146 x 165 x 640 (5¾ x 6½ x 2½ in.)
Fire Plug Souvenir - “Chicago August 1968”: Cast plaster with red acrylic paint, 1968, signed in felt-tip pen, incised 'C.O.' and 'Chicago August 1968' on the base, numbered from the edition of 100, published by the Richard Feigen Gallery, Chicago, overall: 203 x 203 x 152 mm. (8 x 8 x 6 in.)

London Knees 1966: Two cast latex ‘knees’ coated with coloured polyurethane, two sewn felt bags, 13 offset lithographs in three cloth-covered paper-board folders, cloth-covered traveling case, 1968, initialled on base of each knee, signed and numbered in pencil on envelope, from the edition 120 (there are also 10 artist’s proofs), published by Editions Alecto Ltd, London, in association with Neuendorf Verlag, Berlin, overall (case closed): 190 x 432 x 295 mm (7½ x 17 x 11 ½ in.)

Double-Nose/Purse/Punching Bag/Ashtray: Leather, bronze, wood, metal, bark chips, and deerskin bound book: A History of The Double-Nose/Purse/Punching Bag/Ashtray, with the original redwood box, 1970, signed in pencil and numbered from the edition of 75 (there are also 3 artist’s proofs), published by Gemini G.E.L., Los Angeles, with their blindstamp incised on the bronze rim of the ashtray, overall (box closed): 276 x 527 x 213 mm (10¾ x 20¾ x 20¾ in.)

Miniature Soft Drum Set: Three-dimensional screenprint on canvas, with washline, wood, spray enamel, and wood covered in screenprinted paper, 1970, signed and numbered in felt pen on bass drum, from the edition of 200 (there are also 26 artist’s proofs), published by Multiples Inc., New York, overall: 248 x 483 x 349 mm (9¾ x 19 x 13¾ in.)

Geometric Mouse, Scale C: Anodized aluminium, 1971, signed and numbered by incision on ‘tear’ disk, from the edition of 120 (there are also 3 artist’s proofs), published by Gemini G.E.L., Los Angeles, overall: 483 x 508 x 330 mm (19 x 20 x 13 in.)

Geometric Mouse, Scale D “Home-Made”: Offset lithograph on die-cut cardboard, stainless-steel wire, nickel-plated chains and fasteners, 1971, printed with the artist’s initials, title, and date, from an unlimited edition, published by Gemini G.E.L., Los Angeles, overall (assembled): 330 x 406 x 305 mm (13 x 16 x 12 in.)

Profile Airflow - Test Mold, Front End: Cast-polyurethane relief over screenprinted Plexiglas, in welded aluminium frame, 1972, signed and numbered by incision, artist’s proof aside from the edition of 50, published by Gemini G.E.L., Los Angeles, with copyright and care information printed on verso, overall: 470 x 397 x 102 (18½ x 15½ x 4 in.)

Sculpture in the Form of a Bicycle Saddle: Partially glazed cast ceramic, mahogany, sand, 1976, signed in gold ink and numbered from the edition of 36 (there are also 9 artist’s proofs), published by Petersburg Press, London and New York, overall: 356 x 216 x 216 mm (14 x 8½ x 8½ in.)

Broken Button: Dyed and cast paper, screenprint on board, wood, Plexiglas, 1981, signed, dated, and numbered in pencil on base, from the edition of 100 (there are also 14 artist’s proofs and 8 additional proofs), published by Multiples Inc., New York, overall: 413 x 362 x 165 mm ( 16¼ x 14¼ x 6½ in.)

Souvenir of Documenta 7: Beschmierter Friderico: Cast plaster and enamel, 1982, signed and numbered in enamel on base, from the edition of 35, published by the artist for Fashion MODA at Documenta 7, Kassel, Germany, overall: 195 x 75 x 80 mm (7¾ x 3 x 3¼ in.)

Tilting Neon Cocktail: Stainless steel, cast aluminium, acrylic paint and Plexiglas, 1983, signed, dated, and numbered by incision on the base, from the edition of 50, published by Brooke Alexander for the New York Museum of Contemporary Art, New York, overall: 483 x 241 x 227 mm (19 x 9½ x 9 in.)

Profiterole: Cast aluminium with latex paint, brass, 1989, signed, titled, dated, and numbered by incision on a brass disk in base, from the edition of 75 (there are also 25 artist’s proofs), published by Gemini G.E.L., Los Angeles, overall: 145 x 165 x 165 mm (5¾ x 6½ x 6½ in.)

The Soap at Baton Rouge: Cast resin, vinyl filled with aluminium silicate, screenprint in two colours on acetate, deluxe edition of Claes Oldenburg: Multiples in Retrospect, cloth-covered portfolio box screenprinted in two colours, 1990, the soap signed, numbered, and inscribed by laser incision on the verso, from the edition of 250 (there are also 30 artist’s proofs), published by Carl Solway Gallery, Cincinnati, overall: 340 x 515 mm (13½ x 20½ in.)

N.Y.C. Pretzel: Screenprint in colours on laser cut three-ply cardboard, 1994, stamped with the artist’s initials, title, and date, from an unlimited edition, published by I.C. Editions & David Platzker, New York, overall: 16 x 175 x 162 mm (0¾ x 7 x 6½ in.)