-
Helen FrankenthalerSouthern Exposure, 2005Signed and dated in pencil, numbered from the edition of 128Screenprint in colours30 1/8 x 36 7/8 inSold
76.5 x 93.7 cm -
Helen FrankenthalerMary, Mary, 1990Signed in pencil, numbered from the edition of 72 (there were also 9 Artist’s Proofs)Screenprint and offset lithograph in colours42 x 32 in
106.7 x 81.3 cm£ 25,000.00 -
Helen FrankenthalerBroome Street at Night, 1987signed and dated in pencil, numbered from the edition of 128Etching, aquatint and drypoint in colours39 1/8 x 39 1/8 inSold
99.4 x 99.4 cm -
Helen FrankenthalerFlotilla, 2006Signed and dated in pencil, numbered from the edition of 120.Screenprint in colours31 x 37 in
78.7 x 94 cm£ 17,500.00 -
Helen FrankenthalerReflections II, 1995Signed and dated in pencil, inscribed ‘P.P.’ a printer’s proof, aside from the standard edition of 30Lithograph in colours26 3/4 x 21 in
67.9 x 53.3 cm£ 14,500.00 -
Helen FrankenthalerTribal Sign, 1987Signed and dated in pencil, inscribed ‘P.P.’ a printer’s proof aside from the standard edition of 47Lithograph in colours23 5/8 x 18 1/8 in
60 x 46 cm -
Helen FrankenthalerOrient Express #6, 1977Signed and dated 'Frankenthaler '77' in pencilAcrylic on paper24 x 39 in
61 x 99 cm -
Keith HaringLudo, 1985All signed and dated in pencil, numbered from the edition of 90 (there were also 15 artist's proofs).The complete portfolio of five lithographs in colours25 3/4 x 18 7/8 inSold
65.5 x 48 cm -
Keith HaringGrowing #3, 1988Signed and dated in pencil, numbered from the edition of 100Screenprint in colours29 7/8 x 40 1/8 in
75.9 x 101.9 cm -
Keith HaringApocalypse Suite, 1988Seven screenprints in colours38 x 38 in
96.5 x 96.5 cm -
Keith HaringGrowing #2, 1988Signed and dated in pencil, numbered from the edition of 100Screenprint in colours75.9 x 101.9 cm.
-
Sam FrancisUntitled (SFE-081), 1991Signed in pencil, numbered from the edition of 27Aquatint24 1/4 x 17 1/2 in
61.6 x 44.5 cmShapero - Sam Francis, Untitled (SFE-081), 1991£ 4,000.00 -
Sam FrancisUntitled (SFE-085), ca. 1992Signed and annotated ‘trial proof’ in pencil, a trial proof aside from the standard edition of 28.Aquatint28 3/8 x 18 1/2 in
72 x 47 cmSold -
Philip GustonPile Up, 1980With the artist's estate stamp as issued, numbered from the edition of 50 (there were also eleven artist's proofs)Lithograph19 3/4 x 29 3/4 in
50.2 x 75.6 cmShapero - Philip Guston, Pile Up, 1980£ 7,500.00 -
Robert IndianaTulip, from A Garden of Love, 1982Signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proof sets, aside from the edition of 100Screenprint in colours26 3/4 x 26 3/4 in
68 x 68 cm -
Alex KatzAzaleas on Yellow, from The Flowers Portfolio, 2021Signed in pencil, numbered from the edition of 100Archival pigment print on Innova Etching Cotton Rag 315 gsm paper46 7/8 x 33 7/8 in
119 x 86 cm£ 18,500.00 -
Alex KatzGoldenrod, from The Flowers Portfolio, 2021Archival pigment print on Innova Etching Cotton Rag 315 gsm paper34 5/8 x 46 7/8 in
88 x 119 cm£ 18,500.00 -
Roy LichtensteinImperfect Print for B.A.M., 1987Signed and dated in pencil from the edition of 75Woodcut and screenprint in colours151 x 80 cm. (59 3/8 x 31 3/8 in.)£ 40,000.00
-
Roy LichtensteinBull I, from the Bull Profile Series, 1973Signed and dated in pencil, numbered from the edition of 100 (there were also 13 artist’s proofs)Line-cut27 x 35 inSold
68.6 x 88.9 cm -
Roy LichtensteinEntablature III, from Entablature Series, 1976Signed and dated in pencil, one of nine artist’s proof, aside from the standard edition of 16Screenprint and collage with embosing29 1/8 x 44 7/8 in
74 x 114 cm£ 19,500.00 -
Joan MiróStars and Dancers (Astres et Danseurs), 1938Signed in red ink, numbered ‘2/4’, one of four numbered impressions on velum, aside from the standard edition of 30Etching with hand-colouring11 1/2 x 16 3/8 in
29.2 x 41.5 cmShapero - Joan Miró, Stars and Dancers (Astres et Danseurs), 1938£ 30,000.00 -
Joan MiróPlate III, from Album 19, 1961Lithograph in colours, on BFK Rives wove paper20 1/8 x 26 1/8 in
51 x 66.3 cm£ 7,500.00Courtesy of Shapero Modern -
Joan MiróPlate IV, from Album 19, 1961Lithograph in colours, on BFK Rives wove paper26 1/8 x 20 1/8 in
66.3 x 51 cmSold -
Joan MiróPlate XIV, from Album 19, 1961Lithograph in colours, on BFK Rives wove paper26 x 20 1/8 in
66.2 x 51 cm£ 6,500.00 -
Joan MiróPlate XVI, from Album 19, 1961Lithograph in colours, on BFK Rives wove paper20 1/8 x 26 1/8 in
51 x 66.4 cm£ 6,500.00 -
Pablo PicassoBacchanale, 1955Signed in pencil and numbered from the edition of 300Aquatint in colours22 x 30 1/8 in
56 x 76.5 cm£ 18,000.00 -
Pablo PicassoLes Portraits Imaginaries: One Plate, 1969With the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’ (there was also an American edition of 250 marked 'A')Lithograph in Colours25 5/8 x 19 3/4 in
65 x 50 cm -
Pablo PicassoLes Portraits Imaginaries: One Plate, 1969With the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’ (there was also an American edition of 250 marked 'A')Lithograph in Colours25 5/8 x 19 3/4 in
65 x 50 cm -
Pablo PicassoLes Portraits Imaginaries: One Plate, 1969With the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’ (there was also an American edition of 250 marked 'A')Lithograph in Colours25 5/8 x 19 3/4 in
65 x 50 cm -
Pablo PicassoLes Portraits Imaginaries: One Plate, 1969With the artist's printed signature as issued, inscribed ‘Hors Commerce’, aside from the French ‘F’ edition of 250 (there was also an American edition of 250 marked 'A')Lithograph in Colours28¼ x 20 in.Sold
71.8 x 51 cm. -
Pablo PicassoBouquet dans un Vase, 1959Linocut29 5/8 x 24 1/2 in
75.1 x 62.1 cmSold -
Pablo PicassoFlûtiste et Jeune Fille au Tambourin (Flutist and Young Girl with Tambourine) , 1934Etching18 1/8 x 13 7/8 in
46 x 35.2 cm -
Pablo PicassoFumeur à la Cigarette Blanche, 1964Signed in pencil and numbered from the edition of 50Etching and aquatint in colours22 x 16 in
56 x 40.5 cm£ 52,500.00 -
Julian SchnabelLa Blusa Rosa I, from Sexual Spring-Like Winter, 1995Signed and numbered verso in pencil, a printer's proof aside from the numbered edition of 80Screenprint with poured resin39 7/8 x 29 7/8 in
101.3 x 75.9 cmShapero - Julian Schnabel, La Blusa Rosa I, from Sexual Spring-Like Winter, 1995£ 7,500.00 -
Frank StellaLunna Wola (V), 1975Signed, dated and annotated 'T.P' in black ink on the reverse, one of 14 unique colourway trial proofs, aside from the edition of 26.Unique cotton-pulp relief with hand-colouring and collage25 x 20 3/4 x 1 5/8 in
63.6 x 52.7 x 4 cm£ 22,500.00 -
Frank StellaRiallaro, 1995Screenprint46 1/2 x 32 1/2 in
118.2 x 82.5 cmSold -
Frank StellaShards II, 1982Lithograph and screenprint in colours39 3/4 x 45 1/4 in
101.1 x 115 cm -
Frank StellaIffish, from Imaginary Places III, 1998Signed and dated in pencil, numbered from the edition of 55 (there were also 14 artist's proofs)Lithograph, screenprint and etching20 1/2 x 21 5/8 in
52 x 55 cmSold -
Frank StellaOrofena, from Imaginary Places III, 1998Signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs)Lithograph, screenprint, etching and aquatint21 x 21 1/4 in
53.5 x 54 cm£ 12,000.00 -
Frank StellaRakow, 1972Acrylic, fabric and felt collage70.5 x 75.5 cm
-
Wayne ThiebaudUntitled, 1962Etching25.2 x 19.2 cmSold
-
Manolo ValdésProfil (Frank Stella), 2008Signed in pencil, numbered from the edition of eightEtching, aquatint, drypoint and collage in colours on handmade paper122.7 x 92.5 cm£ 30,500.00
-
Manolo ValdésProfil (Marc Chagall), 2008Signed in pencil, numbered from the edition of eightEtching and Aquatint48 1/4 x 36 3/8 in
122.7 x 92.5 cm£ 27,000.00 -
Andy WarholTomato Soup, from Campbell's Soup I, 1968Signed in ball-point pen and numbered with a rubber stamp, versoScreenprint in colours, on wove paper.35 x 23 inSold
88.9 x 58.4 cm -
Andy WarholCheddar Cheese, from Campbell's Soup II, 1969Screenprint in colours35 x 23 in
88.9 x 58.4 cmSold -
Andy WarholQueen Elizabeth II, from Reigning Queens, 1985Signed in pencil, one of 10 artist’s proof, aside from the standard edition of 40Screenprint in colours, on Lenox Museum Board39 3/8 x 31 1/2 in
100 x 80 cm -
Andy WarholQueen Ntombi Twala, 1985Signed in pencil, numbered and inscribed ‘TP 12/30’ a unique trial proof, aside from the standard edition of 40Screenprint39 3/8 x 31 1/2 in
100 x 80 cm£ 32,500.00 -
Andy WarholLadies and Gentlemen, 1975Signed by the artist in pencil on the reverseScreenprint in colours on textured watercolour Arches paper95.2 x 64.8 cm£ 17,500.00
-
Andy WarholFlowers (Hand-Colored) (F & S II.116), 1974Initialled in pencil by the artist, also signed by the artist in pencilUnique screenprint in black and white, hand-coloured with Dr. Martin’s aniline watercolor dyes on Arches paper and J. Green paper40 1/2 x 27 3/8 in
103 x 69.6 cmSold -
Andy WarholFlowers (Hand-Colored) (F & S II.118), 1974Initialled in pencil by the artist, also signed by the artist in pencil, dated ‘74 and numbered on the reverseUnique screenprint in black and white, hand-coloured with Dr. Martin’s aniline watercolor dyes on Arches paper and J. Green paper41 x 27 3/8 in
104 x 69.5 cmSold -
Andy WarholGreengages a la Warhol, from Wild Raspberries, 1959With the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse,Offset lithograph with hand-colouring on paper17 1/2 x 22 1/2 in
44.3 x 57 cm£ 5,750.00 -
Andy WarholSalade de Alf Landon, from Wild Raspberries, 1959Offset lithograph with hand-colouring on paper17 1/2 x 22 1/2 in
44.3 x 57 cm£ 7,500.00 -
Andy WarholWaterzoie, from Wild Raspberries, 1959With the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverseOffset lithograph with hand-colouring17 1/2 x 11 1/8 inSold
44.3 x 28.4 cm
