Untitled

The work of Sam Francis has not followed a straight line of progression. He generated new forms, colours and formats with every piece, constantly adding to his large visual vocabulary. This unique monotype is exemplary of his artistic language, demonstrating his skillful manipulation of colour hues and blending amongst the transparent layers. His large red woodblock impressions against the white of the paper highlights his need to work with opposites, a direct result of his interest in Oriental philosophy. This monotype, with its spontaneous spots, splatters and stains cannot be replicated, mimicking a painterly language, which was ultimately ground-breaking within the context of printmaking as Francis broke down the boundaries of what the medium can and cannot achieve.�